The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Christopher Wong
Pro

through a great seminar at the WGBH Producers Academy, i made contact with a really helpful person at PBS (Kathy Lo). When I told Kathy that I was looking for an EP, she then introduced me to a bunch of different people who would make sense for my project (e.g. Freida Lee Mock, Renee Tajima-Peña, Steven Okazaki). After she made the intro, then I made contact with them through email. Renee turned out to be the best fit.

what i might suggest for you is to find a PBS film (or 2 or 3) that you really like, do some research to see how it was funded, and then if it's a good fit, go and track down that person. if you need help, i can always give Kathy Lo a call on your behalf.

lastly, are you applying for Sundance's next funding round? they are really good at giving first time filmmakers a shot at the money. if your footage is really compelling, and you get funding from them, that really makes it easier to get an EP on board.

i'm sure the more experienced vets here have better suggestions than i.

David Felix Sutcliffe
Pro

I am planning on applying to Sundance but I thought that Sundance was rolling. is there a deadline coming up?

As far as your other comments, I have been looking at a few PBS films and eyeing the EP credits, although my experiences in the past with cold-calling people has been a bit frustrating. Perhaps I'll update my list of potential EPs and run them by you to see if Kathy would possibly be willing to be a middle-(wo)man. Thanks for your advice Chris.

Christopher Wong
Pro

as far as i know, the sundance documentary fund has two funding cycles per year. though they don't have any official deadlines, they usually issue funding announcements around January and in June -- which is obviously around the time they have their committee meetings where they make the decisions. just make sure you have a good 20-30 minutes of continuous edited footage before you apply... if you want, the D-Word is a good place to get some feedback on your work-in-progress.

Niam Itani
Host

David, Chris, I suggest you carry this to the WIPs because many others do not read this thread.
And, David, if you want to try and contact some of the Muslim Associations in America or something of that sort for funding, probably I can link you to a friend who can help.

Leah Cameron
Pro

In reply to Doug Block's post on Thu 11 Oct 2007 :
Hi Doug,

So, it's taken me a while (shooting, good old grant apps), but here I am. I like the 10 Rules of personal documentary filmmaking, especially the how-much-to-put-yourself-on-camera debate. Gahd. I'm already in mine more than I had hoped and looking kind of bleary-eyed at that.

Say, Doug, did you or anyone else who has made a personal doc ever feel like the story is really about what goes on when the cameras are off (i.e. how difficult it is to make a doc about your family?)

I'm having a bit of trouble seeing the larger picture with this one. Think I need the help of a good editor!

Sigh,

Leah

Reed Thompson
Pro

Hi Leah. Saw your post here and couldn't help but want to respond. I think that "losing site of the big picture" is just a normal part of the process with doc making -- particularly, if you are going it alone and with minimal collaborative feedback. My advice would be to simply put the project away for a period of time (the longer the better). Take an extended break from it. You will be amazed at just how much more of a refreshed perspective you will have (with respect to your story) once you return to working on it. Good luck!

Leah Cameron
Pro

Hey Reed,

Good to meet you and thanks for the advice. The trick is, the doc is about my father learning to fly airplanes again after 40 years. He hasn't had his license all this time, there is a long stoy behind why. The idea was that I would follow him until he got his license again and dip back into some of the issues behind why he was barred from flying - encounter with mental illnes, loss of two loved ones in plane crashes. Good idea in theory.

It turns out that he contacted transport Canada and they just reinstated his license. They send it to him in the mail, just like that. Gahd. This despite the fact he told me it would be a long process to get it again. Then I find out today that he's been booking classes behind my back! Sneaky devil. I think he's tired of having film crews around poking into his life. Fair enough.

So the thing is, I do feel a certain pressure to follow the story.

What's keeping you busy right now?

Doug Block
Host

Leah, for sure there's a story about my family's reaction to being filmed, but I don't think it's nearly as interesting or significant as the story at hand. That's why I saved it for the dvd. But nobody wants to hear the filmmaker whining about how hard it all is (other than fellow filmmakers). Because it's a whole lot harder for your family members dealing with a lens in their face.

Reed Thompson
Pro

Oh, my mistake, Leah. Something about your post caused me to think you were in post-production.

In regards to your circumstance:

I think so much about [verite/direct cinema] doc making is just placing yourself in situations and circumstances where your gut tells you a compelling story might take shape. It certainly seems to me that your idea for this doc was a good one. Obviously, it is difficult (if not impossible) if your subject is reluctant.

As for me, I am patiently chipping away, one tiny little baby step at a time, towards completion of my humble little doc, Blue Devils. Thanks for asking! :)

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