Thanks, Doug. I'll be sure to check it out.
Regan, it's really great to have enthusiastic, fresh young blood infusing The D-Word. So jump right in to any forum without hesitating. We'll all be the better for it. And that goes for everyone who's registered recently or lurking out there in the dark. We simply don't exist without your posts. No questions too unenlightened. No sharing of experience we don't welcome wholeheartedly.
Thanks for sharing that, Doug, (I especially liked that part about being referred to as a "young" blood). =)
It can seem intimidating to chime in with questions and thoughts sometimes, but I'll give it a go! I'm sure I'll have lots of unenlightened quandaries to pose along the way that may, if nothing else, amuse the wiser, more experienced ones among us. Maybe they'll take pity on me and share some insights...? ;)
Thanks to Mikal Jakubal for getting me on here!
hey regan, you must know Renee Tajima-PeÃ±a pretty well, yes? she's my Executive Producer for my film WHATEVER IT TAKES. Renee was a big help to me (and continues to be) – hopefully, you've been able to get some good documentary instruction from her...
Hi Chris, That's great Renee is your Executive Producer. I did get to know Renee well and learned a great deal from her. What a fabulous woman and gifted filmmaker/storyteller! Your film sounds really interesting, by the way. Sounds like an incredible journey making it too.
Hi everyone. I'm really pleased to have found this site and looking forward to connecting with other documentary filmmakers.
I'm fairly new to the industry, having been thrown in at the deep end on a project in Thailand about AIDS orphans. The children are from a small rural village and are preparing to take part in an opera in Bangkok. They are being taught by an American composer and musician and filming has been on-going for the last 18 months.
My biggest concern at the moment is to do with releases. I know there is plenty of information available on the subject but it isn't always very clear. I have full permission to film the children, but there are obviously countless other adults appearing throughout the film. I understand that everyone who is interviewed must sign a release. What I'm less sure about is other people who appear in the shot.
When I speak to Americans they always say that everyone should sign a release. It's obviously easy to say than to carry out. Europeans seems to be less strict and concentrate on those being interviewed. I know that Thailand is not a litigious society compared to America – is this a factor a distributor or broadcaster will take into account if people haven't signed?
We're all looking forward to the big performance in July and then we can start to edit.
Hope to get to know you guys!!
Welcome, Mike. I'm no lawyer but I'd mainly be concerned with people you've interviewed and those who are featured fairly prominently in a scene (which is usually a judgement call). If they speak at all I try to get a release. If they're just in the background I don't worry too much, though you might later have the occasional broadcaster who'll want a face blurred.
My name is Matt, and I'm a young documentary filmmaker almost out of college and just looking to start working my way into the networks a little more. I've already worked in La on a couple of feature docs, and I've also created some short pieces over the past 2 years, so I have some experience. Basically just looking to see who's out there and who wants to be friendly enough to say hi, and maybe give me some advice . Always need advice.
Nice to meet all of you.
Greetings, Matt. Since you're now a member with access to the various discussion topics, try and be more specific about what advice you need and post in the appropriate area. But before you do, you should check out back posts or use the search engine. Chances are whatever question you have has been asked many times before.
My guess is you probably have all sorts of advice to give us, as well, so don't hesitate to jump in with it when you can.
Hi Regan, good to see you here. Don't make yourself so scarce when you're in HoHum County!
Yeah, I'd second Doug's advice about back posts. When I joined, I systematically read all the back posts in the topics most relevant to where we're at with our film. Time well spent. Not to say I don't still constantly ask redundant or obvious questions...