HA! I'll keep working on it. I have his tentative agreement not to fight this thing and hopefully, his personality won't take a vacation in the interim.
I was told you can't buy an ibook, you have to buy a macbook pro becasue the ibook doesnt support final cut pro. that's what apple told me...i'd double check that though. good luck!
Hey there –- still haven't combed through many of these posts, confused about order. I'm hoping someone can help. The series I want to create is a three part series – one of the parts involves just shooting one subject talking for about 20 muinutes in a setting like a park or an office. I dont have a camera, lighting kit, lavalier or anything. Since this part of the production is fairly straightforward (hardly any subject movement, same location, only one subject being shot) I was going to put out an ad to get some grad film student with gear or access to gear to shoot it with me present to work with the subject. I can buya new computer so the person I hire can store the footage (I will be working with multipple subjects/different shoots, so the footage will add up), is it reasonable for them to get an assciate producer credit if i am not paying them? i am not paying them becasue i dont have money but of course I'd liek to make this worth their while as well.
also, I just took an intensive guerrilla fillmmaking class (taight me some basics) where they said in Febriary 2008 the new US standard for all TVS is HD, all the networks have to switch over (so he says). So if I plan to air this on internet with the thought in the back of my mind that one day this may be aired on network or cable television and also screened on a big screen, should I put in the ad that the people who aplpy for this job MUST have a HD camera, and also do all HD cameras do a good job of being able to have great picture quiality on the web AND on tv/big screen? I know, newbie questions. please help, thanks!
Thank you to John and Jo-Anne :-)
Jo-Anne, I would really appreciate your offer of help as I want to come to Berlin and I'm not sure exactly where to go. I can send my one page treatment to you. I'm not sure how to email you, but you can email me through my website, www.knowingevil.com. Thanks again and talk to you soon.
I'm about to embark on my first documentary, and I'd like to know what gear you guys use.... I was thinking of using an HVX, lavs and just practical available lighting as its more of an urban themed documentary.
Am I missing anything?
A good shotgun mic might help catch some of the action. The HVX isnt the best low light camera so depending on the shoot maybe consider some type of lighting. Tripod? Extra batteries? Camera Bag? Those can be important as well. With that said, dont worry to much about gear and focus on the story.
Books, DVD's, websites for techy info, unless you're doing art for family and friends. Volunteer to shoot weddings, ballgames, rodeos to learn to work under pressure.
And yes, you're missing a lovely intern.
I agree with ADW! Don't wory about technical stuff, they're just tools to tell your story. Mike, especially for your first doc, really focus on your story and what the slant is. Target audience? Who will you interview to give your doc credibility? Who is your "expert" on your subject? Think about the kinds of answers you want and then develop really open-ended questions to get those answers (and more!) in the on-camera interview...
Focus heavily on all aspects of pre-production; locations, setting up interviews, scheduling b-roll shoots when, where etc... By doing all of this pre-production, you begin to establish your technical requirements, i.e. that the HVX isn't the best low light camera, 30p or 24p? That I'm gonna needs lights, a boom mic if I've got multiple folks talking during interviews, or, I need a lav mic, or a wireless mic system etc...
As I tell my high school and college video students, there's no such thing as too much planning! Good luck!
Yes. It's called the 6 P's: Prior Planning Prevents Piss Poor Performance.
That includes learning the technical stuff. I disagree with you, Tim. Real filmmakers don't use the Auto-everything setting, just as real photographers don't use point and shoot cameras. To use your analogy, anyone can buy tools, but a true craftsman learns how to use them from a master – in person or from books/DVDs. It can save you a lot of time and frustration.
Practice, practice, practice.
I would like advice about mounting a camera inside a moving car, for view through the front window. I was able to rig my tripod in the passenger seat, which worked fine as long as the road I was driving on was smooth--not usually the case with rural highways, certainly not with gravel roads. Wondering if anyone has a good suggestion for 'shock absorbers' for the camera. I have tried this with a PD100 and VX2000. I tried handheld but found there was more overall camera movement than I wanted though less 'jittery-ness'.