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Introduce Yourself

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Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.

Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.

Doug Block

Great to have you here, Swati and Jeremy. Welcome.

Laura Marshallsay

Hi everyone, I am a public historian new to docs. In April I will be defending my master’s thesis – a study of the experiences of women in the Women’s Army Corps as they made the transition into the all-male Army of the 1970s. As part of my research, I conducted oral history interviews of women who enlisted during this transition period and will use them as part of a documentary called Transforming Athena. These women responded, in part, to Army recruiting ads of the 1970s which promised them travel, education, and most importantly, equal opportunity. But could equal opportunity truly exist in “this man’s Army?”

As part of my thesis project, I had to learn a great deal about the non-camera work that goes into a doc: treatments, budgets, funding, rights, etc. That was a huge learning curve (and still is!) My next mission is to create a budget (and could use some input if anyone would like to put in their two cents off board). What I did take away from this is that I love doing creative work. I have enough footage for my trailer (which is all I need for my thesis), but I want to do more interviews to get a wider demographic of women. Hopefully I can make this into a proper doc in the future. I look forward to hearing about all of your projects!

Keith O'Shea

Hello all,
My name is Keith O'Shea, I'm originally from Cork, Ireland but I've been based in Afghanistan since 2009 having completing a B.A. in doc film at the IFSW. I'm currently in production on my first feature length doc 'Sparlo' on the master riders of the sport of Buzkashi. I hope to have the project completed around June or July this year.
The site looks like it will be a great resource. Looking forward to getting into it.
Best Regards

Blaire Johnson

In reply to Linda Wasson's post on Fri 4 Mar 2011 :

It is indeed, still illegal to grow industrial hemp here in the US. We are currently the only industrial nation where it remains illegal to grow it, though it is completely legal to import all aspects of the plant, except for the 'live' seeds. You can import hemp's nutritious 'edible' seeds, but we can't import seeds that we can grow. So we are out to change that. Recent developments in Europe, Canada, etc have changed the technology of processing industrial hemp. That, combined with hemp's ability to build the healthiest, most energy efficient houses are creating a real boom abroad. We hope to get America behind hemp, thanks in large part to hemp's ability to build the healthiest houses. Hemp houses could very well be the next trend in green building in the US. Once we are able to grow it here, hemp's healthy houses should be affordable for us all.

John Burgan

Good to see you all here. Keith, Buzkashi has got to be one high-octane bonkers sport – basically Australian Rules Football on horses with a dead goat's head. BTW the IFSW is not an obscure faction but the International Film School Wales aka the Newport Film School where, I, er, know some of the people.

Eugene Martin

Hi everyone,

I am Eugene Martin, a filmmaker from Philly now based in the Dallas area. My new film is a feature length doc titled The Anderson Monarchs. It is about an all girls soccer club from Philadelphia who are the only African American competitive club pretty much anywhere on earth. I am in post production on the film, having shot 500 hours or so. I've got a trailer up on my website here:

Glad to know about this site!


Doug Block

Glad you finally made your way here, Eugene. When did you move from Philly to Texas?

And a warm welcome to Keith and Laura, as well.

Keith O'Shea

Hi John/Doug,

Thank you for the welcome to the site

John, thank you for clarifying that the IFSW is indeed a film school and not an "obscure faction", should have made that a little clearer.
In relation to Buzkashi the sport goes all the way back to the time of Genghis Khan who although forbidding his people from having arms during peace time made hunting on horses compulsory as training for war. Riders would track their prey for weeks at a time eventually wearing down the animals before whipping or stoning them to death. Bloodletting was not practicing as to shed blood was believed to allow the soul to escape.

It's a wonderful, unique part of Afghan culture, a bit like going to the cinema here complete with popcorn sellers and other snack vendors.

Looking forward to getting it out there.

Christopher Wong

In reply to Jeremy Pevar's post on Fri 4 Mar 2011 :

Welcome to the D-Word, Jeremy... are you working at all with fellow D-Word member Jason Osder? If not, you may be a bit interested to know that he has been producing/directing a rather similar project (to say the least!) – and the title of his film was LET THE FIRE BURN.

Jeremy Pevar

@Christopher – I'm not working with Jason, though we have spoken about our respective projects. I believe that we are taking very different approaches to the topic. It is a big story and I think there is room for a variety of perspectives. Without characterizing what Jason is doing with his film, what I am attempting to do is to contextualize the MOVE story by digging into the group's origins and showing how MOVE grew and changed over the years from 1972 – 1985, culminating in the horrific events on Osage Avenue.