I am currently directing a documentary about the Bengali community
here in Dundee,(Scotland) focusing on the dance group of young
children. As this is part of my project at university, I have been
asked to write an in-depth treatment of my documentary, as part of my
modular work. Could anyone point me in the right direction please? Of
how to write a treatment? This would be a great help! Thank you!
Syeda, a treatment for a doc is difficult (if not impossible) because
you can't predict what will happen once you start taping. So I don't
know why your university is asking for one. A project description or
synopsis makes a lot more sense. But if you must, I suppose you can
describe what you hope and expect might happen, and talk about your
Thats what I thought,but I wasnt to sure exactly what a treatment
was, so therefore i wasnt about to knock it without trying... heheh
Now instead of trying to force my documentry to fit the module, I am
doing another project for it. Thanks for your help Doug, hopefully
things like these wont keep forcing me away from my doc.
Thats all I wanna Do!!!!
Hi- Here I am , new to this place- and thrilled to find it!, wanting to
hear that I am not completely insane to want to put a doc
together BY MYSELF. Have people done this? Gotta camera, got
programs, got a MAC, got subject, got music, got editing skilld.
Shouldn't I be able to do this? I'm seeing some scary posts, and
doing a search for info is either giving me lots of companies that
do docs (no thanks, I've already got one...), or links to all the
places that make this seem awfully difficult. I'd like to hear from
anyone who has put something together him/herself. As I asked
in my introduction on the "introduction" page...Am I nuts?
I am new to this too. Accidentally made my first documentary last
year. Since then I have made two short docs that have screened at
festivals. I recently completed my first feature doc...a year of
work, frustration and lessons. I might suggest a person for
audio...the most challenging part of editing has been fixing the poor
sound quality that came from the on board mic. If you believe in the
project enough you can do anything. You also might want to bring in
an editor also if you do not have prior editing experience. The
reality is that technology has made it possible for a one person doc
In answer to your question, yes...you are crazy. You would have to
be to want to make a documentary film. Welcome to the club.
Good advice, Scott. I agree. Also suggest you do a lot of practice
practice practice on your camera work. And if you're editing
yourself, wise to spend the money on a very good, very experienced
editor to look at your scenes from time to time and offer feedback.
Lucky for me, I hope, I have worked in vid editinmg, and YEARS
in audio- am polanning to do some separate sound
recording-though not on interviews, because I don't wanna deal
with time code. Doing the actual camera work is probably where
I'll nedd the most work- so I intend to spend lots of time with my
cats(that oughta give me some practice!)-and I'll make my poor
daughter be an interviewee for a while-she'll love that!
Any suggestions- books or sites to go and learn more about all
of this and putting together? And anyone whose got things I can
look at on web would be great! Let me know. Thankyou all so
much for everything so far!
Wait ... in an inteview situation, it can be most useful to have a
separate sound recordist, because you'll have other things to focus on
in that moment. You're already asking the questions, operating the
camera, and, most importantly, listening to your interviewee.
This doesn't mean that the sound has to be recorded on a separate
medium and thus cause timecode worries. The soundman's signal can
still go straight into your camera, no?
Also it's good to have a sound recordist because he or she is REALLY
listening to your interview and may actually be paying more attention
to the content than you are, as you are concentrating on making sure
the subject is speaking in useable soundbites and thinking about
seguing into the next question. I always let my soundman have the
last question of the subject and he never disappoints with a good one.
Aha- Very good points! I assume (tho' I know what happens
when you assume) that I have an aux audio on the camera. My
husband does audio for a living (as I have done in past) I will tap
hiim, then, there by insuring a reasonable sound without
timecode- you people are so wonderful! And I start shooting next
week- so this is all really great - I also realized I can set up a
mike and mixer, and set all to start (camera and mike at same
time) once I am ahppy with audio and video levels. This will all
be fairly static shots w/tripod/mike stand- so even if I decide to
change positions here and there for some alternate angles, I
should be able to do it- I just was telling the spouse about your
input, and he suggested we do dry runs of this possible set-up
at the house to see whether I can do it...Does that sound
Again- your input is really priceless, I can't thank you enough!