Welcome Bradley. Sounds like a tough project to be working on McKee's "Story"! Good luck with that.
Hello to all at the big D, my name is Emile Guertin, I am an editor of several years cutting mainly for Discovery and NatGeo, but am now turning my attention to directing my long-planned indie doc about faith in Manila, Philippines.
It's a character driven portrait of several Filipinos and how they reconcile their fate with the divine. It's my first doc as director, but as a strong storytelling editor, it feels like a natural progression for me to be behind the camera.
My initial reason for joining D-Word is to seek creative support and advice as I venture down a path I have not trodden before! Shooting in a couple of months.
Influences on me Joseph Campbell, Karen Armstrong, James Longley... and others.
Currently based in Sai Gon, Viet Nam, originally from London, UK.
Oh as an extra note, most notable indie project I cut was 'Bunso: the Youngest', directed by the lovely Ditsi Carolino, Manila, Philippines. Premiered at IDFA 2004. Here's a clip if anyone's interested.
A special welcome to The D-Word, Emile! I think you're our first active member based in Vietnam. :-)
Hi you all, I'm a documentary film director and producer based in Spain. I'm half french and half spanish and lived for many years in Germany... I guess that makes me really an european... I have a small production company with two colleagues but friends. We are now working in several documentary film projects that would need international coproducers, so I am working on creating a network of people and see what happens. I'm looking forward to the interchange in the D-Word. Visit our website www.elegantmob.net to know more about me/us. All the best. St.
Hi Stephane. We were just talking about your film, ONE HUNDRED METERS AWAY, over in Views on News a few days ago. Welcome.
Hi Jason, hopefully next time I wonÂ´t miss the conversation...
You can still take part in it, StÃ©phane. It's part of the beauty of conversations at The D-Word – they never really end. A warm welcome to you and Emile.
Hello, I am documentary film student in Zagreb, Croatia and I am writing my final school paper under the title "Documentary Film Distribution"..any good thoughts on possible literature adn where and how to find it?
In reply to Sinisha Juricic's post on Fri 10 Jul 2009 :
Assume you're talking about international distribution.
A lot depends on what you mean by literature, and on the exact topic your paper covers.
If it's sales brochures etc, many of these will be online; just google and see what you come up with.
Also find out which person within BBC Worldwide, National Geographic Television International and other large distributors deal with Croatia and ask them for advice on where to find literature.
If you mean books or papers on the distribution business, I haven't ever come across any, though that doesn't mean they don't exist.
Hailing from Oakland, I'm making a strange-but-true documentary about how I encountered a Physics principle by following a string of coincidences to it's illogical conclusion.
51 Birch Street is the most similar documentary I've seen, as it deals with unknown people and private lives but expands those small truths to universally felt emotions and issues of family life and it's mystery.
Looking for collaborators in opening a doc production collective in the Bay Area – anyone know someone who'd be interested?
Hi Julia – i'm sooooooooooo intrigued by your trailer. incredibly excited to see the film that this becomes. welcome.
thank you so much! too bad you are all the way in Chicago – but good for you on the skate flick, that genre is totally different out here
is it too bad that i'm all the way here or too bad that you're all the way there? guess it depends on the criteria.
and i totally agree the skate doc. genre is way different out your way... that's kind of a driving force for my story in a way.
Welcome, Julia. Intriguing premise and rich material, to be sure. Good luck with the film and with your idea for a collective.
It's been years since I've posted, but I've been busy, so I'll reintroduce myself.
I'm Brian Boyko, I'm an indie documentary filmmaker, and I've just "went pro" – while I'm still working on my quixotic documentary on New Zealand electoral reform (now renamed "Importing Democracy") I've put it on the backburner, instead writing a book on the same subject, as I take on paying work.
I'm likely to get a field producer gig for an in pre-production documentary on the art and culture of Cuba. I'd have to get permission from the U.S. State Dept. to go, but hell yes, I'm going for it!
I've also been approached by a couple of corporate clients, and I'm now spending about half the time at my day job on video (I was hired as a writer, but the job responsibilities have morphed as I got better with video.
I just ordered a Panasonic Lumix GH1 and also plan to get into wedding videography to make some money on the side to continue to fund the documentary film projects.
Anyway – that's me again!
Welcome back, Brian, again!
Hi again, I have already introduced myself a week ago or so, but can someone help me with how to best navigate the site? I can see all the topics with related conversation strings, but how do I find the first posting for a certain thread so I can track the evolution of the conversation? At the moment I find myself dipping into a conversation without knowing the bigger picture. Thanks.
The only way is to go back within a thread and try to track down the first posting, Emile. This is a different kind of structure than topic-based ones (like DV User , for instance). But it's actually much more conducive to conversation, especially if you keep up with it regularly.
emile, don't worry about jumping in during the middle of a conversation. as long as you have something to add (or at least something reasonable funny to say), you're welcome to post. the key, though, is to check D-Word at least once a day so that you don't get too far behind in any conversation (that you wanted to be a part of). yes, this site can be an addiction, but if you are really disciplined, it'll only suck 10-15 minutes from your day. if you are not disciplined, then you'll end up like the rest of us suckers.
Hi. I'm Dave. I've spent a year and a half immersed in my political documentary. I have 60 hours and have been putting off starting post until I have a little bit of money. My mentor suggested this would be a good place to look for an editor.
Welcome, Dave. Hate to break the news to you, but a good editor costs a good deal of money. But if you're serious about finding one in the LA area, you can ask for suggestions here or you could get in touch with some local doc makers (possible through the IDA) and ask them for suggestions. Good luck with your doc.
In reply to Christopher Wong's post on Wed 15 Jul 2009 :
Thanks Christopher, and Doug. I am getting into the swing of it slowly but surely!
Hello from Madrid,
I'm Mariangela and together with a Spanish director I am producing a an independent documentary mainly shot in Spain but that will require a few days of shooting in the U.S., more precisly around Los Angeles, route 66 direction Las Vegas in August (8-12 August).
This is also the main reason that lead me to find the D-word, but I must confess this page seems really great.
We are looking for a sound recordist for 2 max. 3 shooting days in August. Anyone know someone who'd be interested?
Any help on how to address best this search will be really, really appreciated.
Please mail me to:
Thanks a lot and saludos from Madrid.
So I've been lurking around here for a while now – have pulled a lot of great information from the site – and figure I ought to introduce myself. I'm just finishing up my first feature doc – about a year in the life of a porter on the Inca Trail. We just 'unveiled' the "website": http://www.michacrafilm.com/ and Facebook page a few days ago. Definitely a rookie at all of this, so feedback/advice is welcome on both. I look forward to being more a part of the community here.