Introduce Yourself: Sign In Here First

Introduce Yourself

  • Public

Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.

Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.

K.C. Marsh
Pro

Hello everyone,
Pleasure to be aboard. I'm new to the D-Word and currently in pre-production on both my first documentary and my first feature length project. After obsessively agonizing on cameras, knowing full well the content matters more than the camera, I settled on the Panasonic GH1 for it's DOF capabilities, the fact that you could hack the bitrate settings (which I have done) and it seemed to be the only hi-def still/video camera that was capable of shooting for longer than 15mins at a clip without the camera overheating and or cutting off the clip at the 12-14min mark (as in the ever popular Canon DSLRs). So far I'm very happy.

I'll be posting more updates as I go but my main area of focus now is quality sound capture. I have a good indy rig but no wireless LAVs. I will post more on that in another section of the website and will certainly be looking for pointers and recommendations. I'm certainly in the market for some good multi-channel LAV mics if anyone has tips there.

My documentary is a "son gets to know his Jazz Musician father through his music and those who loved him and his music". And yes, I've seen "My Architect: A Son's Journey". GREAT film that was a major inspiration. If you've seen that film there are some very similar themes for me. My father was lost to me when I was fairly young (19), we didn't have much chance to get to know each other (family drama and his obsessive dedication to his music) and within the Jazz community he is rather legendary for those who really know his music.

I hope to explore the reasons why those fans and devotes of my father's music keep insisting he is a genius improviser and one of the top three improvisers of the 20th century (often listed with Charlie Parker and Lester Young others). These are odd things to digest about about someone whom you saw in a very different light growing up. I both seek to tribute my father but also get to know him better through his music. Hopefully both the viewing audiences and myself will get to know him a little better and come out the other side with a better understanding of what makes his particular stripe of musician so special.

So, next steps for me? Editing a fundraising snippet for Kickstarter and other online fundraising sights, finding some good wireless lavs and continuing to seek encouragement for this daunting task.

I do have a producer by the way. He is a former Cal Arts screen-writing instructor and huge fan/devote of my father's music. Wonderful fellow named Eddie Richey. My wife is also an ever-present producing partner and the other half of Leo Rising productions.

Here's to getting to know everyone better and most certainly sharing about the process.

Doug Block
Host

Welcome, K.C. You might want to know about a similar doc by D-Word member Stan Warnow called "Deconstructing Dad", which is about his own famous musician father. Not to worry, though, since each filmmaker's journey is their own unique story.

K.C. Marsh
Pro

Great recommendation! I'm not worried. I love the other stories like this. The Glenn Gould docs were also wonderful.

K.C. Marsh
Pro

True, there is also a brand new doc that I just saw at a theater in Pasadena. It was much more of a traditional doc. I saw both of them back to back and was lumping them together. Both wonderful pieces. The new doc has some amazing archival footage. "32 Short Films..." reminded me of a book written about my dad in which the author wrote as if he was my father (1st person) narrating his own life. Fascinating and brave way to tackle a subject. My producer is leaning toward experimental with the style and he told me to watch "32 Short Flms...". Loved it.

Jennifer Howd
Pro

Hi Everyone –

I stumbled upon this community and am happy to have found you all. This seems like an incredibly supportive environment, and that's a huge testament to both the members and the moderators. Kudos!

So, a little about me – I’m a multi-hyphenate Creative Producer/Writer/Marketing Consultant with over 15 years of experience working in the entertainment industry. More specifically, I've produced everything from the visuals for the groundbreaking documentary feature, THE KID STAYS IN THE PICTURE – to broadcast design packages for major cable networks. I also co-created and produced a grassroots media conference in NYC and LA, served as a publicist at a MGM/United Artists in NYC for four years and wrote a book (published by the Princeton Review).

I recently moved to LA to focus my career on producing larger-scale projects and seem to keep finding myself gravitating toward the documentary world. I dipped my toe into reality TV development and sold a pitch to Sony Pictures Television a few years ago but ended up backing out of the deal for personal reasons (the subjects were friends of mine, and Sony wasn't willing to give me Exec Producer credit because I had never run a show before – so, in the interest of protecting their interests, I pulled the plug). What's that they say about not being involved/close to your doc's subjects? Learned that the hard way...

Onward and upward! I'm now producing the visuals for a feature doc that's based up in Oakland and have recently started developing another non-fiction project about the business of cancer that has numerous media extensions, including a feature component. Having never helmed a project of this size, I'm here to absorb as much info as I can from the community – and to give back, as well.

That said, I'm a huge fan of indie empowerment and have been doing quite a bit of research re: Hybrid Distribution that I'm happy to share. I also have solid experience creating grassroots marketing and outreach strategies.

If anyone here would like a free outreach consultation for their project, please get in touch with me. I'd be happy to help point you in the right direction.

One question – do D-Listers ever get together for local in-person gatherings? As I mentioned, I'm fairly new to LA and am eager to meet like-minded folks.

Thanks!
Jennifer

Doug Block
Host

Great to have you joining us, Jennifer! Feel free to leap right into the various discussions going on here and all the best with your projects.

Yes, there are quite a number of LA-based D-Word members, including our co-hostess with the mostess, Marj Safinia. They're often up for in-person F2F's, so don't hesitate to organize one (on the F2F topic). You might also want to join DocuLink, which is a mostly LA-based listserve for doc filmmakers.

Betty Palik
Fan

Hello everyone,
I am the head of the documentary division at Muse Entertainment (www.muse.ca), a major independent film and television production house and an emerging force in international co-productions. We've won numerous international awards and were just nominated for a Golden Globe Award for the mini series Pillars of the Earth which we co-produced with Germany's Tandem Communications in association with Scott Free Films. We are mostly a live action, fiction producer but we are keen to work in the documentary world as well. The first documentary we co-produced with Switzerland and filmed in Jamaica was the successful doc feature Rocksteady: The Roots of Reggae. Our head office is in Montreal but we also have a US operation based in LA and a sales office in London, England. We are happy to look at documentary projects that would be relevant to Canadian audiences specifically but also of interest to international audiences.

Doug Block
Host

Great to have you here with us, Betty. How far along with their project would someone need to be before approaching you? Would you at the least need to see a fairly polished work-in-progress sample?

Loading...