The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Le Sheng Liu
Pro

Haven't been on there in a long time. Do they charge a subscription fee? That might be one of the reasons I don't go there. MediaMatch does too but I get the $5/month student membership.

Brian Boyko
Pro

This is an ethics question.

I'm finding that I've got great interviews but as my subject is really explaining an electoral system (I.e., the "Inconvenient Truth" model) rather than documenting a series of events (I.E., the "Super Size Me" model) I wanted to ask you about the ethics of truth and such.

What I'd like to do create a "frame" around the footage that I've gathered that is essentially a parody of "An Inconvenient Truth" I'd basically rent-out or borrow a classroom with projector on the weekend, and invite my improv comedian friends to be "feeding" me questions. I would make it obvious that the audience is portrayed by actors – first with a disclaimer up front which states: "While the subject is truthful, the audience portrayed in the film are paid actors."

Then during the shooting, I was actually thinking that the first question would be along the lines of: "Yeah, Brian, you said that if we came here and pretended to be an audience that is actually interested in this stuff that you'd give us 20 bucks." (Interruption from the back) "And cake! Where's the cake?!"

Is it ethical to make a documentary with obviously staged scenes to increase the entertainment value and, supposedly, to get more people interested in it, without crossing the line into "mockumentary?"

Fredric Lean
Pro

SOUND HELP for documentary shooting on Canon HV20.

Has anyone had shot a doc on canon HV20 or knows well the camera?

I went to a store in NY specialized in video. I told them i needed a broadcast quality sound for the consumer HV20 Canon. it's for a doc , reality TV like.
The shooting style will be handheld mostly. On person crew (so no boom) and only one person (the subject) can be wired up but I still need to pick up the sound of people the subject will be talking too. So i will also need a shotgun mic i presume.
There''ll be indoor and outdoor (public places) shoot.
Here's the package the seller at the store, came up with:

Sennheiser EW 100 wireless lavaller $500 +tax
Beachtek XLR $179
Rode NTG 2 shotgun $269
Headphones $160.

Total = over $1000

1) is this a good package for sound quality?

2) is there anyway to get the same type of quality sound (assuming it is a good one with this package) but a bit on a lower price?

any other suggestions?

Wolfgang Achtner
Pro

Brian,

My 02.c worth. What you describes seems very much a mockumentary to me.

I don't think it has to do anything with ethics, rather it's a question of what kind of a story you want to tell and whatever way you believe is best to tell that particular story.

A documentary can very well be interesting and entertaining without using gimmicks. It very much depends on the story and how you want to tell it.

Christopher Wong
Pro

brian, a mockumentary is really just a fiction film posing as a documentary. i think what you seem to be worried about is your doc descend into something so silly that the main point about something serious (i.e. the electoral system) is lost.

while i'm not completely convinced that your scene (as described) will work effectively, there's nothing ethically wrong with it, especially since you seem to be taking great pains to tell the audience "This is a setup!" but if you compare your scene to some of the animated scenes in, let's say, "Bowling for Columbine", it's essentially the same thing. the only difference is you've got animated characters standing in for paid actors – the humor, the pre-written lines, and the method are the same.

Brian Boyko
Pro

In reply to Fredric Lean's post on Sun 2 Mar 2008 :

Fredric, I'm also shooting on the HV20, and my next purchase is for a beachtek adapter and some new XLR mics – but I've found I've got good audio from this combo:

Audio Technica ATR55 Shotgun Mic ($50)
Shock Mount ($20-40)
A bracket to move the microphone away from the camera. ($10)

I don't use wireless mics.

There are two problems with this setup. One, handling noise – even handling the wire connected to the camera – transmits easily. But I've actually found it to get really, really good sound.

Get that setup if you can afford it – don't try to cheap out on the sound, and that actually sounds like the best option.

You may also want to spend $200 on a Samson Zoom H2 to get a second source of audio if you're doing sit-down interviews.

A deadcat/fluffydog will be useful for cutting out wind noise.

With my setup, here's the audio I got.

Outside, w/Crowd Noise: http://vimeo.com/736167
Outside, w & w/out crowd noise: http://vimeo.com/378059
Outside, w/out crowd noise: http://vimeo.com/377215

Brian Boyko
Pro

Another quick question: Anyone use Keynote to graph key ideas in a documentary? How did it turn out?

Asar Imhotep
Fan

Peace everyone

I was wondering if anyone had any good advice on temporary insurance for documentaries. I am working on a budget for my film in which I want to hit Ghana, Tanzania, France and Britain. With me possibly going overseas, I don't want to take equipment and things over there and not be insured. Does anyone have any experience with this? Who would you recommend as a provider and who should I AVOID?

Thanks in advance

Alex Fumero
Fan

Hi Everyone,

I'm a first time documentarian producing a film about the first generation immigrant exiles to move to Miami from Cuba. They are old and I need to get their stories on video before they die. I'm going to try to hire an experienced director, but if not, I'm going to do it myself.

1) Are their any documentaries I can look to for inspiration that are like this one? I know there is a name for this type of film where you profile a certain community or group of people and interview them, but don't know the name.

2) In terms of sound, I'd like to get the wireless lapel mics. Is that a bad idea? I feel like it would make shooting that much easier.

Please help. Thanks, Alex.

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