The Mentoring Room - Ask the Working Pros

Mentoring Room

  • Public

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Maria Yatskova-Ibrahimova
Pro
good, i wanted to ask for some kind of sensitive advice: I feel like
even though my film has already shown in Berlin, it could use more
editing work, however, there aren't really time and resources, and i
don't think i could do it alone. perhaps if i had a really clear
picture of what i needed to do, i could find the time/resources, but
otherwise it seems like a waste. so i guess the question is, since
it seems to be "good enough" should i leave it alone, or should i
find a way to make it better, although, how, i don't know... a new
editor, which will be hard, no one wants to fix other peoples stuff,
or a consultant, which is expensive and not really a sure thing,
it's just one persons opinion, and then what if i start chopping and
i make it worse...does that make any sense?
Doug Block
Host
maria, happy to answer that here, but, being an active d-word member,
odd that you didn't post it in the professional community - this is
the public forum geared for non- filmmakers or those just starting out
in the field.

i would never tell anyone to settle for good enough. the best money
i ever spent on my first film (and second and third) was to pay the
best editor i could find to be a consultant. a really good one will
give you very specific suggestions about how to "fix" your film after
one screening. you'll likely find you're much closer than you thought
and it might only take one or two days of consulting to make the
changes you need.

you might also hold a screening for a few trusted people (not
necessarily filmmakers) and get feedback. again, you'll probably find
you're not far away. it's highly unlikely you'll make it worse. and
if you do for any reason, though, simply go back to what you have now.

but whatever you do, DON'T SETTLE!
Maria Yatskova-Ibrahimova
Pro
thanks doug, i couldn't figure out the appropriate place to post -
plus, sometimes i post and i don't get a response, and this was
sensitive so i wanted to be sure i'd get one. and i was here reading
old topics and this place called out to me. :)several trusted people
have seen it, both filmmakers and non-filmmakers, and say the
beginning is a little slow. and i know this. but i'm spent,
creatively speaking, i don't know what else to do with it. and i'm
getting suggestions of things that i've done before and they didn't
work. so, who, doug, who, can i go to? please please recommend. i'm
at my wits end. it really tortures me. especially since i'm not
technically working right now, just doing research and being mommy,
so its constantly buzzing in my brain.
Maria Yatskova-Ibrahimova
Pro
normally new york, but right now i'm in baku azerbaijan, and i have
two producers in NYC currently...how come? if need be, i'll go
anywhere.
Doug Block
Host
well, if you come back to nyc, i highly recommend mona davis, who was
consulting editor on my last two films (and edited "love and diane",
among many other credits). she was amazing, particularly on "home
page", where she gave very specific last minute notes that were
critical. i'll email you her phone number.

added bonus, when you're back you can get a free cup of hot java and
consult (like, alternative career advice) with yours truly ;-)
Maria Yatskova-Ibrahimova
Pro
awwwww shucks! that's really sweet. i would love that! thanks for
contact info on mona davis. i can get the wheels rolling there. what
do people like that charge normally? like a ballpark figure...
Doug Block
Host
top editors start at $2500/wk, so you can figure out the day rate.
and you'll probably need no more than a half-day consult, which is
pro-rated.
Alisa Katz
Fan
I'm new to this forum so I'm not sure if this is the right place to ask,
but i am about to embark on my first doc. Heading to europe for 1 week
to research for subjects and to get footage for a marketing trailer so I
can go raise funds. 2 questions: 1) HD or DV? my doc colleagues say HD,
while my pocketbook says DV. 2)I have a dp i like and has tons of doc
experience both directing and shooting and who has an HD package, but he
is asking $2000 for a weeks kit rental (deferring his time costs), plus
I will need to fly and put him up for the week. For that kind of money
should I invest in my own camera, and either shoot myself or hire a
local? Need to decide asap and head is spinning. Thank you.
Steve Holmes
Pro
Initial gut feeling: It depends on your finances. Yes, the world is
moving in an HD direction and I sometimes regret not starting my
latest project on HD. But I've come to realize, through hard-won
experience, that it's damn difficult to make any money, to even make
back expenses, doing a doc and that the best way to lose the
smallest amount of money is to keep expenses as low as possible.
Business 101, but I had to learn the hard way. When I'm weighing an
expense, I ask myself how many DVDs I'm going to have to sell to pay
for that budget item. Helps keep me focused.

I just did what you're doing: go overseas to research a doc and
shoot material for a trailer. I hired someone local, based on a D-
Worder's recommendation, and it went well. I've taken my own DP on
long-distance shoots before, but that was when I had a much rosier
and naive view of doc finances. If you have footage already in the
can that matches the style you want to use, bring it and show it to
the local DP so he or she knows what you want. Others may advocate
bringing your own DP, and if you are Bill Gates's heir, I'd agree.
But if you're not, how many DVDs will you have to sell to pay for
the DP's package, airfare, lodging and per diem? Lots.
Loading...