The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Deleted User

Good Question. Is it the fact that the person is enclose in a
building that makes this situation "private", or is it because of the
fact that a "religous" ( my spelling sucks) or personal act is
taking place and that makes it "private"? I recently shot over 6
hours of footage of native american and african cerimonial
activities. It was outside but it was spiritually based. I wonder if
that could be considered "private"? hummmmmmm? Another
legal grey area.


Michael Oko
Hi~ I am in the process of trying to finish my first independent-- ie
self-funded-- doc. Two questions for the "pros" (this is my first
posting, hope its the right forum):

1. What are the latest thoughts on Final Cut 3 with a new G4. Is
a dual processor G4 867 going to do the trick, or do I need
additional speed (1 gig or 1.25). What are other common pitfalls
in purchasing and configuring a new final cut setup? And of
course, any tips on where to shop to save some dough? Or is
my best bet to go to Tech Serve and load up on what they

2. A question on length. At this point, I am doing the project on
spec and hope to enter festivals, and mostly to use as a selling
card for myself. Of course if someone wants to buy it, great! My
gut says that 1/2 hour is a good length. Do I need to worry about
timing it out for commercial breaks in the event that a network
would be interested in airing it? Is there a standard reference for
this? Also, should I try to expand it to 1 hour-- is that a more
"saleable" length? Any thoughts would be appreciated!
Mike Green
hmmm, there are people alot more pro than I and perhaps they'll jump
in but...

1. G4867 is plenty fast enough. make sure you load up on RAM.. it's
hard to get too much... go to and read all about how
to set up your system... it's a fabulous concise set of guides. It
will answer all your fcp3.0 and other questions about systems. As
for saving dough... buy from someone legit who'll talk to you if you
think you'll need support. I bought my system from and
they provide good telephone support because I had no experience with
macs... but you pay more for your system (a few hundred dollars
more).. but they assemble and burn it it before shipping. Or try If you're mac savvy, shop around.

2. my 2cents: do a 30 minute project; there are more slots in
festivals for shorts; the pbs length is 26:45 I believe. you can
check producing for pbs link; and it's faster to do than
creating a 60 min program that works. It's not usually possible to
stretch a 30 minute program to 60 mins... it's sometimes possible to
cut shorter versions of a longer program. 60 minute programs are
commercial norm but unless you break the mold your first 60 minute
project will not likely find its way onto pbs or cable.

with your 30 minute project, plan ahead, think about what you want to
do and how you want to represent that with video images. try not
to 'overshoot'. Then think about your edit and outline things before
you start logging tape into your mac. But most of all, enjoy it and
learn from it. That's what your first project should be about.
Blake Barratt
OK so here goes
I have a camera and a good idea just have
the fear of where to start.
I want to make a doco about my experiences at
festivals and touring around
there is lots of juicy material and want to shoot it up
close and personal like
part diary style part fly in the crowd style still working
on this aspect.
However i really could use some advice re preprod
and what i need to think
about re working out an angle and a premise so that
i can be more directed
with my shooting.
It seems if i just shoot everything i may not get what i
want in the end.
and eveything i have read on the net leads me to
suspect that a great deal of
careful planning before hand will help.
It will be self funded as basically all the material is
there and i just need to go
and get it and follow myself around with a camera.
it is very Doable kind of
like a cops but on the subject of performing arts festivals.
so any tips or links for info would be very appreciative
i have the next 6 months for preproduction and planning.
I would like to eventually try and find a buyer for the project as a one off or as
a series type thing.
Basically the first one would be a kind of pilot or a great short.
there will be lots of great footage of crazy performers interviews etc.
I have been doing this for six years and only just realised there was the
potential for a great doco there.
Doug Block
Blake, you just start by starting. Begin shooting. If nothing else,
it will help you sharpen your camera skills.

But keep in mind - always - what is your story? And what are the
themes? Is there any particular point or message you want to convey?
And then look for situations that might illustrate it.

Most doc makers start in without knowing where, exactly, in the
overall story they are at. They trust that if the subject matter is
right, it will eventually all come together. Sometimes it actually
does ;-)
Blake Barratt
thanks Doug that is a good pointer basically
that is the part i am having trouble
what are my themes and what am i trying to convey
getting it into a form where i can articulate it is
tough for me so that advice
helps i will now ask myself these questions and
see if the answer is in my
brain somewhere i hope so!!:)
thanks for the welcome nice to be connected to a
community of this kind.
doesnt feel so lonely anymore.
Doug Block
That's the whole point, Blake!

BTW, I've found a book called "Art and Fear" extremely helpful in overcoming creative blocks. You might want to check it out.

Michael Oko
Mike Green, thanks for your input... I will check out those sites.
Anyone else care to weigh in (see above). Thanks!
Stephen Goldberg
Erica and John:
The question of whether a church is legally a public or private
space for the purposes of determining whether a release is necessary
has probably been addressed by some court somewhere. My guess is
that the stronger argument is that worshippers have a reasonable
expectation of privacy in the interior of a church which cant be
seen from outside and that their permission to be filmed should be
secured. But pretty much anything done in public or which can be
seen from the outside ie through a window is fair game.