Greetings, Dino. Nice to have you here with us.
Hey film makers. I'm an "enthusiast" now but with the hope of ultimately becoming more. I'm attempting to produce my first documentary so sorry if I don't have much to add yet but I'm excited to learn from you all.
Hey Karen, great to see you made it here. Now you have to take the next step and register for full membership ...
Might amuse you to know I posted my Packer speech in the Doc Bar & Grill last week and it got quite the reaction. For D-Worders who hang out in virtual bars, Karen is the one who hired me to give the speech.
oh, so then she owns the rights to your fart story...
In reply to Ted Nieters's post on Sat 13 Mar 2010 : Hi Ted, Have you bumped in Dunya Alwan who is one of the founders of Birthright Unplugged? She and I co-produced a short doc years ago before she started this non-profit which brings North Americans on tour of the occupation in the West Bank. They also take Palestinian refugees on tours of their ancestral villages and holy sites. SHe has done some work on a doc as well.
Hi all, I'm a recent graduate of NYU's journalism school where my studies focused on documentary film. I just finished a thirty minute short about a day care facility that's housed in a home for the elderly. I'm applying to festivals now and learning as I go.
Nice to have you here, Caitlin, and welcome to The D-Word. And to the real world, I guess.
In reply to Ellen Brodsky's post on Mon 15 Mar 2010 :
Ellen, no I haven't. She lives in the West Bank? Birthright Unplugged sounds very interesting and I'd love to talk to her more so if you could please send me her contact info that would be great. Maybe I could get together with her next time I'm on the other side. Thanks
Hi all. Just referred to this community by another member. I'm a San Francisco-based documentary filmmaker whose work has appeared on public television and in various film festivals. Mostly I just get more excited about the possibilities of a great story and the process of putting it together than I get discouraged by everything else that goes along with this beloved process. Hoping to maintain that.
Looking forward to digging through what's been said here, and contributing where I can ...
Welcome aboard, Alex. I see that it was the great Eddie Marritz who told you about us. Can't get a better reference than that.
Just found you guys and looking forward to learning from you and offering my advice. First question – I've got a bunch of old b & w photos that I'm planning to use in my next documentary. Any suggestions as to how best to scan these to my hard drive and at what ppi for best quality?
Michael – Welcome to The D-Word. This topic is really for introductions, so I'll keep the answer brief:
As higher resolution means better results but considerably longer processing times, requirements for scanning really depend on the size of the original photos and the magnification to which you wish to electronically "zoom" into them later on. So my recommendation would be to do a test run of the whole process with just a few photos scanned with various resolutions, and you'll see what you need.
More questions? Enthusiasts can post them in our Mentoring Room .
I am an aspiring filmmaker who just found out about this site from a fellow member. I am really interested in new models for marketing, distribution, financing, micro-financing, crowdsourcing, social media, transmedia, and all other aspects of film that are rapidly changing due to the internet. I understand that what I have just mentioned encapsulates much more than just documentary filmmaking, however, it has really been the documentary filmmakers who have been most successful at this (i.e. Robert Greenwald, Sandi Dubowski, etc. etc.).
I am hoping to find some great information on these forums about these topics. Any suggestions would be greatly appreciated.
Specifically, I am interested in marketing/promoting videos on YouTube. I recently created a video for a non-profit for which we acquired sponsorship based on the amount of views that we get. The more views=the more donated.
While this video is not a documentary I think it illustrates (along with Pink Glove Dance) a form of altruistic advertising or in essence the most micro way in which to finance a project. Specifically, by donating time people can fund a cause/film.
Here is a link to the project that I just launched: http://www.youtube.com/watch?v=kSkgWJvFeY8
If it is not ok that I posted this because it is not a Doc. Please flag/remove my post and I will post again without the link.
Once again any feedback on promoting/marketing YouTube videos would be greatly appreciated!!!!
Wade, there's plenty to wade through here (sorry, couldn't resist) especially in the Archived Topics (featuring Dubowski etc.) – you could read for weeks on end.
Can't watch your clip right now but it's perfectly acceptable to post a non-documentary link. Our regime isn't that tough. :-)
And welcome to The D-Word! So, who else is lurking out there?
Hi Doug, those two are very cool events. Thanks for posting...
As a newbie I will start with my name, Christa Boarini, my location, New York, and my deal: I am a filmmaker working on my fist feature documentary, The View From Bellas Luces http://www.theviewfrombellasluces.com
This community came very highly recommended to me by panelists in at a doc seminar and this is the first thing I am doing upon getting home.
I'm pleased to have found you.
I'm currently working on several projects that are in the early stages while also in the final throes of distribution of The Edge of Never (www.edgeofneverfilm.com), a feature doc that is playing on Showtime right now. The film is based on a book I wrote of the same name.
We finished it in Sept. 2009, bought an old Airstream bus and hit the road with it. We did 45 shows from coast to coast (we rented the theaters, bought the advertising, did the PR, and charged at the door) over the course of three months. During that time we sold US pay TV rights to Showtime. We're working on getting onto iTunes, etc. with Distribber (Adam C. recommended this forum), have representation for foreign TV (beginning at MIPDOC and MIPTV), and are seeking a bricks and mortar distributor.
Though I've been involved with other projects – the last one, Steep, was sold to Sony Pictures Classics – this is the first where we've tried the hybrid distribution model. It's been a trial and error so far, but it beats the hell out of the all-rights deal.
Looking to learn from others about the many things that I don't know about, and if I do know anything useful, to share it.
Welcome to The D-Word, Christa and William.
Bill, what a great approach to distribution! See you in our Business Topics.
I'm a film editor, editing (&loving) mostly documentary films, because i think its the greatest editing challenge you can get. I'm glad to have found this site with so many colleagues and film professionals, and i will contribute where i can.
All the best
Welcome on board!
(Thomas is a bit modest and doesn't mention he edited BURMA VJ.)
The extraordinarily well edited, Burma VJ, I should add. Welcome, Thomas, and Bill and Christa, too.
I have just joined D-Word which came highly recommended by a friend. I make doc's and I organise film festivals so I'm super exited about joining, learning and adding in from my experiences!
Great having you here, Yasmin. Get thee to the Festivals topic right away. You'll find it super interesting.