Thanks for taking the time to provide such a detailed and intelligent
response. The "review . . . learn . . . and dump" as you go advice is
really good. I have a spreadsheet form that I fill out after shooting
and I'm going to start logging as I go, as I anticipate shooting a few
hours a month for nine months, and don't want to wake up in september
with thirty hours staring at me! :)
I just had my first experience with the beachtek the other night,
borrowed a few shotgun mikes from the local cable access station (and
stands) and ran them into my beachtek, monitored it all on headphones.
good experience, and when I have a static environment, i think i'll
go with mikes on stands; but for more mobile shooting (or tighter
quarters) i think i'll go with Sennheiser. I really appreciate the
advice! Thanks for being so generous!
quick question on ethics and doc filming--if you've got a good scene
going but your subjects are just a little too far apart (physically)
to both be in your frame, is it ethical/permissible/fair to ask them
to scoot closer to one another to fit into your frame? in this case,
it was a married couple discussing a budget, and i was crammed into
the corner of their dining room, and they were comfortable just
sitting a little closer and pushing their laptop over a little.
anyone have any thoughts on this? thanks in advance.
sure, i've done that. had no great moral scruples, either. but,
shhhhh, don't tell anyone ;-)
thanks, doug, we'll keep it our secret. :)
I just switched from using a SONY PD 150 camera with which I was
using only SONY DV cam tapes to a Panasonic DVX100B. B and H said
definitely start using the Panasonic tapes because you don't need DV
cam and they are much cheaper. But my SONY deck has only been used
with SONY DV cam tapes.
My friend and teacher Cynthia Wade said definitely stick with only
SONY DV cam tapes. Does anyone have any experience with this?
I know there are issues with drop outs when mixing tapes. But am
I now locked into the DV cam tapes? I'm about to start a long
project so with tapes and dubs I'll probably shoot minimum 300 tapes
so using the Panasonic mini DVs would represent about a $2700
saving. On the other hand I want to use the best tape and not have
problems with my deck.
Any help would be greatly appreciated!!!
welcome, deirdre. we go way back, you know. i'm about to register
you into the d-word community. be sure cut and paste this question
there. many more working doc makers will see it there and you'll
definitely get answers. but i've heard over and over you should stick
to the same brand of tape stock and preferably the same as the
Im in the process of coordinating a long distance endurance event in
Africa raising money for HIV/AIDS orphans in Africa. I am looking at
approaching documentary production companies to film the event.
However, I am unfamiliar with documentary companies and am looking
for advice on who to approach. In particular i need to approach a
company with expertise in sports, social issues and simultaneously
capture the beauty of Africa.. anyone with suggestions pls help! thanks
Deirdre, do you have the option to dub from your new Panasonic camera
into the editing system? I wouldn't use Panasonic tapes in a Sony
deck. Not sure about using Sony tapes in a Panasonic camera, but I
am sure somebody around here will pipe up about that soon.
Thanks so much Doug, i will do so.