We're happy to have you here, Becky. Welcome aboard and best of luck with your film. Sounds very compelling.
In reply to Raymund Gerard C. Cruz's post on Mon 9 Jul 2012 :
Thank you, Raymund for the encouraging words.
Doglegs is an NPO – and serves as a hobby for some members, something of a raison d'etre for others. Not an industry by any means. But as you say, there's a certain Japanese appreciation for the martial arts – fighting as a means to prove yourself – they are seen as wholesome and pure, and have quasi religious aspects, as well.
Doglegs Superhandicapped Pro-wrestling is much more down and dirty, homemade – almost like a cross between performance art and MMA. But there's a strength of spirit and purpose that I do think echos the ethos of classical Japanese fighting styles.
Anyway, I'll be sure to post about it in depth once I get more familiar with my way around the boards. Very much looking forward to sharing and being a part of this community.
In reply to Heath Cozens's post on Thu 12 Jul 2012 :
Very intriguing! Asians do have an attachment to spirituality. To us, life goes on like a ritual. My wife and I share with you the same fascination with japan, only more in theater. She will be in Kyoto to study Noh theater for a month starting next week. Anyways, looking forward to seeing your wonderful project.
Adam, great to see you back! Look forward to raising a glass at a film festival this year to celebrate your new film, which I know will be wonderful.
In reply to Dennis Connors's post on Mon 25 Jun 2012 :
Good to have you here. Don't worry about age. Some of my favorite filmmakers started working late. John Cassavetes, Abbas Kiarostami, Kidlat Tahimik, Robert Bresson, and Rob Nilsson became active late in their mid-30 to late 40's. In art, age is just a number. :)
The D-word will get you going.
I'm a verite shooter working on a documentary about communities rebuilding from natural disaster. I'm currently in Bay St Louis Mississippi but we've also been to Alabama and Louisiana.
We have a Kickstarter up: http://kck.st/NzV3Y0
Any feedback would be appreciated. So give me your most brutal hello and tell me what you really think of it!
My name is David Liebling. I have worked mostly in live sports production for the past few years, with a long hiatus in Asia where I was teaching english and traveling.
While I was in South Korea I started shooting for a documentary I'd like to produce 'the right way.' Meaning that I'd like to figure out what I'm doing as far as pre-production and distribution to give my project the best possible chance at success.
I'll be lurking this site, searching for answers regarding budgeting, planning, distribution, financing, and all the other aspects of documentary making that are currently baffling to me. Any nudges in the right direction would be much appreciated!
I hope I can give as well at some point.
My name is Louis Mole. I am a young aspiring documentary filmmaker from England. I have almost completed a one year documentary filmmaking course and I am now looking for employment, starting in November. I have made a number of short documentary films, and I am predominantly interested in social issue documentaries. I have made films on subjects such as homelessness, mental illness and newly released prisoners learning to reconnect with their children. Thank you for having me!
My name is Alyssa Bolsey and I'm currently directing a feature Swiss/US documentary about the film pioneer/inventor of the Bolex camera. If you're interested in checking out the development teaser it can be viewed on vimeo. https://vimeo.com/31740507
A young filmmaker myself, working in an international co-production has proven to be challenging but rewarding in the lessons learned. I look forward to learning more from d-word member's experiences as well as contributing all that I can in the process!