The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Margot Roth
I think Robert is taking the word "technical" too literally here.
Obviously Space is referring to the methods, the thought organization,
etc., not literally issues of tape stock, e.g.

And indeed there is a big difference in approach to making a fiction
or doc film. They are entirely different beasts.

Space, you might want to hire an a.p. or co-producer who is
experienced in docs to help you. I don't think a book can replace
human knowledge and experience in this case.
Margot Roth
Heather, good to see you here and your idea sounds excellent,
although the challenges do seem a bit daunting. I wonder if you could
go ahead and do some shooting and cut a short demo for Walmart to look

It's all rather unfortunate with the timing of Michael Moore's movie.
Did Michael Moore shoot inside Walmart? Did he get permission?

If the angle of your film is a Fred Wiseman type of
humanity-revealing through a microcosm, I'd imagine it would be great
publicity for Walmart. What makes this tricky is you don't know who
you're pitching to, exactly. If you can pitch in person, you can
gauge their sensibility better. You could pitch it to them as almost
a reality series built around Walmart (crass, but whatever). Of
course, if you pitch it to someone with a brain and sensitivity, pitch
the humanity/vérité angle.
Robert Goodman
Margot - disagree - the thought process for making a fiction or
nonfiction film is much the same. The only difference is that in
fiction you need actors and the outcome of the film is
predetermined. Figuring out what the scenes are and who you need to
talk to and how to go shoot it require same skills. No special
cameras/crews required for docs versus drama. Planning is planning.
Prepro is prepro.
Deleted User

Im very new to this site, and I was hoping there may be some people
out there willing to share their views on the work of Nick
Broomfield, controversial british doc maker, with me (Biggie and
Tupac, Kurt and Courtney,The leader..., Heidi Fleiss etc..). I am
currently compiling a biography and analysis of his career and
works. Im especially interested in a discussion on doc ethics, with
an emphasis on new documentary. I would also like to know if anyone
knows of anywhere, apart form the N Broomfield official website,
where I could gain access to a biographical outline of his career

Any comments would be greatly appreciated!

Thanks- Hayley
Doug Block
Hayley, no need to post the same request twice. We read all the
different topics.
Leslie Bielanski
Hi all! I am a little new to the world of docs having been a
television producer for many years. My husband and I have recently
started our own company and are in the middle of our first
project. Here's my question-We are aiming to make a one hr piece
and our initial thoughts were to go for something like the History
Channel, Discovery, PBS etc. Assuming we self fund the project at
say $125,000 budget and we present the finished project to these
channels what would they typically pay? I understand the concept of
domestic international rights etc. Lets say for instance we were
looking to give them domestic and home video rights and leave the
international marketing to another company. We are just trying to
get an idea of a typical pay out from the nets. Thanks so much for
your help!

Leslie Bielanski
Okay. So if you don't mind here is a second question. In two parts:

Where does an international market other words how much per
country-is it reasonable to expect say Germany to perhaps pay
$100,000 for a $125,000 budget piece if they are interested? Is it
better to work with a distributor who has international connections?

Secondly-I have been in the TV business for a good many years and
have worked freelance for a documentary production company. How do
these companies make any money? Does say History Channel pay little
more money once you have become established? I do love making
documentaries but I am also trying to make a living at it and trying
to figure out the best way to do that. Thank you again for your

Doug Block
Leslie, I strongly recommend you read the Jan Rofekamp conference on
Selling in the International Marketplace: {LINK NOT IMPORTED} It will answer your
Deleted User
Hello everyone,

First, thank you for your replies. It's super encouraging to hear words of advice and interest when you feel like you're floating in a
worldof what-to-do-next's.

I think I miscommunicated one thing and I'm curious to see if this changes anyone's angle/opinion/advice. The company we're
thinking of is actually not like a controversial Walmart-y kind of place. Although it is big and national, the branches we're interested in
are actually some of the smaller, less intriguing, and famous parts of the main company. Also, they have appeared
lately on dating shows and segments of David Letterman. So although I know image is a huge factor for them, it's not clear to me
exactly what they need to protect or project. Also, I think as a place on the fringes of big business I'm not sure if I can actually say -
'what have you got to lose'? Am I naive?

(btw - hello margot and thank you!)

-Heather & Margaret (again)