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Introduce Yourself

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Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.

Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.

Steve Kosareff
Fan

In the business plan draft I'm working on I've also included a fiscal sponsor fee in the budget and refer to it in the plan to allow the film's supporters to either make tax deductible donations or investments. I will have the final draft of the plan reviewed by experienced advisers, but feedback from this blog's readers will be helpful. Has anyone else used a similar hybrid plan to raise funds and, if so, what were the results?

Robert Goodman
Pro

you can't solict donations for a profit making enterprise. There's no way for the donor to take a tax deduction and that ends a lot of them.

jd redjade
Fan

hello all,
my name is jd and i am an american living in budapest hungary – i recently bought a canon legria/vixia hfs100 to make mini-documentaries or a political nature. You can see my progress in learning the little camera at http://vimeo.com/redjade

there are many many ideas i have for such mini-docus, but step by step i will get there :-)

cheers,
jd

Rich West
Fan

Just did a show of original music bookended by a Gesualdo piece and a Rahsaan Roland Kirk tune in South Pasadena. Have done a bit of soundtrack music for a couple of documentaries and I really enjoyed it. Someone told me to check this site out so here I is.

Yogesh CU
Fan

I am a 'creative' from India with a quest for learning and acquiring knowledge about creative expression and zeal to contribute to the art of STORY.TELLING, by utilizing my skills and expertise to the fullest.

Ana Santos
Fan

I'm a passionately social artist and documentary filmmaker that believes the best way to make a difference is to go out of our "established" ways of seeing and experiencing the world. I agree with Wade Davis that story telling and content that offer broader perspectives can create a difference. History has not been written, we make history with the choices and the stories we choose to tell. I'm the product of TED and Herzog, to me, if you have lived the world in a way, you would try to try to tell our story. I worked for TV and entertainment for more than 10 years, and I'm refusing my self to continue to produce garbage and meaningless programming.

Jason DeBose
Fan

Greetings from Helsinki, I'm a California-born photographer based in Helsinki. Tomorrow I'll begin a 3-country journey that will land me at The Lemesos International Documentary Film Festival in Cyprus. There, a project I'm producing based in New York, entitled THE MUSIC NEVER DIES

www.youtube.com/watch?v=Il6msr2ZuHc
(our trailer)

has been chosen to be a part of Docs Talk Cyprus, a 2-day pitch forum held within the festival. I'm three planes away, but am definitely looking forward to the project getting to take some meetings – we're now pulling for a co-production as we are ~40% funded with a budget of ~$250k.

Doug Block
Host

JD, Rich, Yogesh, Ana and Jason, a warm welcome to you all. You're coming here so fast and furious it's hard to keep up with the greetings.

Daniel Raim
Pro

Hi All—

A little about me:
I’ve been making documentaries in Los Angeles for the last 13 years – mainly films about a dying breed of old Hollywood art directors and cinematographers who I find inspiring as people as well as artists.
Some of my credits include, “Something’s Gonna Live,” which world premiered at the 2009 AFI FEST and is a follow-up to my first documentary, “The Man on Lincoln’s Nose" (2001 Oscar-nominated, Short Subject). Currently, I’m in post-production on a new film that will complete the trilogy of docs on old-Hollywood filmmakers.
Ross McElwee and Abbas Kiarostami are some of my cinema heroes. One of my favorite quotes from Kiarostami is something along the lines of: “Try to make your documentary like a fiction film, and your fiction film like a documentary."
Thanks to everyone who helps maintain this wonderful website. I look forward to meeting new folks on The D-Word!

Doug Block
Host

Greetings and welcome to The D-Word, Daniel. Ross McElwee has been a huge influence on my work, as well.

Daniel Raim
Pro

Thanks, Doug. Great to be here! Any word on a release date for Ross McElwee's new film, "In Paraguay"?

Doug Block
Host

No. I'm afraid there are complications that are holding it up indefinitely. Which is too bad, I'm very eager to see it.

Daniel Raim
Pro

Hi Doug,
Thanks for the update, albeit not very good news for us Ross McElwee fans. Are you at liberty to explain what the complications are holding up the film?
I posted in the Hidden Section a synopsis I found on Fandango – looks really interesting!

Documentary filmmaker Ross McElwee, who has cast his quizzical eye on such phenomena as the Civil War, his problems with women and the American news media, now explores the high stakes of life in South America in the movie In Paraguay. McElwee and his wife Marilyn McElwee decided to adopt a child, and made arrangements to become new parents of a baby girl living in Paraguay. When the McElwees flew to Paraguay to meet the child and bring her home, they were struck by the extreme poverty around them, the bureaucracy that dogged them at every stage of the adoption process, and the corruption and oppression that dominates Paraguay's politics. While Ross initially intended to focus on the process of adopting his new daughter, before long his film became a study of a culture whose flaws are all but impossible for him to comprehend, while he also tries to record a bit of his daughter's heritage for her to look to in the future. In Paraguay was an official selection at the 2008 Venice Film Festival. ~ Mark Deming, Rovi

Doug Block
Host

I wish I could but I told Ross I'd keep it to myself. But we're getting a bit off topic here, this is basically for intros and greetings. We can continue any discussion of Ross, In Paraguay and the unique challenges of personal docs in the Documentary Film topic.

Indrani Kopal
Pro

Hello everyone, I'm Indrani Kopal, a documentary filmmaker from Kuala Lumpur, Malaysia. And, I also work as a full time video journalist with Malaysiakini.com, an online news agency here in KL.

I just returned from Washington DC after being part of the 2010 International Emerging Documentary Filmmakers Fellowship program by The Documentary Center, at the George Washington University. I was really privileged to meet many experienced filmmakers during the 6-weeks program. And I really enjoyed SILVERDOC Festival.

indranikopal.blogspot.com/ is my blog. And, D-word site was a big buzz among many filmmakers I came across in US, so here I am :)

Doug Block
Host

And we're very glad to have you, Indrani. You couldn't have gotten better training than from the Fellowship program. Hopefully The D-Word will keep the spirit alive. Welcome aboard.

Peter Wareing
Fan

Greetings from New Zealand.
I live between New Zealand and New York, where I started in the late 1980's as a videographer for downtown independent dance companies. Subsequently I focused on independent film and video work in the experimental genre. These short works have been screened in festivals and galleries in the States, Europe and New Zealand; I also have worked as a video designer, focusing again on the downtown theater projects. More recently I completed a multi channel video projection for the Govert-Brewster Art Gallery in New Zealand – titled: There Are Snakes in Paradise. It is an experimental documentary that looks at effects of living in the shadow of the largest international owned chemical plant in New Zealand (Dow Chemical) in the 1960’s –70’s which produced 245T in great quantities and was spayed in the mega tons from the top to the bottom of New Zealand – (The NZ brand: Clean and Green?). Previous to that I made a 32min Doc. about a painter Chuck Bowdish that was screened in various festivals in the US. My most recent doc. I have just completed with funds from the NZ film Commission is a film chronicling the lives (from 1996 to 2009) of three residents in a home on the Upper West Side in Manhattan who are blind and mentally challenged tilted: Not Everybody Can Do Everything. It is a 102min in length and now just beginning to send out to festivals.

Doug Block
Host

Welcome to The D-Word, Peter. And feel free to register for "Professional" status to give you access to all the discussion topics (50, as opposed to just a few).

Gustavo Rosa
Fan

Hi everyone,

My name is Gustavo, I am a recent college graduate. I have been thinking about making a documentary (shocking and ill-advised, I know) about illegal immigrants and their path to college. I have a few people lined up to interview, some stuff about policy, a few contacts in some immigrant organizations, and would probably include some stuff about myself in the project as well.

I am a COMPLETE novice to filming! For now I have been watching some documentaries (including Doug's) and thinking about the arch that the project might take, I envision it being about 30 minutes long.

Does anyone have any advice in terms of literature or other informational material that might be useful? I am particularly interested in what you would think a good camera would be for my purposes. I've looked around a bit and like the Canon T2i. I don't have a mac, but I have a PC and access to the adobe suite.

I appreciate any help or advice you guys would have!

Look forward to hearing from you,
Gustavo

Blake Adams Bailey
Fan

Hello all,

My Name is Blake Adams, and I have been in LA for twenty years, acting, writing and occasionally producing (my best...an award winning short film titled "Silent Radio") I have never thought about doing a documentary film until now. I was struck with an idea that I can not let go, and need some real guidance on how to put together the pitch. This is an area very strange to me, so any help on what kind of Package to put together...what are 'people' looking for in a documentary pitch.
Cheers,
Thanks

Christopher Wong
Pro

welcome, blake. feel free to post more specific questions in the Mentoring Room section of the D-Word. for now, the quick answer to your question is that people in the doc industry are primarily looking for intimate access to your characters. secondly, people are looking for subjects that are timely and reveal universal truths. celebrity involvement always helps to get a doc off the ground, but that is certainly not a prerequisite in the way that you need an A-list celeb to get a fiction film greenlit.

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