The Mentoring Room - Ask the Working Pros

Mentoring Room

  • Public

This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Christopher Gallant
Pro
I'm half way through my first documentary rough cut and I'm in need of
some music. I'm a graduate student so I definitely need royalty free
music. The types of music range from woody allenesque jazz to 1960s
lounge music to classical piano interludes to kitschy italian
concertina music. Have any ideas? I also was wondering if there was an
easy place to access music which has had its copyright expire? Any
advice welcome.
Christopher Gallant
Pro
Doug,
I appreciate the advice. I have actually already tried that. The point
of my question was to weed through the 6,220,000 hits that Google
throws your way for a "royalty free music" search and see if there was
a prefered royalty free music clearing house. Is this site,
www.royaltyfreemusic.com, your best pick and if so have you ever used
it? If it is then I guess you're not in bad company as Google also
picks it as its number one site. Any further helpful advice would be
appreciated.
Doug Block
Host
hopefully someone else will pipe in, christopher. i've only used
original music in my docs.
Joe Scherrman
Pro
Christopher

I have a friend that might be able to give us some advice on suggested
music but he wouldn't know about royalty free stuff. It might help
limiting the search by having a title. Let me know if you would like me
to contact him.
Andrew Corica
Fan
For my next doc I need footage of Katrina, and other similar events.
Where can I get this? No networks will answer my emails. All help is
appreciated, (maybe a spot on my credits)
Robert Goodman
Pro
try your local news station. They may have footage and be more open to
you. Perhaps even do a story on you making a doc. All of the networks
have stock footage companies that sell footage. I'm sure you could buy
something if you want.
Alexandra Stubbs
Fan
Hey, guys. I've been very interested in docs and doc making for
awhile now. I intend to go over seas within the next two years for
an early "OE" and have decided to invest in some equipment before I
go as I will be going to some very interesting places. I've been
looking at 'Camcorders' and "pro camcorders" for awhile now... But
to be honest I just want something efficient and well, cheap (as
cheap as possible). Can anyone make some suggestions as to what
would be good to look at? I have a budget as I'm a student… who's
currently jobless =P 2.5Grand (US dollars) would be my limit (not
including accesories). I would prefer to spend less of course but I
do want something decent! Any tips / suggestions would be greatly
appreciated!
Scott Westphal-solary
Pro
Are there any set guidelines for music credits? I have about 4 songs
and I'd like to know what I need to include in the credits for legal.
They are all christian hymns from the public domain performed by
people in the film.
Erica Ginsberg
Host
This may be of interest to emerging documentary filmmakers for a
mentoring and major networking opportunity...


The Garrett Scott Documentary Development Grant will fund two first
time documentary makers for travel and accommodations at the Full
Frame Documentary Film Festival, April 12-15, 2007. For four days,
grant recipients will be given access to films, participate in master
classes and be mentored by experienced filmmakers.

About the Grant: Garrett Scott made a distinctive mark in documentary
films during his short career. Without any formal training in film, he
directed CUL DE SAC: A SUBURBAN WAR STORY, examining the case of a
methamphetamine addict who stole a tank from an armory and went on a
rampage through the San Diego suburbs. The film prompted Filmmaker
Magazine to cite Scott as one of 25 New Faces of Independent Film. He
went on to make OCCUPATION: DREAMLAND, co-directed with Ian Olds,
about U.S. soldiers in Falluja, Iraq. It won prizes at Full Frame and
the Independent Spirit Awards. Both films were broadcast by the
Sundance Channel. In 2005, Scott died of a heart attack at age 37. His
friends, family and colleagues established this development grant to
help other emerging filmmakers reach their potential. The grant's
selection committee looks especially for filmmakers who somehow
fulfill Scott's example, by bringing a unique vision to the content
and style of contemporary documentary making.

Criteria: Applicants must be a U.S. citizen or green card holder,
living in the continental United States; any age 18 or older. By
"first time filmmaker," we mean someone who is in the early stage of
their documentary career and not yet received significant recognition
(such as major festival play or broadcast). All applicants should
anticipate finishing their first project by March 2008. You can still
qualify as a "first time filmmaker," even if you've made shorts or
student projects or worked professionally as a crew member on other
people's films. Or if you've recently completed a documentary that
hasn't been released yet. The grant is open to students and
non-students alike.

How: Applicants should send a 2 page letter addressing these areas:

1) Project summary: Describe the documentary you're working on. It
doesn't matter whether the film is a short or a feature. Describe the
characters, structure, visual approach and what stage you're at.

2) Director's statement: Describe how you came to filmmaking and how
you've trained as a filmmaker. It doesn't matter whether you went to
film school or are self-taught. Describe what you want audiences to
take from your film.

In addition, if applicants have a 5-10 minute sample of their work or
work-in-progress, please send that as well on DVD or VHS (NTSC
format). A sample work isn't required to apply. But if the selection
committee has to choose between several strong applicants, the sample
work will become a factor in making the decision.

Submit two copies of both the letter and work sample along with
your...

Name:
Address:
Phone:
E-mail:

Send to:
Full Frame Documentary Film Festival
324 Blackwell Street. Suite 500
Washington Building, Bay 5
Durham, NC 27701
attn: Garrett Scott Documentary Grant

Deadline: Applications must be postmarked by February 5. Applicants
will be notified by email in mid-March.

More information: http://fullframefest.org/call/garrettscottgrant.php
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