The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Darla Bruno
Fan

Been a crazy summer, but I'm back and need to get my footage (on PAL – sd) digitized/time codes . . . that's the first step. Then I can translate/edit.

I don't have Final Cut, (just PC/MovieMaker) but someone offered to put everything (using a PAL camera deck – if I buy or rent it) into FinalCut for me and give it back to me on a hard drive (and I might ask him to throw everything on DVD as well – if I can get that with time codes).

So I'd have to pay him around $400 to do this. It's 16 hours of footage, plus buy a hardrive from BestBuy ($100) and rent or buy the PAL camcorder.

Since I'm not prepared to get/buy a MAC/Final Cut right now, I think this might be my best option for having my footage digitized.

But I'll still need to give it to a translator with time codes, so I can prob. ask this guy to put it on VHS/DVD whatever for me. . . that way I can also watch it (on my PC) and log the footage.

Does this make sense/sound like a deal?

Thanks! (Please excuse semi-newbie language)

Doug Block
Host

If you're really looking to edit, I'd just take the plunge and get a Mac and FCP. You'd save $400 right off the bat by not having to pay this dude. Are you making a film or not?

Darla Bruno
Fan

Wow, Doug, that is quite a plunge for me. But I appreciate the candor/simplicity of your answer. Thanks!

Christopher Wong
Pro

darla, i really, really hope that you are not thinking about cutting your film (even the first version) on PC/Moviemaker... that would be disastrous for you in terms of wasted time and energy.

if you really can't afford to get FCP now, then the $400 arrangement sounds fair. to load 16 hours of DV tape takes about 2 days, and that's worth it. if you can get that person to get you DVDs of all the material (with timecode stamp) – perhaps for an extra $100-200? – then that also sounds reasonable.

but if there's ANY way that you can get your hands on a very cheap iMac or MacBook laptop ($1000 for cheapest model), you should definitely do so. and if you have a friend who can lend you a "trial" version of FCP – no, i'm not advocating piracy – then that might be a good way to see if FCP works for you. if you don't have such a "friend" available, email me and i might have a suggestion for you.

Gita Pullapilly
Pro

Advice on showing the main characters in your film the final cut?
I have heard varying opinions...show them alone...show them the film at a festival (so they can see how the audience responds)....we are debating how to do this and would appreciate any advice. Thanks!

John Burgan
Host

Darla – for a DV project you can't go wrong with Final Cut Express which is cheaper than, yet fully compatible with its more powerful sibling.

Doug Block
Host

Gita, generally showing the film to your main characters before the public sees it is better and more considerate. They'll probably need the first screening just to absorb it. It's not an across-the-board rule, but if they're even somewhat exposed or vulnerable in the film it's good to let them have their own private reactions first.

Wolfgang Achtner
Pro

Hiya Gita,

Doug has given you good advice.

On the other hand, there is no simple answer to your question.

Many different factors may came into play. Just to mention one or two: what kind of story you've told, what kind of relationship you have with your subject, what role your subject has in the documentary, the way you've told their story, etc., etc.

In some cases I'd say it would be best NOT to show it to them before your film comes out (goes to a festival, airs on tv, is released in the theaters, on DVD, etc.), in others, there wouldn't be any valid reason not to show it to them privately.

Unless you give us some additional details about your film and your relationship with your main character, it's almost impossible to say what might be best or more appropriate in this particular case.

Roderick Taylor
Pro

I work as a clinical counsellor for children and youth. As a volunteer project I help youth make their own documentary films. Our current film is about the perception of female body image and its correlation with eating disorders. For our b-roll, we added motion to images that we downloaded from the internet and scanned from magazines. These images are often advertisements or pictures from fashion magazines. In addition, we have included clips from movies and music videos as part of our b-roll. For example, a kid is talking about the stupidity and sexism in music videos while we show a clip from a 'Girlicious' video.

Question:

1) Is my use of these copyrighted images and sources of media legal seening how I am making an educational/research based film.

2)If I am allowed to use the aforementioned images in my film, am I allowed to alter them in any way. For example, I took a photo from the internet of a best buy advertisement which showed a skanky looking model. I used the image of the model as part of my b-roll but, in doing so, I used adobe after affects to delete part of the ad(words and other pictures}?

Paul Miil
Pro

Is it possible to make a biography on a famous musician without their permission?

If so, can I use their name in the title?

I have intentions of distributing to Canada & USA.

I contacted their management and this was their reply--I removed their identity.

"xxxx is a very private person and isn't looking for this type of recognition.
In view of how xxxx would feel about the whole thing, we would not be allowed to license any music nor would the band be available for interviews."

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