The Mentoring Room - Ask the Working Pros

Mentoring Room

  • Public

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Jo-Anne Velin
Pro

Ramona, that's a brilliantly simple way of explaining how to work backwards. Ten sounds right.

Erica Ginsberg
Host

Lora, see the hidden section below for something I recently posted in the Classifieds (though I think I only posted in the Members-Only Classifieds). It's not my project – just passing the world along.

Join an ad hoc volunteer collective of doc filmmakers, camerapersons, FCP editors to videotape and edit all the protests and demonstrations at the Democratic National Convention August 24-28 in Denver and the Republican National Convention Sept 1-4 in St. Paul-Minneapolis. Hundreds of thousands of Americans will be protesting and demonstrating against the funding of deadly wars with our tax
money, the erosion of our civil liberties and how we are sliding into an economic depression.

Videotaping all actions will take place every day, and editors will digitize selected clips. Video footage from inside the DNC and RNC will also be obtained. A rough cut of a cinema verite doc will be done at the end of each Convention which can then be fine tuned.

Please contact me for this important project for the whole world to see. People around the world consider Americans to be apathetic so, let's prove them wrong!

Joan Sekler
sekler@earthlink.net
www.unprecedented.org
cell: 310 968-6566

Andrew David Watson
Pro

Lora, I'll be shooting at the DNC for the IFC. We are set with crew but if i hear of anything i'll post it here. Denver is going to be a mighty interesting place come aug 25th!

Marilyn Perez
Pro

Hello wonderful community.
It is great to connect again especially now since I find myself looking for a magician and am very behind schedule.
Most of all I need a senior EDITRIX OR EDITOR.

Pressing Onward in spite of setbacks "SMOKE SCREEN" the documentary is (like a virtual cigar) quite oceanic. In all of this there is a particular magic to articulate real or imagined separations between people in Cuba and people in the USA while at the same time revealing many similarities and shared interests.

The character of this isolated island of Cuba is seen not so much in the great moments, but in the small ones. Most folks know that in 1962 Kennedy declared a blockade against the island but he died tragically before he could reverse the embargo.

I've got over 70 hours of footage. In places I open aperture allowing for a transporting feeling through the people I meet especially farmers. I feel grateful to experience being under the radar of this 'evil eye' that wants to steal attention from Cuba and latch tight another notch in the harness of the mask that binds and blinds.

My "Papi" suggested to me that there is magic, mirth and mischief in those intricate swirling gossamer vapors appearing form the tip of his beloved cigar. My travels to Cuba go against the tide of many other Cubans. There are people who refuse to help me because this film is about Cuban cigars, community and family oceans apart. (Pedestrian protest rallies against smoke are not about to subside any time soon.)

This doc has the potential to unite the folks who abide in 'el Che' together with the exile embittered embargo backing folks like my sweet aunt!

Please help make this 'socially irreverent' and 'highly relevant' film find its audience now!

I have 2 versions one 42 minutes and another 50 minutes and both lack the "ability" to insist on being noticed by the vast audience that this topic deserves. Also if you know of any slight of hand tricks please don't hold back!

I am open to receiving help.
You are invited to participate at any level.
I thank you for your time.

Elizabeth A. Dillion-Stelling
Fan

Any suggestions on where to look for a possible camera person to work with me on my project, I checked craigslist.com which someone suggested but nothing there. Any films schools in NJ you might recommend, otherwise I am running around with a new handcam scaring the beheba's out of all my friends trying practice on my own.

Robert Goodman
Pro

contact the Philadelphia Film Office or the New Jersey Film Office for lists of camera operators.

Michael Beckelhimer
Pro

Hello. I recently bought an XH-A1 and I'm looking for recommendations on microphones. I need a lav and a shotgun. I have been directing a documentary and using professional shooters and equipment, but on my next shoot I'd like to use my own equipment. Most of the audio will be interviews in controlled environments, with some interviews conducted as we walk through the city. My budget is flexible. I was thinking $500-$800 per mic. Also, someone in an earlier post mentioned the possibility of wireless mics experiencing interference or having problems in Europe. Is this a widespread problem? How can it be avoided? (I am filming in Russia.) Thanks!

Michael Jacoby
Pro

Hi,

I'm a first time documentary filmmaker who just completed a feature doc called Ten More Good Years about the challenges lgbt elders face in America today. I've licensed the film to The Sundance Channel and Logo for five years giving up only national broadcast rights. I want very much to self distribute the film to universities, institutions, libraries, etc. I was hoping to get into New Day, but was denied. Is anyone aware of a good distribution solution? I am happy to do the work myself, but would like time to move on to my next project. If there is another co-op of filmmakers that distribute educationally I would love to know about it. Hell, if anyone knows of a decent distribution company that won't bend me over backwards and take 75% of the profits that would be good. I've had offers from several distribution outlets but the deals seem way to off point for me.

Any suggestions from seasoned veterans?

Best to you! Mike
www.tenmoregoodyears.com

Michael Wisniewski
Fan

Hi, beginning editor here, getting into it with my rear end facing the wrong direction if you know what I mean. I would love to hear what techniques you use to organize large amounts of footage for the editing process, think 200+ hours of footage. And what other practical things do you do to help the editing process be more efficient?

Mark Barroso
Pro

I found this tutorial from a Creative Cow moderator useful to me. If you want, I'll sell you my copy of Shane's DVD at half price. Whoops, is that allowed here? Email me at mbarroso@mindspring.com. There's also Ken Stone and others.

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