Welcome, Brigid. Looks like you're doing a great job of jumping
right into the fire and producing from the ground up. Glad to give
you some help and support.
Hi there (from Vancouver, BC, Canada),
I found this site a couple days ago and wonder why it took me so long.
I signed up, originally, as my boss, Larry Baker, but it seems that
I'll likely have more opportunity to keep up to date with what's
going on here. Larry is a Sound Designer who has been doing audio
post production for documentaries (and other projects) for nearly 4
I work with him at his studio, Headroom Studios, doing marketing,
research, general administration stuff, etc...I'm hoping to pursue
some writing and producing in the near future as well. We both have
a love of documentaries and if we had our way, we would work
exclusively in that area.
It seems there are a lot of talented people in this group with
interesting projects and great ideas. Can't wait to get to know some
of you better...
I work for a tv station in Northwest Missouri, at the moment I am
working on a behind the scenes doc following a local heavyweight
boxer, Rob Calloway. Possible fight on HBO before Christmas if he
beats his next opponent June 28. Fingers crossed and Las Vegas here
we come !
Greetings Doc makers,
I'm Danielle Beverly, new to New York City via San Francisco and
Chicago. I've been working mainly for PBS since 1997. I'm in the last
months of production on my first feature documentary. The film follows
a 35 year old bipolar artist/chef/bulimic who destroyed her stomach and
esophagus in a failed suicide attempt, and is currently rebuilding her
life. I've done all the camera and sound on the film, as well as
produce it. Several doc makers suggested "d-word" as an excellent
resource, and I'm happy to now be part of this community.
I am an Australian currently shooting a doco in France - my wife is
an editor and has worked on several Australian and French
documentaries, and was previously making a series out of Tokyo where
we previously lived.
I am photographer, getting my head around this black art, and an avid
(not the brand, the generic term) forum subscriber/contributor.
Our current project is following the creation of a new political
movement in France in the wake of the recent tumultuous presidential
elections, which yielded yet another notch in the extreme-right
Looking forward to sharing ideas and experiences (although I am
reletively new to the moving picture side of things - I was
previously a Production manager for a media/internet development
company in Tokyo.)
will email now.
Welcome Steve. Hope to see you soon inside the Community as well.
Hello: I am a professional historian who, having spent a great deal
of time as a "talking head" on the tube or on the radio doing
interviews about various contemporary international issues decided a
few years ago that I wanted to learn how to get behind the
camera/microphone and learn to make documentaries myself. I have thus
far produced a number of short mini-documentaries and am working on a
much larger piece. Since I am trying to learn as many aspects of
documentary film making as I can, from the creative to the very
technical, I am hoping this forum will be the right place to do that.
My name is Kathy and I currently reside in Beijing. My
experience so far in film has been writing and producing
fiction back home in Vancouver, Canada, but I've always been
fascinated with documentaries. Signed up to look for more
information about how to start making a documentary (where
to begin!), and to see if there's anyone in Beijing who
would like to start a project about the quickly disappearing
hutongs. Thanks and looking forward to being a part of this
Welcome Kat! Of the people who have introduced themselves, I can't
remember anyone being from Beijing. But someone has to do the first
So what are Hutongs again?
Hi, my name's Erin.
I'm assisting on someone else's project in an effort to learn more
about the process of production. I actually did quite a bit of
documentary work as a student, but it was very low-tech and shoe-
string funding. So now I'm hoping to be introduced to the world of
people who do this professionally.
Welcome to The D-Word, Erin!
Thanks for the warm welcome! Hutongs are old courtyard housing for
families (children, parents, grandparents, and great-grandparents
would live in the same compound but in different quarters with an
open courtyard in the middle) and they've been around for centuries.
With the 2008 Olympics coming, they're being leveled fast and the
ones that are being preserved are becoming very touristy. Are there
books or on-line resources you recommend to give an overview or an
idea on where to start (do I start with footage and see what I get
from that or do I begin with a story in mind...)? I probably have
very basic questions. Thanks!
hi, all. i am a working filmmaker and the director of the 5th
annual channel islands indie film festival (sept 10-15 2002) in
ventura county, ca. we also curate a monthly series of
microcinema (shorts). we regularly screen docs addressing
progressive issues. we would love to see your film. cheers.
Welcome Phillip. I'm sure we'd all like more info on the festival,
if you have the time.
Thanks for starting this resource, Doug. And hi, all!
I'm currently prepping for "Yanomami: The Last Stand", which
will be following one of the last of the Orinoco Cowboys back into
the Amazon. What raised my interest is, he's going to help curb
a global epidemic the old-fashioned way. Should be fun, if not a
complete trial by fire for me.
With my previous background in children's television and music
videos, this project has really restored my passion for the real
world again. It'll be great sharing time with like minds, who also
want to bring their visions of the world to audiences that may
never get a chance otherwise.
Welcome to The D-Word, Scott!
Dragonfly Motion Pictures is a small (one-person) independent documentary production company located
in Toronto. Owned and operated by Rick Miller, I create low budget social issues documentaries. Dragonfly
also provides post production services to a variety of broadcast clients. Since graduating from York
University's film school in 1987I have acquired in excess of 100 editing credits on documentaries for
Canadian broadcasters TVO, CTV, CBC, History, Discovery, Bravo, and Vision.
Dragonfly Motion Pictures has three documentaries in production. "David, his bubby, and Goliath" profiles
a family of radical activist who follow the ancient Jewish tradition of Tikkun Olam: healing the world
through social action. "The Cost of Copper" documents the history of remote northern Quebec mining
village which is in the process of becoming a ghost town. "Beer: A Love Story" is an examination of
Canada"s love affair with beer.
I hope that The D Word will provide me with a forum to acquire advice on issues that arise from time to
time when I produce my documentaries. I often have questions about ethics and story development that
I've not been able to find answers to anywhere else on the web. I'll also have questions about the craft of
documentary making. I also hope that I'll be able to make a positive contribution to your forums by
sharing my experiences with fellow filmmakers.
June 21, 2002
I have been interested in documentaries since childhood. I
enjoyed "The Atomic Cafe" thoroughly as an example of popular culture
I am a native of the Detroit, MI, USA area. I am a writer by training
and have a college degree in journalism. What I need is education in
filmmaking. I am interested in meeting another person with a film
background who would like to collaborate with a writer.
I have an idea for a documentary that was spawned by recent historic
events, that I believe could be done with taste and care if it is
As a fan of popular culture, I am interested in how the events of 11
September 2001 had an impact on the "high" and "low" arts of the USA
and overseas. In other words, I would like to work on a documentary
about the popular culture of 9/11 that examines both professionally
produced items and "folk art" from ordinary citizens.
1. For example, the commemorative items, from high quality books and
memorial items, to the "kitsch" that remembers this dark date in US
2. I am also interested in how 9/11 had an impact -- though brief --
on popular entertainment. From erasing the Twin Towers from movies,
to star-studded benefit concerts, reactions in corporate America
3. Another aspect of 9/11 pop culture involves the Web, such as the
folklore ("Tourist Guy"; Nostradamus) and endless memorial sites and
4. Symbolism, iconography and jargon of 9/11. What person who lived
through this era does not know the meaning of "Ground Zero," "Let's
roll," towers with US flag behind them, or what a looped, red, white
and blue ribbon means? Major events often gain their own language and
symbolism, that when presented years later, will still evoke memories
of those who lived through or studied them.
The body of materials produced in reaction to 9/11 is a snapshot in
time, a reflection of recent American history. Even the tackiest
item -- a sequined purse sold in Australia showing a jet hitting a
tower -- tells us of emotions, opinions and reactions of the era.
Welcome Victoria, Rick & Scott. Good luck with all your projects.
What global epidemic is Yanomami fighting? I thirstily await "Beer: A
Love Story" while clutching my sequined, tragedy satchel...
How do I go about looking for a filmmaking partner to pursue this
documentary idea? I can write, such as scripting, but I need a person
with the technical know-how; i.e. camera operation, selection of film
or digital video, etc.