The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Martin Touhey
Fan

In reply to Nicholas Varga's post on Wed 18 Nov 2009 :

I've had very little luck in collecting funds ($70 on reelchanges, $50 on indiegogo), but I keep them there in case some bigwig comes along and decides to drop a ton of loot in my lap. You need $95k to finish, I need $25k to start. I'm gonna check kickstarter to see what it's about. Good luck.

Nicholas Varga
Pro

HAHA! We have the same exact expectation/motive for keeping our projects on those websites. My problem is that even the people I know who are business owners, and are able to donate money through a 501c3 and write it off, don't have profits this year to be able to justify doing it for me. I am taking a beating every which way I turn. It's frustrating more than anything because I can sit and edit for 16 hours straight and do not hesitate to come in the next day because I love to do it. However, my hands are tied because I need the money to do narration and can't go any further until it's done so $$$ is what's holding me up. This is for the very same reason why I HATE the industry. You work on any fictional film or tv show and there are 10 people there to do a 3 person job, all getting paid union rates. I want to blow my brains out because I HATE sitting around and am the only person who actually wants to work and it pisses people off! Oh well, gotta love creating change rather than getting rich!!!

Nigel Walker
Fan

Nicholas, So you will let a funder decide whether you continue or not? Turn a closet in your house into a sound room (blankets and foam), buy a digital recorder and mic (Zoom H4 or better), post on Craigslist for VO talent and learn how to record narration yourself. The internet is full of tutorials to do every one of these things.

Scott P. Harris
Pro

Hello, I made my first short, a nine minute piece about a very unique high school physics teacher, that recently premiered at the San Francisco Doc Fest. I was contacted this week by a woman who represents the feature that I was paired with. She said that their film was finishing it's festival run (it opened at Silverdocs) and they are starting to take it to colleges for screenings and putting together a dvd. The director liked my film, and he wanted to use it as an opener when he does the college screenings, and he wanted to put it on his dvd. That's great news for me, and I'm happy to have my work seen by more people, but when the issue of compensation came up, she offered $200. That seems a bit low to me. Do you have any idea what I should be asking for?

Christopher Wong
Pro

that's stunningly low, even for a short. if she just happens to be taking your film on a tour, it might be almost worth it. but if she's actually packaging your film in a DVD, i think you should probably negotiate for a share of the DVD revenues. maybe something like a $1.00 per DVD? under such an arrangement, you might not even make $200 total, but at least it will be a fair deal...

Willemijn Cerutti
Fan

Hello cameraman or woman, I need you to make a shot at DESIGN MIAMI the 5th of December for a documentary. Can I hire you? Please email me soon at willemijn@zeppers.nl Our company is based in the netherlands. Please mail me soon!

Nicholas Varga
Pro

Nigel,

Please don't get me wrong...I work forward everyday on the project whether there is money available or not. As an editor, as the film is already in the can, EVERYTHING left to do is up to me to accomplish or oversee getting done being that the others involved know nothing about production. We do need narration, the film needs to be scored, GFX...there is a TON of post to be done. The point I am at now, after sifting through 1000 hours of footage, capturing what I know I need, organizing and beginning post...it is VERY hard to move forward to make the project the quality I envision it with 0 dollars. I am a firm believer in doing things the "right" way, the first time without cutting corners. So for me to hire craigslist talent when I know "who" I want to narrate it is working backwards in my opinion. I will never "throw in the towel" but am committed to accomplishing what I deem necessary without too much compensation of quality for the project. Do you know what I mean...

Nigel Walker
Fan

I do and I respect the amount of work you have put in already and the commitment to your project.

My point is you will be surprised at what you can accomplish on your own and given the choice of not moving forward because you don’t have the money to get specific narration or getting narration that is good enough, which are you going to choose?

If your goal is make more films then the most important thing is completing this one as quickly as possible and taking what you have learnt to the next project so that one is better.

I looked at your project online. You have an interesting topic, character (likable?) and good access but you need to think about putting a shorter fundraising trailer together. The work by Fernanda Rossi is a good place to start.

Good luck with your project.

Nicholas Varga
Pro

Nigel, thanks for looking online at the topic...

I agree a short TRAILER for the film needs to be cut. It is the next in line. Essentially what you saw was me putting the RAW footage into "buckets" so that an investor can see how high impact the reality footage is and who it involves. Needless to say, in moving forward, a TRAILER is the NEXT thing I plan on doing.

As far as the character being likable, you and I both agree that the audience is more than likely NOT going to be sympathetic with him...which sucks because of his image! What I want to do is find a woman who has been a true victim of domestic violence to narrate "on camera" her own experience and then furthermore tell Ben's story of how he is inevitably a "victim" from false allegations of abuse so that the audience sympathizes with him. Ben by himself telling the story isn't as powerful as someone else telling it for him.

Custody is HUGE right now and his case is HISTORICAL by having the first woman ever in the US convicted of perjury on the stand in a custody case. This film has to be done right so that it is "THE" Custody film of its kind. I know where I want to go with it, I simply need the resources...

You rock for taking the time bro! I will let you know when the trailer is complete!!!

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