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Introduce Yourself

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Welcome to The D-Word! Stop in and sign the guest book - let us know a little (or a lot) about yourself.

Please note that this is one of our Public Topics, so best to enter email addresses with (at) to prevent them being harvested. Spam will be deleted.

Graeme  Orr
Pro

I think I better hit the Methadone.... I mean get back to actually making my film. My brain is overloaded with good advice and inspiration. Must ... get ... back ... to ... film....

Regan Brashear
Pro

Thanks Nick! I've quickly gotten hooked on this D-Word drug, but I'm with Graeme in needing to remember to get back to actually finishing my film – so I can put all this good advice and inspiration to good use! =)

Michael Angus
Pro

Hi Raffaele and Kyle. Nice to see you here.
Hey Raffaele, did you submit you film to Brisbane Festival? I didn't get to see it at Full Frame unfortunately.

Mohammad Aasim Saleem
Fan

Hello Doug & all members. Im Mohammad Aasim Saleem from Karachi, Pakistan. Currently Im employed with a leading news/current affairs channel in my country. I have over nine years of experience in producing, directing, scripting and etc. having produced documentaries, live transmissions etc. etc.

Also gained experience in developing feasibility reports for channels and now, Im working on expanding my horizon. D-Word should certainly be a wonderful experience to come across and intereact with professionals from varying backgrounds. Looking forward.

Richard Brouillette
Pro

Hello everyone !

I'm an independent documentary filmmaker, producer, writer and editor (and a few other things). My first language is French. My latest film "L'encerclement РLa d̩mocratie dans les rets du n̩oolib̩ralisme" ("Encirclement РNeo-Liberalism Ensnares Democracy") has had it's world premiere at Rencontres internationales du documentaire de Montr̩al (RIDM) in 2008 and it's international premiere in this year's Berlinale Forum section. It was released theatrically in Montr̩al (Qu̩bec, Canada) last February and it's currently touring a few festivals: BAFICI, Visions du r̩el, IndieLisboa, Documenta Madrid, Hot Docs, Viennale, Oslo International Film Festival, Ghent Film Festival, etc. I've been awarded a M. Joan Chalmers Award (Best Canadian documentary) for my first film "Trop c'est assez" ("Too Much Is Enough") and a Pierre and Yolande Perrault Award (Best emerging documentary filmmaker) at this year's Rendez-vous du cin̩ma qu̩b̩cois for "Encirclement".

I've just found out about D-Word – which surely looks like a nice place to meet doc people and exchange – through Hot Docs.

Cheers!

Marj Safinia
Host

Welcome Mohammad and Richard. Always a pleasure to have diverse international perspectives.

You should both consider applying for full membership, which will give you access to all the professional topics. It's free, but not automatic.

Doug Block
Host

Hello and a warm welcome to you both, Mohammad and Richard. Mohammad, as Marj suggests (and Richard has already done), do apply for full membership. You'll get to take part in many more discussion topics.

Churchill Roberts
Pro

Hello, documentary filmmakers. I'm Churchill Roberts, Co-director of the Documentary Institute at the University of Florida. In September, the Independent Magazine listed the Documentary Institute as one of the 10 best documentary programs in the country. But now, the dean of my college wants to eliminate it. Please help by signing the petition below. IDA distributed this information yesterday. Thanks for your help. Let me know if you have any questions. Churchill clrobert@ufl.edu
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Sender: IDA <eblast@documentary.org> Add to address book
To: clrobert@ufl.edu
CC:
Date: Wed Apr 22 13:55:09 EDT 2009
Subject: Save the Documentary Institute!


2009.04.22

Visit IDA Website Video Channels Join IDA Documentary Magazine

Save the University of Florida Documentary Institute!

As some of you might be aware, the College of Journalism and Communications at the University of Florida is planning to terminate The Documentary Institute, a highly respected graduate program that has helped launch hundreds of careers in the documentary field. In an era where the fields of journalism and communications are in a state of flux at best and turmoil at worst, the documentary form is a thriving medium for exploring contemporary issues. A documentary training program such as The Documentary Institute is vital to the nonfiction media-making community.

Please show your support for The Documentary Institute. Let the University of Florida know where you stand by signing this petition:

http://www.thepetitionsite.com/1/save-the-doc-institute

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