The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Jaime Cruz
Pro

Hi Jaggy

Perhaps your interest for this topic is only about docs production in the "first world". Anyway, you will find a very broad range of technologies used in docs, from the oldies (but goodies) dvx 100´s to the DSLR´S. So maybe your question should be more in the perspective of "how and why" the diverse options of cameras, sound gear, etc., are being used by documentaries filmakers. Well, is just a suggestion.
Saludos

Jaggy Singh
Fan

In reply to Jaime Cruz's post on Thu 23 Dec 2010 :

Hey Jaime,

Thank you for writing back man, appreciate that! yh I am looking into those camera's at the moment. I am analysing the technologies through time, in reference to films. from the 20's to the 60's and to the 21st century. so I am looking at films such as, man with a movie camera, gimme shelter and touching the void. I want to look at why 35mm were used, why did people stop using them, then 16mm came in to action and now the 35mm is getting back in documentaries. I know the general idea, but i want to get in to more detail. also what the future may look like for documentaries. i wish i could change the title, I really do...but I am stuck with it now, so I just have to get on with it and learn to love it.

cheers Jaime!

Bill Kerrigan
Pro

Jaggy... because of my age, I might be able to help.
When I started... feature docs were shot on 35mm.
I filmed some pickup shots for 'Janis' and 'The Man Who Skied Down Everest'.

If you wish, you can write me off forum.

Jaggy Singh
Fan

In reply to Bill Kerrigan's post on Thu 23 Dec 2010 :

hey Bill, hope your well.

That's great.Seriously, I would love to hear from you, and your work. Thank you for replying back to my post, really do appreciate it Bill.

Is it possible I could maybe get your email add, so we can talk about this?

Thank You

John Burgan
Host

You'll find the email address of any D-Word member if you click on their name or photo.

Jaggy Singh
Fan

hey, thanks for the help lads.

thats great Bill, ill email you now.

Merry Christmas everyone

Christina Antonakos-Wallace
Pro

Hi there,

I recently completed a 20 minute version of the feature-length film I am directing (www.withwingsandroots.com) which is targeted for educational use. The film comparatively explores the immigration debate in the U.S. and Europe through the stories of children of immigrants in Berlin and New York. The film was shot half in Germany, and a very big German educational distributor is interested. They have given us a generic contract to look over, but I have no idea of the terms are decent or terrible, plus it is in German! Basically, they seem to be offering us no money upfront, but 50% of all profit from sales. They would get exclusive access to all German-speaking countries and Goethe Institutes for three years. I know that I need to find a German entertainment lawyer to speak with before signing anything, but it would be great if anyone could share any of the terms they have gotten in educational distribution contracts, or even send a sample contract.
Thank you so much for your help!!!

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