Welcome to The D-Word, Matt!
I must get connected.
I'm an emerging documentary filmmaker.
Maybe – like many of you,I have a film that I need to figure out how to get off the ground.
My day job is as an investigative reporter...
So, here goes.
Anyone – tell me where to start.
In the meantime, I'm checking out the site and familiarizing myself.
I hope to share my film and upcoming projects with many of you soon.
Peace and nice to be here.
Hi Tracy. You already started by joining The D-Word ;-) Do check around and read some of the topics (like Fundraising!). Also, if there's something specific you need to know, try our search engine. Chances are we've already discussed it.
Hi everyone. I'm an aspiring filmmaker from the US and I just moved to Barcelona to teach English. I'm really interested in connecting with some documentary filmmakers here so a friend suggested I check out this site. I'd love to get more experience and would be happy offer my help on someone's film project in exchange for a little mentorship. If you know of anyone based in Barcelona that might be interested, please let me know. (eve.richer at fulbrightmail dot org)
PS Here's a link to a web series I made about an English teacher living in small town Spain: www.pueblotheseries.com It's part doc/part fiction.
Welcome, Eve. Enjoy Barcelona, one of my all-time favorite cities. If you do an "advanced search" in our database to find members in Spain, you'll find many who live in Barcelona. You can then click on their profiles to find their contact info.
Thanks for having me in this great community of filmmakers! I am in the process of making my first (documentary) film, which I have been working on for several years solo. I am at the point of getting serious about it – shifting from having lots of footage to creating a story line, working with other experienced people, and completing it and getting it seen.
I know I will have lots more questions in the future. But what's on my mind right now is how I best to work with an experienced editor/producer whom I have found to make sure everything is kosher. What kind of agreements should I have in place and how to transfer files in a way that protects my ownership of the footage? If there's a place I should look in past posts, please let me know.
Thanks so much in advance for your collective wisdom!!
Hello. My last stop through was several months ago, so I am saying hello again. I am based in DC, and working on a project in Philadelphia, so I look forward to some face to faces in those cities. It is fantastic to know that d-word is still here after all these years and growing stronger. I updated my profile and added a picture, and will continue being more active in this community.
Great to have you back with us, Malkia. You were missed.
A warm welcome, as well, to Jung Min. I honestly think the best agreement to have with partner on the project is one you hand-draw up. It doesn't have to have any legalese. But it should be clear-cut. Here're some more in-depth thoughts on the matter.
Hi everyone! I'm proud to be in the company of talented people who utilize filmmaking to bring important messages to the world.
This year has been a special one for me – where I've dedicated my time and money to a non-profit feature-length documentary about the Japan earthquake and tsunami ("Pray for Japan").
I've learned a lot in the process and now have to deal with getting the film out there – which is overwhelming. I'm sure I will learn even more on this site – which I had joined it 8 months ago!
Thank you for having me here as part of your community.
Glad you found us, Stu. Welcome and good luck with your film.
In reply to Doug Block's post on Sun 13 Nov 2011 :
Thanks so much Doug!! I will follow your advice!
Hello! I am a documentary filmmaker based in Rome. I am developing a new project with a small company called Tailsfilm Production which looks at the relationship between access to energy and poverty in the developing world through the work of a mechanical engineer who has invented a cooking stove that is also a tiny portable refinery. His aim is not to sell stoves but to help set off a process through which millions of people can become self-sufficient (and carbon negative) in energy terms. We may need to work with stringers through the development process to gather material from a range of countries in Africa and Central America.
A little about me: I was born in Italy but grew up in New York City, where I started working in the mid-80s correcting proofs for The Nation magazine. I then moved to London for a Master's degree and stayed for ten years working on documentaries mostly for Channel 4 until 1999. I then returned to my roots and have been based in Rome, making films mostly in co-production and with the support of the EU's MEDIA Programme since. I work as a freelance producer, writer and executive producer while developing my own projects. I was most recently executive producer for Gustav Hofer and Luca Ragazzi's documentary Italy: Love it or Leave it (www.italyloveitorleave.it). I have just come back from the Italian Doc Screenings in Florence where Fernanda Rossi gave a workshop and talked to us about how useful the The D-Word could be especially in the development stages of a film on global themes, so here I am.
A warm welcome to The D-Word, Vania. You should straightaway check out our Members' Only Topic on International Co-Pros
Welcome, Vania. Always good to follow the wise Fernanda's advice. And great to have another member from Rome, one of my very favorite cities.
Hello from Maine, everyone. I work on documentaries when not at my day job (which itself is also a lovely pursuit), right now am in early production on a film with/about the Somali immigrant community here in southern Maine, and the story of one young man's political ambitions in particular. We're calling it Home Country. Here's the preliminary trailer – http://vimeo.com/32058940
I'm also working with the subject/co-director of that film on another related project, a web series we're currently pitching. If that funding comes through, the series will be a travelogue about the Somali diaspora across the U.S.
Really enjoying reading everyone's thoughts here on D-Word.
Great to have you here, Alyce. Welcome aboard.
Hello everyone. Just heard about the site and had to join. I'll keep it short, I'm not writer. I am a 23 year old DP based out of Minneapolis, Minnesota. I've been shooting for about 5 years now, 3 professionally. I'll leave a link to some of my work and keep it at that.
Shoot and Edit, I also do some producing on this.
Hi everyone. My name is Ryan Scafuro, co-producer and director of photography for the upcoming feature doc "Bending Steel." The film is about Chris Schoeck, an introverted, small statured man, who is training to become an olde-time strongman. We are currently in post, and just finished a successful kickstarter campaign raising over $25,000 for finishing costs. Signed up to take a look at other indie projects people are working on.
Here's the kickstarter video we put together, please don't mind our inexperience in front of the camera, but it's the most concise edit we've done that presents the subject matter and gives a scope of the project.
If it interests you, we are up for Indiewire's Project of the Month, you can read more and vote here:
I'm Nick Jordan, a film-maker from the UK. Thought I'd join this site to connect with other professionals, as I've just made my debut feature-documentary 'Between Two Rivers'. Please see http://www.betweentworivers.net for more info, including trailer and clips. Hoping to meet some of you at festivals in 2012!
Alex, Ryan, Nick, a warm welcome to The D-Word!
I am Eric Gulliver, an editor and graphic designer currently living in Boston, Massachusetts. I currently work as an assistant editor for FRONTLINE over at WGBH. I recently finished work as a co-producer and cinematographer on my first feature length documentary entitled Peace and the Quiet (www.peaceandthequiet.com) with fellow D-Worder Beth Balaban. I am pleased to be a part of this non-fiction community and hope to contribute to the various post forums in the future!
I'm back on the D-word after an absence of two years. What happened in those two years? I was let go of my tenure track University teaching position. Honest I had students that liked me but the lazy ones gave me poor student reviews which led to a non renewal of contract. What is even more strange, I was hired because I have a MFA in documentary filmmaking but I was never assigned to teach any film classes. Instead because of my animation skills I was assigned to teach graphic design. Which I had to dust off old art skills.
I began painting and have gotten into the Artists of Hawai'i Art show 2009 and 2011 at the Honolulu Academy of Arts. Anyone who is an artist of note and lives in Hawai'i has been in this show.
The most important thing is I decided to finish my feature length documentary, "Alan at Work" which is on Indiegogo. DO a search for it. The campaign expires January 24 2012 and I am no where near my funding goal.
I spent the summer of 2010 logging all the footage- about 50 hours worth. Then life intervened and I got back on the project summer 2011. I hired Fernanda Rossi, the documentary doctor and she saved my documentary. I will send her my latest cut and hope for the best. I was open to any direction she gave me. If she thought it was a short, I would have made a short. She said the documentary was at least an hour long and after story editing- the length was 56 minutes. I found footage and added back a few scenes following her structure. Now the length is 80 minutes which I will cut down to 70.
Iâ€™m new to the D-Word, new to the world of documentary filmmaking, and I have a ton of questions. Iâ€™ll confine this post to question number 1 but first a few words of introduction.
Iâ€™m a writer in Los Angeles, working in collaboration with a veteran European filmmaker on the development of a doc film project thatâ€™s been accepted into IDAâ€™s Fiscal Sponsorship Program. On page one of the FSP Agreement it says that as Project Manager Iâ€™m required â€œto obtain appropriate liability insurance for all aspects of the project in an amount of not less than $1,000,000, which shall name IDA as an additional insured.â€
Iâ€™d like to ask folks with experience in this area where I should (and maybe also should not) go to inquire about such insurance, how much I should expect to pay, if there are some plans better than others, etc. Any and all information will be appreciated.
Many thanks, and it's great to be part of this group--
P.S. Thanks to Lisa Hasko of IDA for telling me about the D-Word!
Welcome, Eric and Stephen, and welcome back, Lowell.
Stephen, would work much better if you ask questions like this (and any others) in The Mentoring Room. This is just the topic to introduce who we are to each other.
That said, a number of people here, including myself, have recommended the Charles Whelan Insurance Agency. You might want to give Charles a call.
Thanks, Doug. Here's what I just put on my Profile:
I'm a Los Angeles-based writer and a teacher, MFA in Creative Writing from UC Irvine, PhD in English (and film) from USC. I've published articles in literary magazines and film journals, and short stories here and there. My first book (as editor) was "Perspectives on John Huston." I also wrote "Full of Life: A Biography of John Fante" and edited several other books by and about Fante. Due out in 2012 in an anthology entitled "Film and Genocide" will be my interview with Polish filmmaker Irek Dobrowolski as well as an essay I wrote about Irek's award-winning Holocaust documentary "The Portraitist." Thanks to email and Skype, the two of us are currently collaborating on the development of a documentary film project about the Polish-Soviet War of 1919-1920--and boy do I have a lot to learn!
As a fellow admirer, I'd like to offer a service of free from copyright, music. We have several songs available as instrumental and/or vocal. These are original film scores, composed with over ten years of experience. The label " Kreatrix" has produced 6 undergound techno albums. You're welcome to message us for material and/or produce a score for your doc. We know what the power of imagery can bring with an emotional score behind it. Thank you.
Hi again, Doug--
I just had a long and enlightening talk with Chuck Whelan about insurance, so thanks again for the tip.
I was so excited to find this community! I'm currently a Grad student at Southern Illinois University, in Carbondale, studying Digital Documentary. SIU is also where I spent my undergrad years in the early 90s. I'm currently working on my first doc, "Jake and Janie", a story about family, and gambling addiction.
http://jakeandjaniemovie.com. I'm hopefully launching my Kickstarter campaign in the beginning of February to help fund the film.
A little about me:
As I mentioned above, I was here in Carbondale once before as an undergrad in the Radio/TV department.
I moved out west after graduation and instead of diving into the world of television, I ended up in the exploding world of E-Commerce, working for companies like eToys and Ticketmaster. It was a great ride (I ended up in London for a year!) However, as life moved on, I wanted to make my way back to my passion, which is telling great stories.
While I am focused on filmmaking, my former life in the online world is still with me. I work in the Marketing department at the SIU Student Recreation Center, focusing on their social media marketing efforts. I'm also one of the co-founders and VP of Social Media Club Southern IL, a professional networking group.
Anyway, I am quite excited to learn more about the website and everyone involved!
Great to have you here with us, Stacy. Here's The D-Word's one sad attempt at e-commerce.
That is sad...
Well, sad mainly in that we sold about ten hats. The model is the decidedly not sad Lucy Block when she was sweet 16.
Yes, Lucy did a great job and the backdrop is interesting, just the thought D-Word had hats and I never knew about it. Not saying I would buy one, but...
hey that's Amsterdam, no?
Ha! Sad? My d-word hat is still doing the rounds of the farm animals http://www.d-word.com/topics/show/80?post=99653
Yes, that's Amsterdam. IDFA 2005. Brings back waves of nostalgia.
Happy New Year,
I am requesting help from a peer group that speaks to cartoon development. The script, audio and art is ready in rough form and ready for next step towards presentation.
I need advice for presenting best storyboard content as many possible target markets can be reached.
My original concept was a 30 minute MTV or Adult Swim style gag humor show but could also reach markets for education and has movie potential.
Any help in organizing and experienced agents contacts would be appreciated.
Len Schillaci 704 491 2821 Charlotte NC
Hello all, and a happy new year! I hope 2012 brings happiness, health & prosperity to us all. I'm Manuel Tsingaris, a Freelance Editor based out of San Francisco but with my porta-edit suite I'm willing and able to go anywhere for work. I have accommodations in LA & NYC already in place because I tend to work primarily in the three aforementioned cities. Any way I'm wrapping up a documentary and just wanted to spread the word that I'm available. My site <www.tsingaris.com> has my resume, bio & sample clips. I'm an award winning Editor with 16 years experience under my belt. I look forward to becoming an active member in this cyber-community, and to eventually meet some of you in the near future. Peace to you all, Manuel
Welcome, Leonard and Manuel. Leonard, this is a documentary forum so not sure how many will be into cartoon developement. But you never know and wish you well.
Thank you very much Doug.
I am STOKED that I came across this community of doc enthusiasts/professionals and I'm hoping to make some friends and connections through this site. I'm Brandon Watts, a freelance shooter/editor and sometimes director. I have 6 years of video/broadcast production experience and I'm really looking to get into documentary production. Whether it be assisting on shoots and editing or brainstorming on new ideas. I have a camera, light kit (Cool Lights), laptop and editing software (Avid,Final Cut,Premiere). If you need help on your production or want to work together on getting something started please feel free to contact me as I'm looking to gain as much experience as possible. I have a passport and will travel anywhere for a good story. Here's a link to my work:
On there you will find my first attempt at producing a documentary titled, "The Sound of Progress". I'm very proud of it because it was my first shot at it and I was able to tell a story even though doubts flooded in throughout the process.
At this point, I'm willing to work for no pay just to get more experience and make my resume look interesting. I look forward to meeting and discussing things with you. Take it easy!wattsbrando (at) yahoo (dot) com
In reply to Stacy Jill Calvert's post on Wed 28 Dec 2011 :
Hi Stacy, welcome....My in-laws are from Edwardsville, IL and my father in law is a fellow Saluki!
Glad you found us, Brandon. Welcome.
Because this topic is open to the public, I edited your email address to include the (at) and (dot). Otherwise, unwelcome spammers might well be at your door.
Hi Doug, I appreciate that.
Happy New Year D-Word-ers! Rachel Raney here, I'm a documentary filmmaker and public tv/radio producer... I spent eons in the Bay Area (at CIR and KQED for starters) and now live in Durham NC. I've recently become interim Exec Director of the Southern Documentary Fund. SDF offers fiscal sponsorship/support for projects made in or about the American South. We review new proposals four times a year, our upcoming deadline is Jan 15:
So to all y'all Southern docmakers out there, check us out, join our community. We're on Facebook, you can subscribe to our newsletter, and hopefully, come to an event or screening sometime. Let us know if you're out there, and what you're working on. Also if you come to the Full Frame Festival in April, we host the Work in Progress screening on Sunday...
I'll try and post more regularly here about our goings on, take care everyone, Rachel
Really great having you here, Rachel, and having the SDF represented. An invaluable program. Say hi to my buddy Cynthia Hill. And all of our great friends at Full Frame!
Hello I'm Megan Clancy a deaf journalist who interviewed deaf and normal hearing Koreans in Seoul and Los Angeles. Please contact me if you are interested to help me with networking.
Welcome to The D-Word, Megan!
Hi Rachel! You forgot to say how awesome you are and how much the Bay Area misses you, so thought I would add that quickly for you!