No plans to attend either, alas, as I'm in the middle of editing the new film. Will you be passing through NYC? And send my regards to Jan next time you speak, he's the best.
Rick, show it in berlin please – we met for a nanosecond in IDFA, but I was there only about 36 hrs, and didn't see FD.
In reply to Jo-Anne Velin's post on Wed 18 Mar 2009 :
Hi Jo-Anne, We'll be showing FD at Babylon Mitte as part of the Achtung Berlin-New Berlin Film Award festival in mid-April. Please come and introduce yourself!
In reply to Doug Block's post on Wed 18 Mar 2009 :
I suppose we'll have a screening in NYC at some point, but no concrete plans yet. The good folks at Tribeca didn't want the film, breaking my heart forever ...
Yes, Jan is the best. I'm very happy he took on the film. He's been making a lot of TV sales around the world, much to my delight!
Rick, now that you're a member, and since you hardly need mentoring, let's continue these various conversations in their proper topics (Festivals, Shameless Self-Promotion, etc.).
Hi, I am a first time filmmaker who has been shooting a doc for the past 2 years all over the world but I didn't got clearance from any of the countries I was shooting in. The film is about a humanitarian building schools and bringing aid to children in impoverished regions. We shot in Kenya, Egypt, India, Nepal and Sudan. I didn't get any clearance because he has always taken people along to document the work he does and I was taking over that roll. Now however I want to use the footage in a feature length documentary about him, with ambitions of getting it broadcast and in festivals. Is this possible. Do all filmmakers get clearance from the countries they shoot in if they are hoping to get them broadcast or shown at festivals. Also the organization is a non-profit and all profits from the film are going back to the charity – if that makes any difference. Any help or even a point in the right direction of where to get advice would be great. Thank you.
I am looking for input on acquiring archival rights, specifically when do you need to do so. I have about twenty different clips of archival footage (from old science reels I found at the Nat'l Archives to clips from news reports to bytes from two popular films) in my film that I don't currently have rights to. I have been assuming that I need to track down and try to get rights for all of this before I can take my film to festivals or think about any other forms of distribution. A friend recently said that might not be the case since they are all under 30 seconds and I am using them all as part of my critique/argument that they might fall under the Fair Use parameters.
I would love any advice on this.
Also would love to hear how folks actually go about securing rights,i.e. do you need it in writing from wherever it came from? Is there a specific legal document that you need to have them sign?
What would you expect to pay for say 30 seconds from FOX news?
How do the Fair Use guidelines work in reality? Does POV allow for them, for instance?
Regan, your questions really belong in the Research and Archives topic. Graeme, yours go in the Legal Corner. We like to keep discussions in their proper topics so that we can find the info later more easily. This topic is really for Enthusiasts who don't have access to the other topics.
ah, got it. i'll repost there. thx!
and never ever double-post again ;-)