Hi everyone. I am just breaking into the world of film making, and I have a great idea on a unique story in Bali and how a couple that moved there is changing the way we eat throughout the world. There is much more here, but that is the gist. They have responded to my interest and want to know my proposed plan. I have never made a film before, and want to find someone to work with me on this project who is a cinematographer. Also I need to get back to them and let them know my ideas this week. Any suggestions how to approach this? Thanks, Kristen
In reply to Nadia Hennrich's post on Mon 29 Nov 2010 :
Hi, Nadia. Sorry I didn't get right back to you. I have been on a couple of projects that have consumed all of my time, and I haven't been on D-Word for several weeks.
If you still haven't mixed yet, get in touch with me. My schedule opens up after tomorrow.
In reply to Kristen Kellogg's post on Mon 20 Dec 2010 :
Well, I just got back from shooting in Bali 2 weeks ago, and currently live about an hour from you, so perhaps we should talk. dan at gmail dot com
In reply to Daniel McGuire's post on Mon 20 Dec 2010 :
Hi Dan. I am currently in Australia, but do you have skype? Maybe we could have a chat on there? Or shoot me an email kellogg.kristen (at) gmail.com Would love to hear about what you just wrapped up as well.
Can anyone recommend any great websites (other than this one) where I can get help on how to make my first documentary?
Not sure a website or a book can replace the experience you will gain by launching in and actually making a short doc exercise – ideally something in your own back yard – walk before you run. I presume you have access to a basic DV camera and edit software? How about a 2-minute portrait of "someone at work" – that's always a classic subject. Try to interpret it in visual terms, rather than relying on interview/talking heads.
Also search for "documentary filmmaking" on amazon.com – check out Andy Glynne's Documentaries and How to Make Them and Michael Rabiger's much more comprehensive Directing the Documentary
Can anyone talk about educational distribution? Who are the game players? Can it be lucrative? Is it a difficult market to crack?
In reply to Kristen Kellogg's post on Mon 20 Dec 2010 :
Documentors started about a year ago and have a lot of resources on their page. I loved their film, Shakespeare behind bars and they are really nice folks in general. They do charge for most things, but looks like you can do a subscription as well.
In reply to Kristen Kellogg's post on Mon 20 Dec 2010 :
If you need to come up with a proposal quick, watch as many documentaries as you can. Make sure you have a good mix of different genres, old and new. Then, figure out what you want to borrow from each, and start conceiving the proposal from there. A quick list of varied docs might be:
SALESMAN (Maysles Brothers)
GRIZZLY MAN (Werner Herzog)
HARLAN COUNTY USA (Barbara Kopple)
IRAQ IN FRAGMENTS (James Longley)
DARWIN'S NIGHTMARE (Hubert Sauper)
BOWLING FOR COLUMBINE (Michael Moore)
this list could go on forever... but other than making docs, watching docs is the best way to learn.
John-Thanks for the book recommendations. I read Documentaries and How to Make Them by Andy Glynne today. A lot of clarification and great insight.
Christopher-I have been watching a variety of films the last few days and it's been a tremendous help.
Justine-many thanks for the site! So many helpful hints!
Thanks everyone for helping me take the necessary steps to making my vision become a reality.
sorry for the loud introduction.
hope everyone is well.
I am currently in my final year at university, over here in the UK.
I am studying Film production and Technology, and am working on a dissertation, which is based on, the technology used for cinema release documentaries.
I have started the research, and have noticed, i am getting much more information to do with the theory, artistic and issues and debates in documentary, more than the technology side of documentary film making.
I was wondering if anyone could assist me with any articles, books or websites I could look at which focus on the technology side of film making for documentaries in cinema.
Also, I'm amazed at how there are so many different people on this website. wow! this is like a small community within it self.
Also, are there any camera men, sound recorders and editors and cinematographers, which i could maybe interview through email, just so i can get an insight of those who work in the industry, with first hand experience, that would be so great.
if anyone can help, that would be great.
Thank you for your time.
Perhaps your interest for this topic is only about docs production in the "first world". Anyway, you will find a very broad range of technologies used in docs, from the oldies (but goodies) dvx 100Â´s to the DSLRÂ´S. So maybe your question should be more in the perspective of "how and why" the diverse options of cameras, sound gear, etc., are being used by documentaries filmakers. Well, is just a suggestion.
In reply to Jaime Cruz's post on Thu 23 Dec 2010 :
Thank you for writing back man, appreciate that! yh I am looking into those camera's at the moment. I am analysing the technologies through time, in reference to films. from the 20's to the 60's and to the 21st century. so I am looking at films such as, man with a movie camera, gimme shelter and touching the void. I want to look at why 35mm were used, why did people stop using them, then 16mm came in to action and now the 35mm is getting back in documentaries. I know the general idea, but i want to get in to more detail. also what the future may look like for documentaries. i wish i could change the title, I really do...but I am stuck with it now, so I just have to get on with it and learn to love it.
Jaggy... because of my age, I might be able to help.
When I started... feature docs were shot on 35mm.
I filmed some pickup shots for 'Janis' and 'The Man Who Skied Down Everest'.
If you wish, you can write me off forum.
In reply to Bill Kerrigan's post on Thu 23 Dec 2010 :
hey Bill, hope your well.
That's great.Seriously, I would love to hear from you, and your work. Thank you for replying back to my post, really do appreciate it Bill.
Is it possible I could maybe get your email add, so we can talk about this?
You'll find the email address of any D-Word member if you click on their name or photo.
Actually, not sure Enthusiasts can.
Whoops. Too much sherry with the mince pies.
In reply to Jaggy Singh's post on Thu 23 Dec 2010 :
Jaggy, please email me here:
kerrigan at mac.com
hey, thanks for the help lads.
thats great Bill, ill email you now.
Merry Christmas everyone
I recently completed a 20 minute version of the feature-length film I am directing (www.withwingsandroots.com) which is targeted for educational use. The film comparatively explores the immigration debate in the U.S. and Europe through the stories of children of immigrants in Berlin and New York. The film was shot half in Germany, and a very big German educational distributor is interested. They have given us a generic contract to look over, but I have no idea of the terms are decent or terrible, plus it is in German! Basically, they seem to be offering us no money upfront, but 50% of all profit from sales. They would get exclusive access to all German-speaking countries and Goethe Institutes for three years. I know that I need to find a German entertainment lawyer to speak with before signing anything, but it would be great if anyone could share any of the terms they have gotten in educational distribution contracts, or even send a sample contract.
Thank you so much for your help!!!
Christina, you're a member so you shouldn't post this in The Mentoring Room. Especially since it's a public topic and therefore open to Google searches and the like. This belongs in the Marketing and Distribution topic.
Christina – you could try contacting Christoph Fey – he's a a German entertainment lawyer based in Berlin and has been very helpful in the past.He works for a company Unverzagt Von Have and his contact details are easily Googled.
Advice sought: Least expensive PC for video editing programs
I am seeking help finding the least expensive PC laptop capable of running Pinnacle Studio video editing programs. Iâ€™m on the low income side (especially after becoming unemployed) so I am working with modest equipment.
Because I am couch surfing, I need to stick with a laptop, not a PC.
Iâ€™ve tried several other editing programs such as Vegas, Adobe, etc., and Iâ€™ve tried iMovie on the Mac. Pinnacle works best for me. My current laptop, a Dell I bought in 2009, cannot handle my HD video editing. I am using a Kodak Zi8 camera.
The system requirements are at: http://www.pinnaclesys.com/PublicSite/us/Products/Consumer+Products/Home+Video/Studio+Family/
There are three main versions and all 3 appear to have different requirements:
Studio Ultimate Collection
The graphics card requirement is the same for all of three.
Iâ€™m a lean quick on my own how to use document, photo, and video editing programs for creative purposes. I am however clueless about the tech stuff.
I am getting unemployment checks and money is tight. However, I believe in myself enough to take a gamble and spend up to $1,000 on a laptop.
I need help though because I'm not good at the tech stuff and don't want to get ripped off at the stores. So far, Best Buy, Fryâ€™s and my computer savvy friends have all recommended different machines. Iâ€™m hoping that at some point Iâ€™ll hear the same recommendation a few times.
At least at Best Buy and Wal-Mart there are no re-stocking fees.
Thanks! I appreciate your time and help,
System Requirements for Studio Ultimate Collection
* Windows Â® 7, Windows Vista Â® (SP2),Windows XP (SP3)
* Intel Â® Pentium Â® or AMD Athlon â„¢ 1.8 GHz (2.4 GHz or higher recommended)
– Intel Core â„¢ 2 Duo 2.4 GHz required for AVCHD*
– Intel Core â„¢ 2 Quad 2.66 GHz or Intel Core â„¢ i7 required
for AVCHD* 1920
* 1 GB system memory recommended, 2 GB required for AVCHD*
* DirectX Â® 9 or 10 compatible graphics card with 64 MB (128 MB or higher recommended) – 128 MB required for Red Giant Magic Bullet Looks Plug-in: Pixelshader 2 required, Intel GMA integrated graphics not supported. – 256 MB required for HD and AVCHD*
* DirectX 9 or higher compatible sound card
* 3,6 GB of disk space
* DVD-ROM drive to install software
o CD burner for creating Video CDs or Super Video CDs (S-VCDs)
o DVD burner for creating DVD and AVCHD* discs
o Blu-ray burner for creating Blu-ray discs*
o Sound card with surround sound output required for preview of surround sound mixes*
* Capture from DV, HDV and Digital8 camcorders or VCRs (requires a FireWire Â® ; port)Capture from analog camcorders, 8 mm, HI 8, VHS, SVHS, VHS-C, SVHS-C, or VCRs (NTSC/PAL/SECAM). (requires Pinnacle or Dazzle video hardware)
* Import from AVCHD* and other file based Camcorders, Digital Still Cameras, Mobile Devices and Webcams via USB
* Output to DV, HDV or Digital8 tape (requires camcorder with FireWire Input port and a PC with a DV/FireWire port)
* Output to analog videotape (requires DirectShow compatible device with video output)
* Video: AVCHD*, BD Blu-ray*, DV, HDV, AVI, MPEG-1, MPEG-2, DivX Â® , MPEG-4, 3GP(MPEG-4), WMV, Non-encrypted DVD titles (incl. DVD-VR/+VR), QuickTime Â® ; (DV, MPEG-4, H.264*)
* Audio: MP3, MPA, WAV, AC3*, WMA
* Graphic: BMP, GIF, JPG, PCX, PSD, TGA, TIF, WMF, PNG, J2K
* AVCHD*, BD Blu-ray*, HD-DVD, DVD (DVD-R, DVD-RW, DVD+R or DVD+RW, dual layer), S-VCD, Video CD (VCD)
* Apple Â® iPod Â® , Sony Â® ; PSP/PS3, Nintendo Â® Wii, Microsoft Â® Xbox compatible formats*
* DV, HDV, AVI, DivX*, RealVideo Â® 8, WMV, MPEG-1, MPEG-2, MPEG-4*, Flash, 3GP*, WAV, MP3*, QuickTime Â® (SD format) files
* Dolby Â® Digital 2 channel and 5.1 channel audio*
Advice sought: Microphones for Kodak Zi8 camera & the iTouch.
Also, any recommendations for clip on mics, attached mics, or wireless mics to enable the recording of at least 3 people for the Kodak Zi8 camera & the iTouch?