The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Katinka Kraft

Thank you Mark! I really appreciate your input. Sadly it was Canon who we sent camera to for repair and it worked for 3 months and then malfunctioned again.

Mark Barroso

In reply to Katinka Kraft's post on Sat 21 Jun 2008 :

I sent my DVX out for repair once – for a similar problem, actually – and the shop did a lousy job (Repair Specialists in Tennessee). I found the Panasonic service rep for the entire southeast and he agreed with me, told me which shop I should REALLY send it to (on his dime) and chewed out the shop that failed to fix it properly. "Squeak! Squeak!" said the wheel.

grinner hester

make a reel and get busy.
Take the first job offered and never stop looking for better paying gigs.
My first tv job paid a whopping 3.35 per hour. My next one paid 18k a year at 70 hour work weeks. I did not look at it as being exploited. The year before I was paying good money to learn this craft and now I was getting paid to learn much much more.
With every addition to the family, I simply had to quit and get rehired at a different level elsewhere. At one point in my career, I moved my family to five states in as many years, salary climbing and dream-chasing. I worked my way into a six figure salary, a bald head and an ulcer or two.
I'm self employed now. Still love what I do. I pay bills by editing and shooting for clients and I still dream chase by making labor of love productions on a constant basis.
Don't stay in one place too long. It'll make ya feel secure.
I think my record for a staff gig was 2.5 years.

Monica Williams

Thanks for the valuable advice Christopher, Mikal and John :) This takes some of the pressure off.

Eric Klein

Alright: I'm a radio reporter, and I want to buy enough video gear to start making movies next week. These would be short docs for the internet. I want to spend less than $10,000 total on a camera, computer, and software.

I am forming a plan that includes the Canon HV20, an iBook (my apt is too small for a new desktop), and Final Cut. Then I figure I want a wireless lavaliere to supplement my existing "radio" gear. I have a zoom h4.

Keeping in mind that I'd love to upgrade my gear once I pay off this round of credit card debt, where's the best place to cut corners now?

If I'm very proud of a movie that has started life on youtube and then I want to submit it to festivals, what should I know?

Mark Barroso

Before you start making any more movies, there's a secret to filmmaking that we all had to learn the hard way, or in my case, pay thousands of dollars. But since you asked, I will tell you. You always should rghopdjjjjjjjjjjjjjj (chokes on pork rind, keels over dead).

Joe Moulins

Eric...Speaking as a radio reporter who started making movies a few years ago, I'd say you're on the right track. You can make the move for a lot less than $10,000. More like three thousand.

You could make do with Final Cut Express, rather than Pro. It's still an amazingly powerful app, and you'll get a discount when you upgrade to Pro.

Get a Macbook rather than a Macbook Pro, with the smallest drive and the bare minimum of RAM. Upgrade the RAM and hard drive yourself. You can Get 2gb of RAM and 300 GB internal storage for less than $300. Buy a 30 dollar external case for the extra hard drive, which is now your "traveling" media drive. The Macbook will run a 20 inch monitor. Get a couple of massive firewire drives, one for media and one for backup.

With all the money you save, splurge and buy a great microphone.

You'll still be using it long after the Macbook and the Canon camcorder are a memory.

Equipment-wise, this is a great time to be starting out.

Le Sheng Liu

I recently started a blog for a feature documentary I want to develop on trends in American crime reporting as they relate to gender, racial, and economic discrimination. I would like to share my findings and insight with anyone who is doing research for a similar project or is just interested in the topic. Here is the main link.

You can either set up an RSS feed to your page/Google or have my postings sent to your email. And if you are a member of any of the following sites, the blog also appears there...
LiveJournal –
Wordpress –
Facebook –

Thank you and let me know if you have any questions!

Tony Comstock

In reply to Eric Klein's post on Mon 23 Jun 2008 :

Joe's pretty much nailed it, especailly about the sound gear. Still using the same mics I bought 12 years ago.

The only thing I'd add is that if you really have $10K, pick up some lights/stands/grip gadgets. A medium sized softbox, a flood fixture and focusable fixer will go a long way to doing good looking talking head interviews. And like sound gear, light gear lasts forever. I've got lights and stands going on 20 years old, still as good as the day I bought them.

Monica Williams

Is anyone familiar with the use of European and American art (17th-20th century) in documentary film? If so, I am looking for any information that will be useful as I make preparations for a trip to Europe to gather images. I have talked with The Bridgeman Art Library (a provider of high-res images for a price) but I'm wondering if there are cheaper ways to get rights to use images from museums. Is something older than 200 years, passed its copyright? Do I still need permission to use these older images? Is it fairly easy to obtain permission or a minefield? Any information regarding this area of documentary will be highly valued.