The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Jason Caminiti

It's not like you are filming a movie there. If you weren't using a tripod, I'd say just go for it.

I'm in the US, and we have public access television here. People tell me all the time I am supposed to have filming permits and the like, but I just tell them it is for Public access and they seem to go away. I've never been thrown out of anywhere for filming with a lower end looking camera. Even with a tripod. I have had people ask me questions.

I think the liability stuff is more if you are going to be bring in crew and heavy equipment.

Call the groundskeeper and tell him what you are doing, and tell him you are just going to be filming with a small camera and tripod. I bet they'd be fine with that?

If not, bring a consumer grade camera and get the footage that way. A La Michael Moore.

BTW: I'm no lawyer, so you should check with a lawyer before taking any of my advice...

Skyler Buffmeyer

Hey Everybody!
You are all such a huuuge help! Thanks!
I was wondering if anyone could give advice on getting archives (especially news-media related). Any good websites or procedures I need to go through to get good archives?
Thanks again,

John Burgan

Archives – it depends a lot on what you plan to do with the material. More and more are online these days and you can search for footage which you can then license for use, whether for a web presentation or a film to be broadcast, whatever. It's not cheap though!

For instance check out the ITN Archive

BTW Skyler – please note that we ask all D-Worders to register with their full, real-world names, so please log in when you have a moment and update your profile. Thanks.

Skyler Buffmeyer

Hey John!
Thanks so much for the advice.
I'm very sorry that I didn't put my full last name up.
I felt a little uncomftorable doing so considering, I just found this website a few days ago and I am underage.
I am so sorry if I have broken any rules.
If there are certain reasons that you need people to put up their last names please tell me and I will change it.
Again, I am very sorry if I have broken any rules and also, thanks so much for the advice about the archives.

Joe Moulins

I wouldn't want my daughter sharing her full name on this board. No offense.

Let Skyler B be Skyler B.

Andrew David Watson

Skyler – check out

Evan – The public access or "student film" lie can go a long way. Also, you could try to track down a local professional that might be willing to help you out and have them as a "co-producer." I would say go take a walk around there and see what the vibe is like and try to get a sense if you would even be bothered.

Doug Block

Skyler, no worries, we'll let you remain a B given that you're bringing the mean age of The D-Word's membership down considerably. Just don't be ordering any drinks in the virtual bar.

Monica Williams


A potential next project has presented itself to me and it is a completely different style than the film I have been learning how to make for the last couple of years. I'm wondering if anyone can recommend ideas regarding the actual film or films to watch that might be in the same genre.

Here's the situation. I live in Detroit and am very fascinated with the "post-industrial" remnants of what was once a thriving city. There are hidden stories everywhere here and people are experimenting with radically creative avenues for social change. While helping tear down an abandoned house with one of his groups, I had a very long conversation with a man who was one of the Logistics officers for "Hands Across America," who was asked to teach courses on grassroots organizing at the University of Michigan and who is currently "stuck" in Detroit with legal matters. He took me to a miraculous place he helped build called the "Artists Village" in one of the worst neighborhoods you can imagine. He is very well-loved! He wants me to film some burial ceremonies he has organized with churches for the homeless and stillborn infants who are not given these rituals. Also to film some of the seeds he is planting here along with the activities of the Artists Village. The Artists Village is a huge collection of abandoned warehouses that have been painted with murals by the children in the neighborhood, guided by the artist in residence, whose artwork hangs everywhere. There is theater space where spoken word and community theater take place and there are huge community gardens. Possibilities are endless!

I guess this wasn't such a short post, but – How do I begin thinking about this? I would need to shoot some of these events ASAP and before he leaves. I have someone that can help shoot it, but I'm in need of creative direction as I'm currently working on a historical and philosophical film with archives and talking heads. What am I looking for – do I have to be in the film (aaagh!) Any help would be most appreciated :-)

John Burgan

Don't want to dampen your enthusiasm, Monica, but isn't this simply a distraction from finishing "Knowing Evil"?

Christopher Wong

sometimes the project you were "born to make" comes along at inopportune moments. like before you've finished the film you had already started... but if a project absolutely rings true in your heart and mind, then you don't really have a choice but to go forward with the new thing. (that was certainly the case with me.)

from what we've read before, it sounds like KNOWING EVIL might be able to wait. but only you know best... if you do go forward with this new project, make sure that you have a current story to tell, rather than simply rehashing the history of how the Artist's Village was created. as you said, there are hidden stories everywhere. go find 'em!

and no, it certainly doesn't sound like you have to be "in" the film.