The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Jon Foy
Fan
Hello,

A two part question:

I've been searching out archived news clips (mostly local) and feel
like there's more out there than I find. I've tried: Lexis Nexis,
Vanderbilt, Google (of course), and searching engines on each local
news station. Any other places come to mind?

For acquiring the footage: I'm looking for two local news segments
from 2003 (Pittsburgh WTAE, Cleveland WKYC) and I've tried the
stations (won't release them) Multivision, and an assortment of
local archive houses. Any other ideas? Anyone know of any ways (by
hook or by crook) to get the stations to hand them over? I know
that this must be a common problem for doc film makers.

Much thanks in advance, -Jon and the Resurrect Dead film crew
Steve Holmes
Pro
Jon, what's their reason for not releasing the clips? Money?
Privacy? Too lazy to dub them? Is there an organization that studies
your subject and might have clips or access to them? If you're
talking about the crop-circle project, how about the Coast to Coast
radio show which looks into a lot of mysterious phenomena?
Joshua Moro
Pro
Hello, we are considering producing a feature length doc that
utilizes dramatic Alaskan landscapes and wildlife as major
characters. We are novices and so don't think we can go with film
and instead think HD will be more realistic. Are there different
types of HD? What is a good example of a doc or program recently
shot on high-end HD?
Steve Holmes
Pro
I don't mean to be disrespectful, Joshua, but if you're novices, can
you afford HD shooting and editing? I haven't worked in that medium
and will defer to people who have, but I know it's high-end stuff.
So I don't seem to be just a naysayer, here's a place for info. on
HD: http://www.hdnnc.org/index.php. It's a group that promotes the
use of HD. You might get some answers there.
Joshua Moro
Pro
No worries about disrespect. We've made one 50-minute doc, shot on
location in China, Montana, Seattle on widescreen digital beta. It's
had a good amount of success at the second-tier festivals and we are
currently looking at broadcast deals. We still think we are novices,
but have an opportunity, story and some connections to make a leap
into the feature-length doc world. From what little we know about
HD, it seems a great option for capturing the details of vast
landscapes and wildlife. Maybe not for interviews or indoor footage,
though. Thanks for the info!
Michael Lieberman
Pro
Hello. I forgot my user info last fall, and am finally back.

I was/am making a documentary about an Iraq War veteran, and am in the post-
production stages. I was curious, as I was sent here last fall for a discussion, lost my login
info (and my job, moved, etc.), and am now back.

At the time, I asked a bit about grants and producers. I've been turned down by a few
grants, mostly because I suppose this is the *wrong* time to be making a film about a
veteran, given the timeliness and the vastness of films about this subject. Oh well.

I've self-financed this project from beginning to end and have spent under $1000. I have
no distribution or festival plan, and work most of my time so I am unable to edit as I'd
like. I know this sounds, well, like alot of other filmmakers doing the same thing. But I
was wondering if there might be a few pointers someone would consider offering. I have
no experience or helpful people around me regarding this, even though I know
filmmakers who have found distribution. When I ask them, I get a cold shoulder or my
question ignored, as if they're protecting their precious resources.

I've tried some local fundraising, and haven't found any organizations or individuals
willing to put any financial backing. I've offered clips and a small edit (like 20 minutes)
and nothing still. I don't hope to change minds about the war and refuse this idea of fair
and balanced reporting about the war, because this project isn't about that at all. Could it
be that, given how most feel about the war, that putting money behind a project with this
subject matter is considered fruitless, given most disagree with the war and my subject as
well?

Sorry for the ramble, but I've about given up finding any funding at all, or a producer. At
this point should I do everything myself?
Doug Block
Host
I mean, his Fundaising Conference on The D-Word is here: {LINK NOT IMPORTED}
Steve Holmes
Pro
Michael Lieberman wrote:

<<I've been turned down by a few grants, mostly because I suppose
this is the *wrong* time to be making a film about a veteran, given
the timeliness and the vastness of films about this subject.>>

I know of several Iraq films out there, including two by our own
James Longley and Julia Guest, but timeliness usually means it’s the
*right* time to be doing something.

Where are you in the process? I’m confused. Are you looking for
distribution of a completed film or fundraising to finish it? Those
are two different animals.

<< even though I know filmmakers who have found distribution. When I
ask them, I get a cold shoulder or my question ignored, as if
they're protecting their precious resources.>>

Strange. I can understand being coy about some funding sources,
especially if a filmmaker feels he has a special “in,” but people
around here are quite open with advice about the pros and cons of
distributors.

<<I've tried some local fundraising, and haven't found any
organizations or individuals willing to put any financial backing.>>

Where are you located? Is there a filmmakers’ group nearby that has
occasional workshops on fundraising and distribution? There’s no
money in doc distribution unless you’re Michael Moore. Most doc
makers get their funding through grants or their own checkbooks.
Very tough to sell this as an investment. You need people who will
put money into it for emotional reasons. They believe in the topic.
They believe in the veteran. They believe in you. Maybe some group
such as Vietnam Veterans against the War. They might not have money,
but should be able to steer you to people who can help you with
cash, in-kind, endorsements or contacts.

Try the Foundation Center (<http://fdncenter.org>). Its site allows
you to search by key word for potential funders. The group also has
placed copies of its core collection of grantwriting books in
libraries around the country. Get the nearest location through the
website.
Ross Williams
Pro
In my documentary I want two quick shots of two seperate
celebrities. Unable to afford paying for any usage rights, I'm
wondering about how to get around this.

How I've worked it now, is I've changed photos of them very
significantly, cut them out, messed with them in photoshop and
animated them. I don't know if anybody would ever be able to
recognize them from the original photo.

I thought I'd heard somewhere that if you change a photo more than
50% than it's considered a new image. Is this true? I can't find any
evidence of this anywhere.

Has anyone dealt with this before? Or point me to a website that
would explain this?

Thank you.
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