Introduce Yourself: Sign In Here First

Introduce Yourself

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Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.

Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.

Dan Ratiu
Pro
Hi,

I am a filmmaker from Romania and I am glad to join the forum.

Dan
Ben Kempas
Pro
Dan, welcome to The D-Word, and make sure to introduce yourself in
{LINK NOT IMPORTED} as well.
Chanel Carlascio
Fan
couple of questions regarding treatments:

how long is a documentary treatment typically expected to be?

how detailed should i make it?

any recommendations for doc treatment examples?

thanks.
Doug Block
Host
1. a couple of pages 2. as visual and detailed as you can, given that
you haven't shot it yet and it will inevitably turn out considerably
different than you anticipated (usually for the better) 3. um, there
must be a book out there. if you're in the ny area, you should check
out the aivf library: www.aivf.org
Lucie Bourgeau
Pro
Hi all,

I was referred by the Director of Detroit Docs, a new organization
here in Detroit I work for. We hold an annual doc film fest, a
monthly screening series & director Q&A (starting in April), and
eventually a resource center. Glad to be here!

-lucie
Deleted User
Fan
Hi all,
I'm working in the UK and am moving into the world of documentaries
from the world of graphic design. am new to it all. am here to look
and learn. and then to make some good work.
thanks
- justy
Amita Talwar
Pro
Hi everyone. Am working in India as a publisher and want to move on
to my first love - Documentaries. Have done a couple and sold them
in India. Time to share my work with others and also see what the
rest of you folks are upto. How does one do that?
-amita
Doug Block
Host
Welcome, Amita and Justy! Amita, I suggest you read the conference
we did with Jan Rofekamp last year here about Selling in the
International Marketplace: {LINK NOT IMPORTED} It will tell you much of what you
need to know.
Amita Talwar
Pro
Thanks Doug. I went through the Jan Rofekamp conference. Does it
help to send the synopsis to some buyers/channels directly through
emails? Is it worth taking a chance?
Doug Block
Host
Yes, absolutely. I recommend you send them something very brief in
an email. Very succint. No more than two paragraphs. Make it as
dramatic and compelling as possible. Then ask if they would like you
to send a more complete proposal. Or, if you have a website with more
info, include a url link.
Deleted User
Fan
Hello. My 2 year old is napping so my keyboard is tapping! I'm a
complete newcomer to the world of documentary filmmaking. No
filmmaking experience but I'm very grateful to have an on-line
classroom. :-) Taking a week long doc course soon and can't wait to
get started. I'm anxious to learn. Previous life paths include,
theatre [acting], software development and desktop publishing. Have
a million doc ideas. Of course!
Doug Block
Host
Just make 'em cheap, Jackie! ;-) Welcome to d-world (which is what
we sometimes call d-word - it's grown so much internationally). Good
luck with your course and hope you hold onto your initial enthusiasm
in the years ahead.
Deleted User
Fan
A little over zealous? ;-)I forgot to mention that I'm from Canada,
originally from Toronto but now living in Aylmer, Quebec. Really
enjoyed the on-line conference on personal documentary, btw.
Jamie Lee
Pro
Greetings from St. Paul, Minnesota. Not a big user of forums and such, but
thought I would give this one a try since my partner seems to peruse it once a
week for good advice et cetera. Just spoke in an Ethnographic Filmmaking
class at Macalester College. Very fun. Not used to anthropology students
picking our brains. Yippee!

www.aquariesmedia.com
www.thisobedience.com
Doug Block
Host
what a bright partner you have, jamie! hold onto this person for
dear life ;-) hope we have some good advice left in us for you, too.
George Robinson
Pro
Just a quick note to introduce myself. I am the film critic (hope
that's not a dirty word here) for Jewish Week (NYC) and Inside
Magazine (Philadelphia) and I cover _a lot_ of documentary film for
both publications, partly because of their readership and largely by
choice. I am also -- after 32 years of writing criticism -- slowly
starting to work up the nerve to do a documentary film (as soon as I
finish the book I'm contracted to do -- any year now).
Ben Kempas
Pro
Munich sends a big welcome to James, Jackie, George & co!
Wade Childers
Pro
Hello, just joining D-Word. Working on first documentary project
which I'm writing, and exploring directorial options. Coming from
the world of film music recording & mixing in LA. But now I have
this documentary itch... and an opportunity to pursue it, so I'm
setting sail to the filmmaking world, but docking in D-Word for a
while first. Greetings to all!
Deleted User
Fan
Hi im an aussie who is trying to make a doc with a german on a river
in china.(sounds like there should be a punchline) I want to know
everything there is to know but I'll start with. How do I get
funding? How much money is 6x1hr (great) docos worth? How much help
can we hope for from the 5 goverments of the countries we pass
through? p.s. this is a great site steve
Doug Block
Host
Thanks and welcome, mate! How do you get funding? Wouldn't we all
like to know ;-)

But you can get a good start on what the international marketplace
for docos is like by reading Jan Rofekamp's conference here: {LINK NOT IMPORTED}

Lotsa luck, Steve.
George Robinson
Pro
This seems the likeliest place for me to put in a
plug for my new, improved website, Cine-Journal, which can be found at
(a drumroll please!):
http://cinejournal.netfirms.com/

Later this week I'll be posting an interview with Jennifer Dworkin
about "Love and Diane," which is superb by the way, and I expect to
cover the doc scene as much as possible.

And for them that celebrates with us, a khag sameakh (joyous festival)
for Passover,
George Robinson
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