Heading over to Marketing and Distribution for an update on PoP? What was the back and forth?
You could do a search. But the idea of alternative titles was asked about and then batted around.
ah, I see Doug, you hate our title. ;-)
I'll switch this over to marketing, but as we brand our film now for theatrical, what would happen if we change the title....
Hi, my name is Stephan and I'm a freelance filmmaker, I work mainly for BBC departments, making films for internal use. For example, this year I directed a series looking at critical thinking and how programme makers and journalists can make better use of philosophy to tackle various issues such as the way we report science, or deal with value, and even talk about the future. Currently I'm working on a film about a photographer who has embarked on a project to photograph electricity pylons. There's a clip here – http://www.vimeo.com/5083013 – We're hoping to submit it to festivals next year. I've joined because there are some interesting conversations here, and because it could be a good place to sound out a problems and issues that naturally crop up in this work. Nice to meet you all, look forward to joining in.
Hi Stephan, you have bumped into a good place and I'm sure the powers that be will advise you come inside properly, however you must stop using auto focus.
Welcome, Stephan. By all means, do register for professional membership here to give yourself access to all the discussion topics.
David. I hear you. I must train myself out of it.
Thank you Doug, I'll have a look.
In reply to Tim VandeSteeg's post on Mon 10 Aug 2009 :
Welcome Tim! I love your film story :)
In reply to Tim VandeSteeg's post on Mon 10 Aug 2009 :
Fellow Minnesotan! Love the vikings shirt!
Wonderful promo, looks like a beautiful film. Good luck!
In reply to Ben Kempas's post:
I am new and don't see how to use the "introduce yourself" function. Could you please help?
You just did, Chris. So, welcome.
Thanks Doug. I'm just trying to figure out how to do a character-driven doc on a local woman who is on a personal mission to save unwanted pets. I hope to do it in episodes for a start-up web/cable TV station. Then,who knows, maybe there will be enough good stuff for a real doc. I plan to shoot most of it on a new consumer cam – the new Pany hdc-tm300, which is really small. The interviews can be shot on my JVC hd200. When I picture this story, it vaguely looks like Jon and Kate Plus Eight...that kind or reality. What do you D-word folks think about this method of "gathering" material episodically?
Hey, whatever works.
I'm producing my first documentary and hope to find answers to some of my questions and contribute back to the community when possible. Looking forward to exploring the site and seeing what topics are being discussed.
"I'm just trying to figure out how to do a character-driven doc on a local woman who is on a personal mission to save unwanted pets. I hope to do it in episodes for a start-up web/cable TV station. Then,who knows, maybe there will be enough good stuff for a real doc. I plan to shoot most of it on a new consumer cam â€“ the new Pany hdc-tm300, which is really small. The interviews can be shot on my JVC hd200. When I picture this story, it vaguely looks like Jon and Kate Plus Eight...that kind or reality. What do you D-word folks think about this method of "gathering" material episodically?"
I guess I mean: Has anybody out there tried that method before? And, if so, how did it work out?
Welcome to The D-Word, Chris and Sharon. Chris, that may be a good question for the Mentoring Room . This topic here is for introductions.
So who else is out there? Give us a shout, we rarely bite. :-)
I'm the writer of FUEL. Winner of the Audience award for best documentary at Sundance 2008 and nominated for the 2009 WGA best documentary screenplay award. I'm working on a new doc about Benazir Bhutto. I'm looking for a very good archival footage person. Any suggestions?
Nice to have you here, Johnny. Ditto what Ben said.
Elizabeth Klinck is highly recommended by many people.
I have just finished up a trailer for my new film 'Drying For Freedom'. Its an environmentaly minded documentary focusing on the banning of CLOTHESLINES in millions of communities across America. That probably sounds somewhat obscure but you would be surpised what lies behind this story.
We are trying to drum up as much support/ feedback as possible so if you fancied checking out the trailer and becoming a fan via facebook please do. This is a low budget independent film that is still being made.
Feedback is very welcome!
Just learned about your group in Docs in Progress newsletter. My doc, The Jesus Guy (www.TheJesusGuy.com and www.thejesusguymovie.blogspot.com) had a nice run on the festival circuit & will be out late Fall via Cinevolve (www.CinevolveStudios.com). I am an advertising guy and commercial director by trade. Worked with Albert Maysles at Maysles films for a stint. Looking to learn, mentor, and meet via D-Word.
Well, you've come to the right place, then. Welcome aboard, Sean.
I'm wondering if anyone out there might be interested in coming out to South India to help me with a doc that I'm developing/ shooting on the international eco/ spiritual community of Auroville. I'll be here for the next 1-2 years and would be interested in working closely with someone who is good with ideas and people. I can't really offer much in the way of payment..... I'll rent the house and keep it running. I'll be in Montreal for late November in the event that anyone is interested in meeting up to discuss and explore options.
I'm Jane Taylor and currently studying an MA at the University of Salford, Manchester, UK in Television Documentary Production.
I am at the stage now where I am conquering my dissertation. I got extremely inspired by the Documentary Campus event at the Manchester Town hall – Leaner Meaner and Keener, and have based my dissertation on the effect the internet has on documentary.
I would really appreciate some opinions, experiences and professional advice on this subject. How the internet plays a part in documentary distribution in a good way and bad way? advantages and disadvantages? What's the future? How it has helped you business or film? Everything and anything please...
I am very new to this forum so I will try and set up a topic and all feedback will be highly appreciated.