The Mentoring Room - Ask the Working Pros

Mentoring Room

  • Public

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Leah Cameron

Hi Everyone,

What a great community you have going. Allow me to introduce myself. My name is Leah Cameron. I just signed up and I had a big question, so I thought I'd jump right into the forum.

I'm currently directing my first doc and I received two small government grants for the project. We've begun shooting on DVCPro HD. Now I'm looking to secure a broadcaster and get further funding.

Two broadcasters have expressed interest in seeing footage, so I figure it's best to show them a trailer. While I've studied story structure, I'm not as familiar with the elements that make a good trailer. Does anyone have any suggestions?

Oh. I should also mention that the film is a personal point of view documentary. My father is learning to fly airplanes again after 40 years and I'm following him to understand the battle he faced with mental illness and his life-long love affair with flight. For as long as I can remember, he's been obsessed with flying, but he hasn't been able to fly.

A little backstory: He lost his father in a plane crash in the RAF when he was six and his fiance in a plane crash in his late 20s. He got his license in the early 60s to get over his fear, but soon suffered an emotional and mental breakdown because of the grief. He was rehabilitated, but because he was on medication, he was barred from flying.

Until now that is. Now 70 and drug-free, he's passed his medical and he's learning to fly again. For him I think this is a journey about feeling in control again. For me, it's an attempt to try to understand my father and what he went through.

Any help is much appreciated.

Thank you!


Tanya Coovadia

Contract help, anyone?

Hi, all,

My embryonic production company has been approached to work on the pilot for a series that has attracted the attention of a television channel. Not having anticipated the need for a lawyer (and certainly not having the budget for it), we don't even know where to begin. Are there any sites that might contain information or templates or even some hints as to the types of items that are covered in a contract of this nature?

Thanks in advance.

Christopher Wong

leah, sounds like an amazing project. and i think by your very description of it in your last posting, you already might have the structure for your trailer.

essentially, it could go like this:
1) Start out with some scene about your father preparing to fly again. This could be anything from reading a flight manual to laying out his flying clothes (whatever that might be) on the bed. This could be a strictly observational scene where the audience doesn't really know what's going on, but is intrigued; or you could put a VO underneath with your father talking about what flying means to him.
2) Cut to a still photo (or old 8mm film?) of either his father or his former fiancee. Using old newspaper clippings or something else (VO again), communicate the tragedy of what happened.
3) Cut to interview of Dad explaining medications he used to take (perhaps holding an old medicine bottle) and the details of his emotional breakdown
4) Close with shot of him walking towards an airplane (as if he were about to enter it for his first flight...) Fade to black.

Obviously, I have no idea what footage you have, so some of those suggestions might not be viable. But that kind of structure lays out the man, the history, what's at stake, and the drama -- all within a tidy 2-3 minutes.

If you're looking for theory into what makes a good trailer, hopefully someone else will jump in. (I know nothing about that.) Good luck and count yourself lucky to be shooting your first doc on DVCPro HD!

Leah Cameron

Thanks Chris and Doug. It's always useful to get an outside perspective. And I'd like to check out Fernanda's book.

Your advice is really appreciated.


Leah Cameron

And, Doug, at risk of turning this thread into a 51 Birch Street love-in, I wanted to express how much I liked your film. A friend sent it my way after hearing about my project. I couldn't get it out of my head for weeks. Seriously.

Doug Block

Thanks, Leah. Appreciate that. I gave a talk to a documentary class last night about personal docmaking and it really gave me the chance to think through some of my beliefs about the genre. Maybe we can open up a special topic here about it.

By the way, you certainly would qualify for Member status here, so I recommend that you apply . You also should fill out your user profile more extensively.

Doug Block

Leah, I took my thoughts one step further and have started to list "ten rules" about personal docmaking on my blog . (Sorry for the double post, folks, but Enthusiasts can't see the Directing topic.)

Titania Veda

Hi everyone,

Am a newbie and loving the D-word already =)
I had a question about finding stories. I am interested in working with refugees and immigrants but these are sensitive topics. And since I just moved to NY, I do not have an inside person who could get me great access to these people. I tried going through the non-profit organizations route but they are very protective and usually do not want to get involved.
Could you give me advice on how you would go about getting the great access that doco filmmakers seem to be able to get? Especially if you are not local?
Any advice would be appreciated.