The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Niam Itani

David, Chris, I suggest you carry this to the WIPs because many others do not read this thread.
And, David, if you want to try and contact some of the Muslim Associations in America or something of that sort for funding, probably I can link you to a friend who can help.

Leah Cameron

In reply to Doug Block's post on Thu 11 Oct 2007 :
Hi Doug,

So, it's taken me a while (shooting, good old grant apps), but here I am. I like the 10 Rules of personal documentary filmmaking, especially the how-much-to-put-yourself-on-camera debate. Gahd. I'm already in mine more than I had hoped and looking kind of bleary-eyed at that.

Say, Doug, did you or anyone else who has made a personal doc ever feel like the story is really about what goes on when the cameras are off (i.e. how difficult it is to make a doc about your family?)

I'm having a bit of trouble seeing the larger picture with this one. Think I need the help of a good editor!



Reed Thompson

Hi Leah. Saw your post here and couldn't help but want to respond. I think that "losing site of the big picture" is just a normal part of the process with doc making -- particularly, if you are going it alone and with minimal collaborative feedback. My advice would be to simply put the project away for a period of time (the longer the better). Take an extended break from it. You will be amazed at just how much more of a refreshed perspective you will have (with respect to your story) once you return to working on it. Good luck!

Leah Cameron

Hey Reed,

Good to meet you and thanks for the advice. The trick is, the doc is about my father learning to fly airplanes again after 40 years. He hasn't had his license all this time, there is a long stoy behind why. The idea was that I would follow him until he got his license again and dip back into some of the issues behind why he was barred from flying - encounter with mental illnes, loss of two loved ones in plane crashes. Good idea in theory.

It turns out that he contacted transport Canada and they just reinstated his license. They send it to him in the mail, just like that. Gahd. This despite the fact he told me it would be a long process to get it again. Then I find out today that he's been booking classes behind my back! Sneaky devil. I think he's tired of having film crews around poking into his life. Fair enough.

So the thing is, I do feel a certain pressure to follow the story.

What's keeping you busy right now?

Doug Block

Leah, for sure there's a story about my family's reaction to being filmed, but I don't think it's nearly as interesting or significant as the story at hand. That's why I saved it for the dvd. But nobody wants to hear the filmmaker whining about how hard it all is (other than fellow filmmakers). Because it's a whole lot harder for your family members dealing with a lens in their face.

Reed Thompson

Oh, my mistake, Leah. Something about your post caused me to think you were in post-production.

In regards to your circumstance:

I think so much about [verite/direct cinema] doc making is just placing yourself in situations and circumstances where your gut tells you a compelling story might take shape. It certainly seems to me that your idea for this doc was a good one. Obviously, it is difficult (if not impossible) if your subject is reluctant.

As for me, I am patiently chipping away, one tiny little baby step at a time, towards completion of my humble little doc, Blue Devils. Thanks for asking! :)

Brian Boyko

Okay, this is a big one.

I've got enough material together to start cutting together a 6-12 minute promo of a 55-minute piece, and I want to start shopping it around to get development grants for post-production. (I have found that it takes more than final cut pro and hope to master the nuances of video editing, and that I should probably get some help...)

However, even though I'm not a member of the Writer's Guild, AND I only work with unscripted non-fiction, if I'd be crossing the picket line by pitching.

Now, I don't intend to sell the movie until the Writer's strike is resolved, but I don't know if it's okay to move forward with it.

Brian Boyko

One more thing - I'm thinking about applying to ITVS for finishing funds, but this is my first documentary. Where can I find a documentary co-producer that I can apply with in my area?

Monica Williams

I will be starting the dig for archival materials for my historical documentary. I'm noting which archives the historical docs that I love use, but does anyone have any other advice on where to start and how to avoid archives that require a Ken Burns budget? My film looks at four events in modern history - The Lisbon Earthquake of 1755, Auschwitz, Hiroshima and Nagasaki and September 11th.

Thanks Katya for your advice on advisors!