Given the sort of material you are thinking of using, it would seem imperative that you speak to a lawyer.
Thanks John. In order to get the Fair Use insurance I mentioned, I must have a statement from a lawyer attesting to the veracity of the claim....Was just wondering if there was anyone w/a shared experience who could give me some guidance.
Hopefully you'll get some more feedback from the D-Word.
In the interim, Richard Lee is a longstanding member of our community and well versed in these issues. I haven't used him myself, but many colleagues here can attest to his competence in this area.
Thx a bunch, John! I will see about contacting him....
Hello dear documentary colleagues!
I'm Shui-bo Wang, a Montreal based filmmaker and I also teach at the prestigious Central Academy of Fine Arts in Beijing, as a visiting professor. My animated autobiographical documentary Sunrise Over Tiananmen Square was nominated for an Academy Award in 1999. I made two other documentaries titled Swing in Beijing and They Chose China, and currently working on a couple of documentary feature film projects both in Canada and China.
Welcome, Shuibo. Be sure to apply for professional membership to get full access to all of the discussion forums.
thank you very Doug! All the best!
Hi, My name is Simone and I started a project a few years ago- www.nomadichands.com
If anyone is interested in helping out with an upcoming documentary in the Ecuadorian Amazon very soon, IÂ´ve just posted info about it in the public classified section. IÂ´m always open to help with all other areas of the project too ;)
Welcome to The D-Word, Simone, Shuibo, Nick...
Greetings and Thanks for welcoming me into The D-Word. My name is Adam Lichtenstein and I am an Avid and Final Cut Pro Editor of features, commercials (web, too) and documentaries (TV news docs, reality, and theatrical). My most recent project was for HBO about the late great 70s character actor John Cazale called I KNEW IT WAS YOU. It's making its tour of film festivals, having recently been at Sundance where it was in the Documentary Spotlight program. It's a great little gem and particular favorite of film people. I hope you all enjoy. Again, thanks for inviting me into The Discussion. Warmly, Adam L.
A warm welcome to Simone and Adam. Good to have you both here and leaping in.
I saw I KNEW IT WAS YOU at Sundance and really liked it. Welcome, Adam!
SCRAPPLE is a personal fave of mine...
Hey Simone...good to see you on here!
In reply to Doug Block's post on Thu 19 Mar 2009 :
Many thanks, Doug.
In reply to Ben Kempas's post on Thu 19 Mar 2009 :
That means a lot, Ben. And thanks for having me.
In reply to Riley Morton's post on Fri 20 Mar 2009 :
Thanks, Riley. SCRAPPLE's my favorite too.
This is Ruby Yang from Beijing, my home/work base for the last 5 years. Relocated from San Francisco in 2004, I am still fascinated by Beijing and the rest of China.
Thomas Lennon, my colleague has been telling me about this site. Glad I am now part of this professional community.
Welcome, Ruby! I've known of you through Tom for many years now, so it's great to finally have you joining us here. I guess modesty prevented you from mentioning the documentary short Oscar you and Tom won last year for "The Blood of Yingzhou District", but not me.
Hi Ruby – good to see you again, if only virtually.
In reply to Ruby Yang's post on Sun 22 Mar 2009 :
please, keep me in mind in case you come along with medical video footage.
Hey Documentary community. I am Rick Eisenstein of Los Angeles and I am working on a documentary about the mortgage meltdown leading to the the foreclosure fiasco.
I'm very new to the documentary production process. I am helping a friend raise money to realize his dream of making a documentary questioning the mysterious circumstances surrounding the death of Edgar Allan Poe against the backdrop of the socio-economic and political realities of 19th century Baltimore.
He's been working on this for well over a decade now, and has a very detailed and well-thought plan, in addition to some participation arrangements with successful documentary filmmakers, so I am confident in the "bedrock" of the written materials and accounting data upon which I am building our funding strategy.
I am familiar with fundraising for social service agencies, higher education, and the visual arts, but this is my first foray into documentary film and it looks like there are significant aspects of documentary funding that are unique to the discipline.
I've found some solid information online and even a few leads worth pursuing, but would definitely be grateful for any wisdom and advice I could gain from those more experienced than I.
Most notably-what are good ways to get leads/ideas/contact information for organizations that issue grants for documentary films (particularly those focusing more on the American history and/or literature fields)?
Thanks for any guidance anybody should provide!
I am merely an amateur who is just getting into filmmaking. My real passion lies in Social Media. I am the Social Media Strategist for a nonprofit organization called Working Films. We work with a lot of documentary films and help create audience engagement strategies so that their films can really have an impact on the social issues they are about. I am really interested in seeing how filmmakers are using social media to get the word out about their films and to engage their audience.
Are there any filmmakers here who have been using social media tools in their film campaigns?
In reply to Richard Eisenstein's post on Mon 23 Mar 2009 :
Rick – sounds interesting. Just make sure to include a montage of a baby carriage rolling down steps.