The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

John Burgan
Host

Darla – for a DV project you can't go wrong with Final Cut Express which is cheaper than, yet fully compatible with its more powerful sibling.

Doug Block
Host

Gita, generally showing the film to your main characters before the public sees it is better and more considerate. They'll probably need the first screening just to absorb it. It's not an across-the-board rule, but if they're even somewhat exposed or vulnerable in the film it's good to let them have their own private reactions first.

Wolfgang Achtner
Pro

Hiya Gita,

Doug has given you good advice.

On the other hand, there is no simple answer to your question.

Many different factors may came into play. Just to mention one or two: what kind of story you've told, what kind of relationship you have with your subject, what role your subject has in the documentary, the way you've told their story, etc., etc.

In some cases I'd say it would be best NOT to show it to them before your film comes out (goes to a festival, airs on tv, is released in the theaters, on DVD, etc.), in others, there wouldn't be any valid reason not to show it to them privately.

Unless you give us some additional details about your film and your relationship with your main character, it's almost impossible to say what might be best or more appropriate in this particular case.

Roderick Taylor
Pro

I work as a clinical counsellor for children and youth. As a volunteer project I help youth make their own documentary films. Our current film is about the perception of female body image and its correlation with eating disorders. For our b-roll, we added motion to images that we downloaded from the internet and scanned from magazines. These images are often advertisements or pictures from fashion magazines. In addition, we have included clips from movies and music videos as part of our b-roll. For example, a kid is talking about the stupidity and sexism in music videos while we show a clip from a 'Girlicious' video.

Question:

1) Is my use of these copyrighted images and sources of media legal seening how I am making an educational/research based film.

2)If I am allowed to use the aforementioned images in my film, am I allowed to alter them in any way. For example, I took a photo from the internet of a best buy advertisement which showed a skanky looking model. I used the image of the model as part of my b-roll but, in doing so, I used adobe after affects to delete part of the ad(words and other pictures}?

Paul Miil
Pro

Is it possible to make a biography on a famous musician without their permission?

If so, can I use their name in the title?

I have intentions of distributing to Canada & USA.

I contacted their management and this was their reply--I removed their identity.

"xxxx is a very private person and isn't looking for this type of recognition.
In view of how xxxx would feel about the whole thing, we would not be allowed to license any music nor would the band be available for interviews."

Ramona Diaz
Pro

Well you could argue that the musician is famous and therefore you can make this film about the public persona. BUT how can you make a film about a musician without access to his/her work – i.e. the music? If management and the band are unwilling to give you permission to use the music, you can't use it. What would be the point of the film?

Paul Miil
Pro

So, simply because someone is famous I can make a doc about them without their permission?

Would I be able to show the inside of previous homes and schools that he mentioned in his books or is that too private? Where is the line?

They say he is a private person and yet he's a celebrity who has written several books with intimate details about his private life.

Christopher Wong
Pro

paul, for an example of how to profile a musician without using ANY of their music, check out AJ Schnack's Kurt Cobain About a Son

however, the above doc did primarily utilize the artist's recorded tapes from an interview for a book. so, you will somehow have to access something which gives the artist a voice. i'm sure you'll think of something creative...

Neil Garrett
Pro

Hi all,
I'm filming a low budget community project (uk) over the next couple of weeks some of which will involve shooting teenagers (sadly only with a camera) at a club they attend. As most of them will be under 16, this puts me on tricky ground with the release forms. I need parental consent, but it's unlikely any of the parents will come to the club during filming. I'm a bit nervous at the prospect of say, giving each kid a release form and self addressed envelope and relying on them to return them, and there's no way of knowing or finding out who'll be attending in advance.
Should I be worried about this or just go ahead and shoot? Do I have to get release forms even for kids who'll just be wallpaper?

Mark Barroso
Pro

Neil:
Laws are country-specific, so us Yanks can't tell you squat. That said, I'll tell you my thoughts anyway (us Yanks are like that).

I'm assuming you can't contact parents ahead of time and are shooting kids who just happen to show up. If it were me, I would demand from the kids the phone number of their guardian and call them on the spot. After getting a verbal release from mum, I'd tell her you need to get all this in writing and that she will have to sign a release and get her address.

Know going into it that x percent of the kids you shoot will be unusable because their parent never followed up by mailing you the release.

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