Introduce Yourself: Sign In Here First

Introduce Yourself

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Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.

Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.

Doug Block
Host

Thanks for introducing yourself, Gilly, and great to have you among us. Wish you'd posted last year, I was in Edinburgh for a mentorship program with the Scottish Documentary Council (if I remember their name correctly) and I screened 51 Birch Street at the Filmhouse. I've also been working with Edinburgh-based filmmaker Amy Hardie as producer on her upcoming personal doc. Do you know her? It's really extraordinary, just saw the latest cut yesterday and I'm very excited.

Anyway, hopefully we'll meet up next time I'm there. Good luck with your project, in the meantime.

Yocheved Sidof
Pro

Hi
Im currently directing/ editing my first feature length documentary film. Hit a point where I realize that even though I've spent the past eights years editing promo length films, editing feature length is a whole other animal!! So after about a year and a half shooting, logging, cutting trailers, trying to piece together scenes, I still feel completely unorganized! But the stuff is so compelling and Im confidant we have a great film, the question is how to proceed... Do we write a script? How to we organize tapes? Should we get a mentor? Etc... So I'm here to meet other doc makers and learn a thing or two! Looking forward!

Doug Block
Host

Welcome to The D-Word, Yocheved. You might want to take a look at back posts in the Editing and Post-Production topic (or do a search). We've had a number of discussions about how to go about organizing tons of footage.

I also highly recommend you get in touch with a consultant like Fernanda Rossi, who is NY-based and just led an info-packed, week-long discussion of story structure here, which is now archived.

Gilly Mathieson
Pro

In reply to Doug Block's post on Tue 2 Jun 2009 :

Thanks Doug. It would be lovely to meet up when you're next over in Edinburgh. I've not yet met Amy but know her by reputation and the documentary institute she founded a few years ago. I'll look forward to watching her new film when it comes out. The SDI has some fantastic masterclasses many of which are on-line. James Longley was there only last month but unfortunately I couldn't make it as I was filming out of Edinburgh for a few days.

Molly McKinley
Fan

Hello. I've been an editor for 14 years in New York City and have just JUST moved to Santa Fe, NM (still waiting for my furniture to get here). I've worked on tons of doc projects for T.V. For the past couple of years I've been working on a reality/docusoap ("Flip This House" for A&E) and I thought I was bringing remote work with me -- an offshoot of that show -- but found out Friday that the plug had been pulled on the show a couple of months into production. So here I am without gainful employment, and wondering where to start (short of taking a job at Trader Joe's). Anyone have any ideas about how to go about getting post production work in Santa Fe? Gov. Bill Richardson has put in place an amazing tax rebate for filmmakers and it has spurred a ton of film production, but the post hasn't arrived as far as I can tell. I'm here with my little Avid setup and my highspeed internet and would be thrilled to work remotely from my new adobe home!

Anyway, nice to be here (on the d-word and in Santa Fe).

[accidental strike-through edited]
Doug Block
Host

Welcome, Molly. Why don't you contact the NM Office of Motion Pictures and see if they can hook you up with any local film outfits? And maybe hang notices in the cool coffee shops in town?

Jessica Krauss
Fan

Hi Everyone,
I never had in mind to become a filmmaker or work for TV branch at all, as I am studied lawyer... but when I accidentally took part in a production for a documentary for German TV I was hooked. So far I was involved as co-author, author or producer in ten non-fiction productions and made my experience mostly on the German market. But since beginning of the year I am working for a production company who wants to extend their experience to internationally co-productions – a lot to do and learn here for me! With D-Word I'd like get in touch with others filmmakers, authors and producers etc and simply share the love for documentaries.
Nice to be here!
Sunny greetings from Berlin, Germany

Doug Block
Host

Great to have you with us, Jessica. Hope you'll leap right into the discussions.

Rob Rooy
Pro

Greetings, all:

Just a quick note to introduce myself. I'm an independent filmmaker based about an hour outside Washington, D.C. I've spent much of my career as a First Assistant Director in the Hollywood film industry – but early on, began also to create small movies for nonprofit organizations involved in global anti-poverty work – especially in the area of microfinance. Gradually, over a twenty-year stretch, the emphasis shifted to where I no longer do any A.D. work, and I've branched out into full-fledged documentary work. I'm working on a number of projects, but the most germane one to share is one in which I'm spending time periodically with a sixteen-year-old boy with autism. His story in poignant, his obstacles large, and his strength of character impressive – and, the biggest challenge as I move forward is how to shape a multi-faceted story. I anticipate that in the future, I'll want to seek more concrete advice; for now, I'm just saying hi. I'm going to share this project at the upcoming F2F session attached to Silverdocs next week – so perhaps I'll meet some of you there.

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