The Mentoring Room - Ask the Working Pros

Mentoring Room

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This is a Public Topic geared towards first-time filmmakers. Professional members of The D-Word will come by and answer your questions about documentary filmmaking.

Don Dobrez Jr.
Fan
Hello All,

Thanks for your wonderful comments! I typed up my letters and sent
them all off last week. Needless to say, I haven't heard any
responses yet, but that was to be expected. I am still hopeful that
at least one of them decides to do it.

I do have another question if that's OK. The local (Chicago) news
stations all did extensive coverage of the drive-in fight and I am
dying to get permission from them to include some of their footage
in the documentary (especially since I didn't start work on my film
until AFTER the final vote was taken to kill it). How is it best to
approach them? The only station I tried to email was the local ABC
affilate and I got a curt response "We don't do that" (that is their
direct quote, I swear). Don't most local stations have rights that
can be purchased to use their footage if properly credited? And how
do I go about asking?

Thanks again for the help. For anyone interested you can check out
my website at wondersense.com for more information and updates about
this documentary.

Don
Steve Braker
Pro
Don, I would say that if you feel you need their permission you
should make direct contact with somebody in production. You may do
well with their ad or outside production departments, who would have
access to the footage and understand the concept of dealing with the
outside world.

Failing that, there is probably a wayt you can work this in as fair
use. The presentation may not be the way you envisioned it, but there
may be a media-covering angle that will at least get the footage in.
Doug Block
Host
i would speak to an entertainment lawyer about a fair use argument,
and about rights clearances in general. but in persuing permission
from the station i wouldn't talk to people in production but the
general manager or someone who actually has the authority to license
footage.
Maria Yatskova-Ibrahimova
Pro
good, i wanted to ask for some kind of sensitive advice: I feel like
even though my film has already shown in Berlin, it could use more
editing work, however, there aren't really time and resources, and i
don't think i could do it alone. perhaps if i had a really clear
picture of what i needed to do, i could find the time/resources, but
otherwise it seems like a waste. so i guess the question is, since
it seems to be "good enough" should i leave it alone, or should i
find a way to make it better, although, how, i don't know... a new
editor, which will be hard, no one wants to fix other peoples stuff,
or a consultant, which is expensive and not really a sure thing,
it's just one persons opinion, and then what if i start chopping and
i make it worse...does that make any sense?
Doug Block
Host
maria, happy to answer that here, but, being an active d-word member,
odd that you didn't post it in the professional community - this is
the public forum geared for non- filmmakers or those just starting out
in the field.

i would never tell anyone to settle for good enough. the best money
i ever spent on my first film (and second and third) was to pay the
best editor i could find to be a consultant. a really good one will
give you very specific suggestions about how to "fix" your film after
one screening. you'll likely find you're much closer than you thought
and it might only take one or two days of consulting to make the
changes you need.

you might also hold a screening for a few trusted people (not
necessarily filmmakers) and get feedback. again, you'll probably find
you're not far away. it's highly unlikely you'll make it worse. and
if you do for any reason, though, simply go back to what you have now.

but whatever you do, DON'T SETTLE!
Maria Yatskova-Ibrahimova
Pro
thanks doug, i couldn't figure out the appropriate place to post -
plus, sometimes i post and i don't get a response, and this was
sensitive so i wanted to be sure i'd get one. and i was here reading
old topics and this place called out to me. :)several trusted people
have seen it, both filmmakers and non-filmmakers, and say the
beginning is a little slow. and i know this. but i'm spent,
creatively speaking, i don't know what else to do with it. and i'm
getting suggestions of things that i've done before and they didn't
work. so, who, doug, who, can i go to? please please recommend. i'm
at my wits end. it really tortures me. especially since i'm not
technically working right now, just doing research and being mommy,
so its constantly buzzing in my brain.
Maria Yatskova-Ibrahimova
Pro
normally new york, but right now i'm in baku azerbaijan, and i have
two producers in NYC currently...how come? if need be, i'll go
anywhere.
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