Introduce Yourself: Sign In Here First

Introduce Yourself

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Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.

Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.

Doug Block

Welcome Ralph. Feel free to register for full member status here to gain access to all 50 discussion topics.

Welcome, as well, Will. Good luck with your project.

Marina Lutz

Hi Doug. I am a first time doc filmmaker with a short called The Marina Experiment. I'm having a bit of trouble understanding how to navigate this forum – the information I need ASAP is about getting an educational license for my 18 minute film so I can sell it for more money to libraries. Specifically, a public library just purchased my film at my retail price and would like to amend this right away. I don't know what I need or where to get it. Please help!

Doug Block

Marina, I've moved the follow-up discussion to the Marketing and Distribution topic. I'll reply to you there.

(Marth, I removed your post from here and moved it to M&D, as well, because the Introduce Yourself topic is public and will show up in Google searches. Be very careful about giving out email addresses and cell phone numbers in this topic everyone!)

Eric Morgret

Hello, I am an editor, director, producer of short films and a feature.

Several years ago I sat in line with Star Wars fans for three weeks and created the documentary "The Big Line". My current project is working with Marth on "Walk Right In" the Yale summer high school movie.

Here are some more tidbits from a bio that I have used in the past:
Eric Morgret is co-owner of Maelstrom Productions. With this company he has directed/edited several shorts and the feature film: “Strange Aeons”. As he crawls around in the nether regions of Seattle film he is working on several different projects. Eric is the Festival Director and Head of Programming for the Maelstrom International Fantastic Film Festival, a genre film festival in its 3rd year. MIFFF brings the best genre films to the SIFF Cinema in Seattle.

Cory Kelley

Hello, I have been lurking around here and would really like to get involved with this community. I am documentary director with a feature currently in post. I could really use the support that seems available in this community. Any pointers on where or how to get involved? My films website is


Doug Block

Just keep posting away, Cory. That's all any of us involved people do.

Eric, welcome, as well, and feel free to register for full membership.

Niam Itani

Hello everybody.
I figured I'll re-introduce myself and see if I still qualify to stay in D-Word :)
I am a Screenwriter & Filmmaker newly relocated to Beirut, Lebanon.
I worked for 5 years at Al Jazeera Network in Doha, Qatar and at the same time was completing my MFA in Screenwriting at Hollins University in Virginia, USA.
I am now back to unemployment, or freedom, or independent filmmaking :) Just got me a Canon 7D and a MacBook Pro to try and keep up with short doc production along my narrative career.
I'm a member of D-word since 2004 (?) probably but I was busy for a while and now I am intending to tune in regularly to benefit from al the great things I learned – and can definitely still learn- from this home.
Peace all around :)

Neil Orman

Hi everyone,
I'm a new member and interested in opportunities to help people with their projects. Let me tell you a bit more and if you're interested please contact me at
I'm a recent NYU grad film grad and here is a link to some of my doc work:
I've done both camera and some sound before, and I won a short doc contest last year called Madrid Dares You that was covered in the NY Daily News:
In addition to being a filmmaker I was a journalist for 10 years, so I have lots of applicable skills.
I've worked exclusively on student projects before so I'm most interested in helping people at the 'professional' level (or pretty close), people who have made documentaries before that have been distributed or broadcast, and are savvy about the nuances of getting projects funded. I'm glad to work for free right now to get the experience. I'd particularly like to become more technically proficient with the nuances of doing docs with tiny or no crews, such as how to do camera, sound and lightning all by yourself.
Much appreciated either way, and thanks for having a Web site like this.

Doug Block

Welcome, Neil, and great to have you back, Niam.