as some encouragement to Dale and other like-minded enthusiasts, you can be a first-time filmmaker and still qualify as a member. i still haven't finished my first film, but when i applied, i had reached a certain level with my doc in terms of funding and some industry recognition (along with my other film/video experience) where the hosts were comfortable that i would add something to the conversation, and not bog down the conversation with questions that were too basic. so when you are at a point that you are ready, apply for the full membership. in the meantime, the members will still be ready and willing to post helpful responses in the Public section.
Doug, thanks for taking the time. I'm really not checking out the incisors of a gift equine, just trying to learn as much, as fast, as possible.
It occurs to me that if the enthusiast/member difference must be kept up, perhaps you could offer a "guest member" or "trial member" listing. Have it for a short period of time, e.g., three or six months, and only allow it to those the Hosts approve.
At the end of that time, the person must show they've advanced toward becoming a professional: perhaps they've finished some paid classes, or have created and submitted==at least worked on==a 3-5 minute doc.
You might even put such trial balloons into a special area for viewers to comment on. Sort of myD-wordspace.
Christopher, thanks for the comment. I've been working on a film concept for some time. Since I'm a writer/editor/webmaster of over 30 years, I've been trying to master the storytelling/screenwriting aspects first. By the end of the month I'll start a class in Field Production, learning to use the cameras and mikes, lights, etc.
Since I'm sort of a "braid your own shoestring to start on" kind of independent cuss, I plan to self-finance my low-budget doc(s), although if I can land some funding I will be happy to accept it.
So...am I a filmmaker? I've certainly got the inclination.
I suppose I should let this lapse for awhile. I, too, don't want to "bog down the conversation with questions that [are] too basic."
dale, don't worry, you aren't bogging anything down. and i admire your perseverance and grit. i spent 7 years just "training" – community college courses, internships, editing awful local car ads – so that i would be confident in my own skill (camera, audio, etc.) when the right documentary idea came along. i'm sure you'll be up to speed MUCH faster than that. until then, keep asking the "basic" questions...
If I can contribute anything, let me introduce my fellow enthusiasts to another site if you haven't already joined it. http://doculink.org/mailing.html features an e-mail group where members have discussions on anything relating to documentary development, production, etc etc etc. It is still meant to be by professionals, for professionals, and they do ask that you don't spam the list. But as a beginner I've found it pretty useful and enlightening and if I've ever posted something too petty or amateur, the worst that has happened is that no one responded. No big deal.
But as part of my efforts to be a member here someday, I am seeking employment and actually wanted to know if anyone can recommend any job sites that specifically feature positions in non-fiction entertainment. This would greatly narrow my search to the kind of work I want to move into. Post any websites you know of here or e-mail me email@example.com
Thanks, guys. I'll check out doculink.org for sure.
Hey Everyone new to this site.
I am needing to create revenue projections for our
investor and our lawyer for a documentary I am producing. I am
relatively new to this process. Was wondering if anybody had samples
or advice on how to properly create revenue projections for a
Thanks ahead of time,
Does anyone know of online resources (other than Netflix) where I can view older movies and documentaries online for a fee?
I'm particularly looking for access to some of the harder to find, non-mainstream items, older foreign documentaries and films, etc.
No file-sharing recommendations please. These usually don't have the harder to find, less mainstream titles and I also want to respect the rights of the copyright holders.
Thanks so much!
I've been using Final Cut for my post-production and I just don't prefer the Apple layout and user interface. I was raised in a Wintel environment and I'm really learning towards switching to Adobe Premiere Pro for my next project.
Different strokes for different folks, I guess.
Does anyone know any compelling reasons why I would not switch over to Adobe? What are the biggest reasons for NOT doing so? What are the biggest disadvantages of Adobe Premiere Pro vs. FCP?
I will be filming in HD.
A. You can make changes to FCP to better suit your needs.
B. The latest version of Premiere Pro is a very good editing platform though it tends to be like most Adobe products with lots of hierarchical menus. Best to learn the keyboard shortcuts.
No need to sign your posts, Matt. It's done automatically.