There's a whole slew but a seminal work in this genre is Ross McElwee's Sherman's March.
Yay! Thank you Ramona and Eliaichi, I will check both of these out today.
Well, most of the films directed by D-Word founder Doug Block are first-person docs...
In reply to Reid B. Kimball's post on Sun 19 Jun 2011 :
My pick would be AMERICAN HARDCORE.
As a lifelong music freak (and former employee of WNEW-FM NYC, the world's GREATEST rock station ever) it moved me in ways no other film has. I always thought punk rock was noise, but this film really got me into the artistry of it, the characters involved, and after I watched it, I bought more songs on iTunes than I had in a long time by bands I never knew much about-Bad Brains, Dead Boys, Minor Threat, etc.
Most touching of all was the story of how Johnny Ramone stole Joey's girlfriend and married her-it was a scar the shy/sociall awkward Joey carried with him until he died-really showed that these artists are dimensional and above all, very human. I couldn't recommend this film more highly.....
Got to give it up to just a few of my favorite films with the word "Devil" in the title: http://www.youtube.com/watch?v=2qtFPOxDMs4
Part II: The Devil's Miner
I have just watched Danfung Dennis's 'Hell and BAck Again' – WOW! It raises the bar for camera and editing. In the recent glut of war docs this one really holds its own.
I'll re-rec IRAQ IN FRAGMENTS and add a few others to the list:
THE GLEANERS AND I (Anges Varda)
F IS FOR FAKE (Orson Wells)
MONDO VINO (Jonathan Nossiter)
GASLAND (Josh Fox)
THE UP SERIES (Michael Apted)
Hi Reid! i would recommend, "The Gleaners and I" and the "Queen and I"In reply to Reid B. Kimball's post on Sat 18 Jun 2011 :
Alternative list compiled by London doc producer John Wyver to the current Morgan Spurlock/Current TV series: 50 (more) docs before you die
In reply to Scheffee Wilson's post on Tue 14 Jun 2011 :
+1 on Capitalsim: A Love Story
D-Worders may remember that we did a special topic two years ago on the controversy surrounding the release of Fredrik Gertten's film, BANANAS!*.
For those of you who (like me) didn't have a chance to see the film on the festival circuit, you can now watch it on Distrify – and finally make up your own minds.
Congratulations to distrify for having Bananas on the platform (which is looking terrific, by the way – I always loved the triangles as their logo)!
It's more of a matter of Dogwoof partnering with Distrify for their entire online distribution. Fredrik didn't even know BANANAS!* was up there. :-)
I#m just wondering if the above rental works anywhere or whether it's been geo-blocked for UK availability only?
I clicked on the rent and it put a "sign up for email notification for when it's available in your area" notice. So, I think it is geo-blocking...
Yeah, I did too and that sign-up notice appeared and that made me not want to continue. I sort of tune off sites that ask for my emails for basic access.. was that just because of geo-blocking? or do users have to register to watch a film?
Eli – At the moment, it's even doing that here in the UK although Dogwoof is a UK distributor. I've emailed Peter to find out.
Pablo – What do you mean, "for basic access"? You need to register in order to make a purchase (VoD or DVD) or to access your previous VoD purchase. You don't need to register to watch the trailer.
Update: the bug is fixed, but the film may still not be available in all territories. (You might have to empty your cache before you try again.)
In reply to Ben Kempas's post on Wed 21 Sep 2011 :
Fair enough.. I guess I just sort of expected to be directed to a page with a slot for a credit card number and then to the film in two simple steps. Its a great service, don't get me wrong... Thing is i just unconsciously seem to close pages that ask for email addresses up front..
Glass is a 1958 Dutch short documentary film by director and producer Bert Haanstra. The film won the Academy Award for Documentary Short Subject in 1959. (thanks to my former student Anna in Barcelona for sending this)
It's great – where did I see this before?
Only I can't stand the sound of jazz vibraphone in film soundtracks. But the editing is pretty terrific.
Then check out Broadway by Light by William Klein, 1958 – prepare to be blown away)
Here's the final one of the three this evening: Portrait of Ga by Margaret Tait (1955) – also a gift from Anna