finder's fee - worth 5-10%.
which 24P package - a DVX100A? a SDX900? a VariCam? a Cinealta? 16mm?
35MM? If the answer is DVX100a, I'd suggest unless you don't get
your 500K, moving up the production scale.
doug - not what I meant. If the budget is $500K think the
expectation is that you will shoot on something better than Hi8. Now
if you're talking Pixelvision I could understand. And was I talking
assuming richard raises 500k, as opposed to 2 cents ;-) given that
he may well need to shoot in stages, should add that nobody's ever
been arrested for upgrading camera quality mid-stream. or mixing
I'm wondering if anyone out there has some advice about how to get
advice on writing a budget for a full-length documentary film. Are
there any online mentorship programs? I'm in Canada, by the way....
I'm starting taping on a documentary concerning my father and a
boyhood story. I've watched Alan Berliner's "Nobody's Business". Any
other suggestions on material to watch, books, etc? Any advice
"my architect" and "capturing the friedmans" are the most obvious
recent choices. i'm doing a similar film and i think the main
question is can you treat your own role in the film with the necessary
objectivity and distance? in other words, can you treat yourself as a
character in a movie? other than that, my own rule of thumb is that
no one in the film can come off looking worse than me. a sense of
humor about oneself never hurts, either.
but my best advice is find a great editor. or, if you can't afford
one, find one to be a consulting editor.
I am mailing a letter requesting an interview with a gentleman named
Ernest Callenbach - known mostly for his visionary 70's sci-fi
Frankly, I'm a novice filmmaker and am wondering if established
people like Mr. Callenbach would want to be offered, from the get-
go, an honorarium? I have no budget and little money, but if that
might help me get an interview w/him, I might be able to up front
ANy thoughts on this? Is that simply insultingly low? Should I not
offer at first and see what happens?
maureen, i've been involved with many docs and have never paid for an
interview, never offered pay, never been asked for pay. more than
likely he'll be more than happy that a filmmaker knows who he is and
appreciates his work, and wants to put him in her film. if he's so
inclined, offer to take him out to lunch or dinner, instead. and
shoot a really terrific interview.
Could anyone suggest a source(s) one could refer to in order to
attempt to forecast potential revenues from televised doc's in the US
and Canada? I'm budgeting and need to ball park potentials and wish
to provide precendence for support of proforma. Thanks.
Hello everyone. I am venturing into my 1st documentary and I was
wondering what kind of inexpensive choices I had for recording
dialogue. I will be interviewing subjects at their homes and
dictating from notes to use as narrative. I was told that minidisc
recorders such as the Sony MZ-B10 were good and inexpensive ways to
go, any advice?
hey all, im very new at filming anything. i've done most of my
research from the net, but if anybody can lead me to a site or book
perhaps on how to come up with a good line of questions... i only have
one day of shooting and i've never done anything like this... but i
know i have to be prepared.
the topic is mostly concerned on the elements of hip hop and most of
the potential interviewees are teenagers who have there own
there's a great book on interviewing that i've noted here before (you
can check back posts), i think called "the craft of the interview" by
a guy named brady. do a search on amazon and i'm sure you'll turn it
calm down, tim, everyone IS busy, and i'm simply no sound expert. i
generally use a senheisser directional mike as an auxillary mike
plugged into the camera. works for me but it'll cost you at least a
few hundred dollars. the most inexpensive way, of course, is to use
the built-in camera mike, but i don't recommend it. nor do i
recommend cheap mikes. sound is too important.
I just posted in intro-section, but this is probably the place. I am
trying to finish my first doc. It's about a New York- based Japanese
dancer who lost her whole family in earthquake in 1995, and later
marry with a son of Holocaust survivors. The film is 80min. long, and
moving but also humorous. I started filming in 1995 with a little hi-
8, and finished filming with DV in 2004. The editing is almost all
done with my pocket money, but need funding for some rights
clearance, lawyer, insurance and so on. Because I am basaed in
Toronto, but the story has nothing to do with Canada, it has been
hard to find suitable funders. National Film Board threw me a small
grant though. I am wondering what's the choices for funding for an
lots of choices, kyoko. i highly recommend you read two forums here:
selling in the international marketplace and fundraising for docs. you
should also join the d-word community: www.d-word.com/community/join.
good luck with the film: "moving but also humorous" is always a great