Michael – Welcome to The D-Word. This topic is really for introductions, so I'll keep the answer brief:
As higher resolution means better results but considerably longer processing times, requirements for scanning really depend on the size of the original photos and the magnification to which you wish to electronically "zoom" into them later on. So my recommendation would be to do a test run of the whole process with just a few photos scanned with various resolutions, and you'll see what you need.
More questions? Enthusiasts can post them in our Mentoring Room .
I am an aspiring filmmaker who just found out about this site from a fellow member. I am really interested in new models for marketing, distribution, financing, micro-financing, crowdsourcing, social media, transmedia, and all other aspects of film that are rapidly changing due to the internet. I understand that what I have just mentioned encapsulates much more than just documentary filmmaking, however, it has really been the documentary filmmakers who have been most successful at this (i.e. Robert Greenwald, Sandi Dubowski, etc. etc.).
I am hoping to find some great information on these forums about these topics. Any suggestions would be greatly appreciated.
Specifically, I am interested in marketing/promoting videos on YouTube. I recently created a video for a non-profit for which we acquired sponsorship based on the amount of views that we get. The more views=the more donated.
While this video is not a documentary I think it illustrates (along with Pink Glove Dance) a form of altruistic advertising or in essence the most micro way in which to finance a project. Specifically, by donating time people can fund a cause/film.
Here is a link to the project that I just launched: http://www.youtube.com/watch?v=kSkgWJvFeY8
If it is not ok that I posted this because it is not a Doc. Please flag/remove my post and I will post again without the link.
Once again any feedback on promoting/marketing YouTube videos would be greatly appreciated!!!!
Wade, there's plenty to wade through here (sorry, couldn't resist) especially in the Archived Topics (featuring Dubowski etc.) – you could read for weeks on end.
Can't watch your clip right now but it's perfectly acceptable to post a non-documentary link. Our regime isn't that tough. :-)
And welcome to The D-Word! So, who else is lurking out there?
Hi Doug, those two are very cool events. Thanks for posting...
As a newbie I will start with my name, Christa Boarini, my location, New York, and my deal: I am a filmmaker working on my fist feature documentary, The View From Bellas Luces http://www.theviewfrombellasluces.com
This community came very highly recommended to me by panelists in at a doc seminar and this is the first thing I am doing upon getting home.
I'm pleased to have found you.
I'm currently working on several projects that are in the early stages while also in the final throes of distribution of The Edge of Never (www.edgeofneverfilm.com), a feature doc that is playing on Showtime right now. The film is based on a book I wrote of the same name.
We finished it in Sept. 2009, bought an old Airstream bus and hit the road with it. We did 45 shows from coast to coast (we rented the theaters, bought the advertising, did the PR, and charged at the door) over the course of three months. During that time we sold US pay TV rights to Showtime. We're working on getting onto iTunes, etc. with Distribber (Adam C. recommended this forum), have representation for foreign TV (beginning at MIPDOC and MIPTV), and are seeking a bricks and mortar distributor.
Though I've been involved with other projects – the last one, Steep, was sold to Sony Pictures Classics – this is the first where we've tried the hybrid distribution model. It's been a trial and error so far, but it beats the hell out of the all-rights deal.
Looking to learn from others about the many things that I don't know about, and if I do know anything useful, to share it.
Welcome to The D-Word, Christa and William.
Bill, what a great approach to distribution! See you in our Business Topics.
I'm a film editor, editing (&loving) mostly documentary films, because i think its the greatest editing challenge you can get. I'm glad to have found this site with so many colleagues and film professionals, and i will contribute where i can.
All the best