Is the museum sponsoring your project? How many visitors do they
get a year and what partnerships do they have with other
organizations -- both baseball and African-American orgs? I would
think your best bets are grants and DVDs sales through the museum's
existing network of contacts. Depending on how the project is
developed, you may be able to sell it to PBS or a cable channel, but
don't expect to make back any money from those sales.
The museum is not sponsoring us but they are supporting us, it will
be an authorized documentry if that means anything. We are looking
for funding right now, got any cash?
Shaking the Money Tree, 2nd Edition: How to Get Grants and Donations for
Film and Video: Books: Morrie Warshawski by Morrie Warshawski.
Barry, I enjoyed talking with you the other day. I know you are pressed
for time so grants may be out of the question. I'm on my first doc that
needs funding. It seems to me that finding a 501C3 partner is my best
bet. Good luck and keep me in the loop. We're both doing baseball
Ha, Gary. Last place you want to raise serious funds is from other
doc filmmakers. We're all in the same sinking boat. Good luck!
I'm new here and looking for further guidance. I want to get into
documentary film making to cover issues in children rights
(broadly). I studied Communications for both my BA and my MA and
have a day job to pay the bills. I've been reading more and more
about docs and I want to do it for a living (or try anyway).
Any ideas on where to go from here? If you ask me what I'd like to
be doing (in the field) in 10 years, I'd say producing and still
writing, which is what I'd like to do soon.
I hope this is a clear intro and I hope you guys will be able to give
me some constructive advice.
Thank you very much!
I have a question, well a few I guess. I recently started an
attempt at making a short documentry. Topic: online gamers. Next I
hope to do a wildlife short.
Here is my issue. I have some notes scribbled down, for example:
1. Opening intro
2. interview with.. XXX
3. comentary on convention
4. footage from convention
Is there a better way to lay out what I want to accomplish? I know
that most people do not like software that helps with these things,
but, what do you all think?
What type of software package would help me most with getting the
layout of my documentry down? Do I need a screenwriter software?
Movie outline? Final Draft.. or?
Any help would be appreciated! Thanks.
Any word processing software will be fine for a treatment.
ana, you could try any number of things. you could take classes.
you could intern for established doc makers. you could simply pick up
a camera and start shooting. there's no set path.
I'd go with word processing and skip the specialty software. For a
treatment, you don't need to go shot-by-shot. I assume you are
asking about a script or at least a paper edit guideline.
Some folks live by using the same format as for a fiction script.
Personally I prefer the side-by-side version where I put my visuals
in the left column and the audio (interview bites, sound on tape,
music, etc.) in the right column. You may find you like doing it in
word processing or you may find that color-coded index cards on a
wall work better for you.
I'd recommend investing in the book, "Directing the Documentary" by
Michael Rabiger for further ideas on how to do a paper edit. Some
folks find it very old-fashioned since you can now do all the layout
directly in to a nonlinear editing program, but doing a paper edit
can be really helpful as you are starting out to help you get your
head around the story you are trying to tell.
I'm half way through my first documentary rough cut and I'm in need of
some music. I'm a graduate student so I definitely need royalty free
music. The types of music range from woody allenesque jazz to 1960s
lounge music to classical piano interludes to kitschy italian
concertina music. Have any ideas? I also was wondering if there was an
easy place to access music which has had its copyright expire? Any