it's not the composition that makes an interview compelling, jim. it
helps, of course, as does lighting, as does focus, as does good sound.
but worry about the interview itself and trust that the subject matter
is inherently interesting. there are lots of terrific docs out there
that rely on talking head interviews. this fella named errol morris
has made few.
Jon Else's films are also another resource.
HI, again, oh Brain Trust.
Looks like I'll be posting to this site often in the next few
months, as I'm embarking on a new project.
OK - making a road trip from San Francisco (my home) to Santa
Barbara in mid-Jan to interview a man I hope to be a supporting
character for my documentary. In this initial visit I probably only
have 1 "session" of 4-5 hours with him, and have never been to Santa
Barbara. We are a 2-person crew, relying on natural light - hoping
to shoot outside. My subject lives in an apartment building, but I
was hoping to shoot him in a park or outside a cafe and walking,
maybe to the beach - out and about. My problem is I don't know
Santa Barbara at all. Is it ok to rely on your subject to "scout"
for you? I have already asked him if he wouldn't mind thinking of
such places where we might go. We'll probably shoot a little in his
house, but ideally I want the atmosphere of his city.
So, how does one "research" such a thing? Maybe we should show up a
couple hours early and scout on our own? Should we just rely on our
subject's recommendations? Visit websites? Any ideas?
Thanks, in advance. And happy & safe new year to all!
maureen, i'd simply ask him to take me to some of his favorite local
spots. done all the time - by me, at least. while you're out and
about you can keep your eyes open but i'd go where the subject is most
I'd recommend you ask him for ideas in advance and, if you can, get
to SB a day or two before your shoot to check out the locations to
plan how you want to set up the shot. A subject may have a favorite
park or cafe but may not be thinking about such things as noise or
available light. For instance, he may like to go to a certain park,
but always sits in a part of it that is very crowded and noisy.
Might be better to find a quieter spot for the interview or perhaps
consider one section for the interview and another for him
interacting with other people (if you want anything more verite).
Also not sure whether the city plays a sub-character to this
character; if so, the extra time will give you the opportunity to get
some beauty locale shots.
Doug and Robert, thank you very much for your input!
Hello All & a happy 2005
Read a few of the very useful and practical guidelines offered here
and am very excited. Am based in Nairobi Kenya and am in pre-prod.
for a docu. on the youth and issues that affect them especially in
high school and college.
Has anyone done a similar project or any thoughts?
Yet another question about releases, however this one is about web
pages. My project is begging for some footage of internet sites.
At our facility, I have access to a scan-converter so that means I
can get fairly decent images off of computer and onto tape. But my
question, of course, is ... are the "release rules" regarding web
sites the same as they would be for using still photos, archival
footage, etc. Do I have to email the web master of each site and
get their permission?
Any info/experience regarding this stuff would be very helpful.
Thanks so much. - Maureen
When I made Home Page I made sure to write each web site I filmed and
get the owner's permission. They were personal web sites, though. It
was pretty simple. I would try in your case, too.