Oh, it's plenty difficult here, Heddy. Now that you're a full Member, you can go to the Funding (North America) topic and see for yourself. Again, a warm welcome to The D-Word.
Thanks Ben (I became a member), so I followed your advice for the second time. Why you're a host and not a member? And beeing a host how could you welcome me as a member? I'm curious!
Doug, now I go with my laptop from place to place. For some weeks I'm an exile: I needed to reconstruct parts of my house and there are delays (now already 3 weeks). When I'm back home I'll go to the Funding and read. But my questionn was not only in relation to money. I would like to know if there is a bond between colleagues, if makers help each other, are happy when someone makes a beautiful film... that is the idea I got reading personal and general messages in Facebook and maybe it's a romantic idea?
I think you'll find that community spirit in more abundance here at D-Word than just about anywhere else- at least, that's been my experience.
Heddy, if you find time to poke around some of the topics in D-Word, you will see that collegial bond in action. I actually would answer your question about whether the documentary film climate is healthy in the U.S. by saying a resounding "yes." Indeed it is not if one were to only look at it from a money perspective. The competition for limited funds has always been tight in the States and it has gotten much worse this year as arts funding has been cut in many states, corporations have fewer revenues for their foundation sides, and private foundations have been pinched as well. But somehow the scrappy spirit which you need to be a doc-maker in America also creates a deep need for a community in which to share the joys and frustrations of making documentaries, as well as a shared love for discussing documentaries. D-Word and Facebook both provide a place in the virtual world and there are a number of local organizations which provide the regular face to face sustenance which is also so very needed.
Curious to know why you find the conversation among the Dutch colleagues dull? What makes it dull?
P.S. The hosts will probably recommend this conversation be continued in another topic since this one is generally reserved for introductions only. You are well past introduction and into discussion. So maybe continue this discussion in the virtual Bar & Grill?
Yes, Erica's right, this should move to the Bar. So I'll only add that there's a lot of collegiality here in the U.S. among documentarians in person, but I've also found that to be true in most places I've visited. Far more than among fiction filmmakers, that's for sure. But there's always a healthy amount of envy and spite, as well. It's called being human, I guess.
Hey Y'all. I haven't posted in a while and not sure if I ever really intro'd myself. My name is Shelly and I am trying to make my world today in documentary editing. I've been doing it for 4 years now and am thoroughly enjoying all the NYC doc people I've been meeting along the way!
Now for a question: The doc I'm currently working needs a male actor to mimic the voice of one of our subjects for use as scratch narration. We'd like to get some one who can come very close to the person's real voice as we may use a cut with this narration to send into festival applications, etc. Does anyone know the best way to go about finding and hiring voice talent or actors? Our budget is small, so I'm sure we couldn't pay too competitively but, would try to offer a decent wage. I've posted on Backstage but was hoping for more suggestions. Does anyone know anything about contacting talent agencies or casting directors? Any advice would greatly help as I am totally inexperienced in dealing with actors. Thanks!
Hey everyone! My name is Taylor Van Sickle and I'm producing a documentary. I'm a senior at Utah Valley University and I'm in the Digital Media program. I'm doing the documentary for my senior project. It's going to be about my personal discovery and research of my 5th great-grandfather. Frederick Kesler. He was a millwright in Utah in the 1800's and built over 35 mills of different types and was a very interesting character. It's my first project of this size and scope. I'm hoping that this site will help me through the process of production. Any advice whatsoever would be useful!
In reply to Shelly Helgeson's post on Wed 9 Sep 2009 :
Shelly, I've used Voices.com for projects in the past. You can post a project proposal on the site and then different voice talent will send you what they would charge for the project. It would definitely want to check it out! Hope that helped...
this really belongs in the mentoring room. I would contact all the casting agencies listed in the New York Film Guide and ask for their non-union voice-over demo reels. Most are likely to be online at this point. Find the person or person you like and then contact the agency or the person and make them an offer. If you have a little bit of money, make sure you're organized so the person can get in and out in under an hour.
My apologies. I will move now! But, thanks for the helpful info already!