The Mentoring Room - Ask the Working Pros

Mentoring Room

  • Public

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Naftali Beane Rutter
Fan

Hello everybody---

My new feature doc, an all- verite day in the life of three families in New Orleans, was accepted free of charge to the Thessaloniki Documentary Film Market after I submitted to the Film Festival. The movie is not in the festival, and it has not yet been picked up by any distributor (although I got really really close, dammit!)

I have never been to a film market of any sort before, and can find very little info on the net about the Thessaloniki Docmarket. So I am wondering if anyone has had any experience there or has heard anything, can tell me a bit about other docmarkets, whether it would be useful to be there in person or whether it's too crazy to go all the way to Greece [from Brooklyn]. One other thing to consider-– My flick is definitely a European style movie, which could hypothetically be most successful with audiences over there, so this market could be exactly where I want it to be in terms of target audience.

Thank you thank you thank you,

naftali

Doug Block
Host

Naftali, it's not really worth it to go over to Greece if you're just in the market. Often they don't even let the filmmaker in to where the market is, it's just a bunch of commissioning editors and festival programmers sitting in a room with monitors watching stacks of films on dvd. What you really want to do is get your film to the few good sales agents out there that take on docs and sell them internationally (Films Transit and Roco Films are two). They go to the various markets and larger festivals and do the dirty work for you. Meanwhile, keep applying to film festivals and try to premiere it in the biggest and best one possible before you settle for the second or third tier festivals. Lots of luck.

Chahid Charbel Akoury
Pro

In reply to James Longley's post on Tue 13 Jan 2009 :

thank you for the reply Mr. Longley.... i just had a chance to try the Sony PMW-EX3 as a friend is over to visit from the U.S. and i found it to be rather good, except for some minor details, i'll try and find a Panasonic HPX170 , unfortunately we do not have a vast range of camcorders, or anything but the commercially available consumer minicams in lebanon... well its more convenient for me to shoot directly onto solid state cards.
and as you say it's pretty much "drag-and-drop" to get the material off the cards and into hard drives for editing.... i found it so easy especially with the non-linearity approach to viewing the clips ...

thank you again...

Naftali Beane Rutter
Fan

In reply to Doug Block's post on Tue 13 Jan 2009 :

Doug,

Thank you very much. Mmmm, dirty work for me. That sounds fantastic. I will track Films Transit and Roco as best as I can.
And I am applying to those festivals, oh yes, I am applying those festivals. Thanks for the luck.

And good luck with all you are doing.

Best of the best,
naftali

Matt Dubuque
Pro

In reply to James Longley's post on Tue 13 Jan 2009 :

Your welcome James. I enjoyed it.

I wanted to ask you, on some of your long shots it occasionally seems that you are shooting the footage with music in your head. It seems that the way some of your camera movements are made as you wind your way down passageways in Baghdad, Gaza or Najaf have a distinct rhythm and syncopation to them, separate and apart from the way you punctuate your edits.

I play percussion and I occasionally had this distinct impression while watching your work. Is this true? Do you ever have music or rhythm in mind as you shoot any of your "Steadicam" shots?

Thanks,

Matt Dubuque

James Longley
Pro

Everything is hand-held in those films and the only music is the music of the spheres.

Matt Dubuque
Pro

Cool. Filming to Pythagoras. I can relate!

Cheers,

Matt

Matt Dubuque
Pro

Can I write off my camera, lights and sound equipment?

Hello-

I'm asking this question here because others may have it and I trust the answers from a tax law library or tax professionals that may be here far more than a Google search.

However, I find the CCH and RIA tax materials somewhat disorganized in their approach and layout, so I'm trying to avoid a trip to the law library.

Here goes:

I'm conviced I can make a profit on some of my films over the next five years and am willing to prove this to the IRS over time. This is the first year of my business and it is not a hobby.

As such, I am filling out a Schedule C and possibly a Form 4562 for tax treatment of my purchases of camera, lights and sound equipment.

I would like to expense these items rather than depreciating them. Can I do so?

Thanks. I just wish the Rutter Group (or even CEB) would make tax guides.

Matt Dubuque

James Longley
Pro

Yes – I think you can do this – but most tax advisors will probably tell you that you should calculate whether that will be the most beneficial thing to do.

Matt Dubuque
Pro

Super, thanks so much James. I managed to get hold of the IRS instructions for this form (Form 4562) and was finally able to confirm that this is possible; the wording is pretty dense, but after reading it many times to learn whether film gear is considered a "listed" asset or not, I was finally able to decipher it.

I have a string of documentaries in the queue and have set up both non-profit and profit entities for them. I feel comfortable that for this particular for-profit entity this is what I want to do....

Many thanks,

Hope all is well.

Loading...