maureen, i'd simply ask him to take me to some of his favorite local
spots. done all the time - by me, at least. while you're out and
about you can keep your eyes open but i'd go where the subject is most
I'd recommend you ask him for ideas in advance and, if you can, get
to SB a day or two before your shoot to check out the locations to
plan how you want to set up the shot. A subject may have a favorite
park or cafe but may not be thinking about such things as noise or
available light. For instance, he may like to go to a certain park,
but always sits in a part of it that is very crowded and noisy.
Might be better to find a quieter spot for the interview or perhaps
consider one section for the interview and another for him
interacting with other people (if you want anything more verite).
Also not sure whether the city plays a sub-character to this
character; if so, the extra time will give you the opportunity to get
some beauty locale shots.
Hello All & a happy 2005
Read a few of the very useful and practical guidelines offered here
and am very excited. Am based in Nairobi Kenya and am in pre-prod.
for a docu. on the youth and issues that affect them especially in
high school and college.
Has anyone done a similar project or any thoughts?
if you've had any professional experience as a documentarian please
feel welcomed to join the d-word community, which requires another
regisration step (you've already done part one): www.d-word.com/community/join
Yet another question about releases, however this one is about web
pages. My project is begging for some footage of internet sites.
At our facility, I have access to a scan-converter so that means I
can get fairly decent images off of computer and onto tape. But my
question, of course, is ... are the "release rules" regarding web
sites the same as they would be for using still photos, archival
footage, etc. Do I have to email the web master of each site and
get their permission?
Any info/experience regarding this stuff would be very helpful.
Thanks so much. - Maureen
Hi, i'm new here. I recently introduced myself on another posting.
I'm working for my cousin and she'd like some questions answered if
possible. We're working on a documentary called Childless by Choice.
We're interviewing couples who have made the choice not to have
children. As neither of us have much practical experience, we need
some help. Thanks in advance.
1. Are d-makers copyrighting their treatments or proposals before
sending them out to funders and prospective partners?
2. Do we need Errors and Omissions insurance for a TV Doc that will
be marketed toward both US and Canadian broadcasters?
3. What percentage of a doc budget is typically allotted for post-
prod and marketing? If a dco budget is $100,000, what percentage is
likely to go towards post production, how much to market it?
4. Should an indy filmmaker put in a lump sum payment for her
services (into the budget), even though typically the filmmaker
doesn't get paid until there is money left over?
5. Do you need a location release in addition to a talent release
when you interview in peoples homes? what about in a hotel?
6.Is there a ay to convert film from PC Adobe Premier to Mac Final
cut pro without losing?
3. Post - depends on how much material you shoot and how quickly you
can edit. Marketing - depends on profile - high profile project -
typical marketing expenses can run from $30,000 to 100,000 after
completion of the project and before a distributor starts spending
money. Also include money for outreach activities - reaching the
4. Better to create line items knowing full well you'll never see a
5. No location release needed for people's homes. Insurance is
needed in case you break or damage something. Hotels - as long as
the hotel isn't recognizable I wouldn't bother. Get you into more
difficulty asking than just doing it.
6. Not sure what you are asking. Adobe Premiere doesn't use film. It
edits digital media files that must be captured if analog or
transferred if using firewire into the program. The media files are
not compatible with Final Cut Pro. The timeline may work. So you
might be able to edit and create an edl that can be transferred to
FCP. The media will need to be re-transferred into the mac.