Yay! Thank you Ramona and Eliaichi, I will check both of these out today.
Well, most of the films directed by D-Word founder Doug Block are first-person docs...
In reply to Reid B. Kimball's post on Sun 19 Jun 2011 :
My pick would be AMERICAN HARDCORE.
As a lifelong music freak (and former employee of WNEW-FM NYC, the world's GREATEST rock station ever) it moved me in ways no other film has. I always thought punk rock was noise, but this film really got me into the artistry of it, the characters involved, and after I watched it, I bought more songs on iTunes than I had in a long time by bands I never knew much about-Bad Brains, Dead Boys, Minor Threat, etc.
Most touching of all was the story of how Johnny Ramone stole Joey's girlfriend and married her-it was a scar the shy/sociall awkward Joey carried with him until he died-really showed that these artists are dimensional and above all, very human. I couldn't recommend this film more highly.....
Got to give it up to just a few of my favorite films with the word "Devil" in the title: http://www.youtube.com/watch?v=2qtFPOxDMs4
Part II: The Devil's Miner
I have just watched Danfung Dennis's 'Hell and BAck Again' – WOW! It raises the bar for camera and editing. In the recent glut of war docs this one really holds its own.
I'll re-rec IRAQ IN FRAGMENTS and add a few others to the list:
THE GLEANERS AND I (Anges Varda)
F IS FOR FAKE (Orson Wells)
MONDO VINO (Jonathan Nossiter)
GASLAND (Josh Fox)
THE UP SERIES (Michael Apted)
Hi Reid! i would recommend, "The Gleaners and I" and the "Queen and I"In reply to Reid B. Kimball's post on Sat 18 Jun 2011 :
Alternative list compiled by London doc producer John Wyver to the current Morgan Spurlock/Current TV series: 50 (more) docs before you die
In reply to Scheffee Wilson's post on Tue 14 Jun 2011 :
+1 on Capitalsim: A Love Story
D-Worders may remember that we did a special topic two years ago on the controversy surrounding the release of Fredrik Gertten's film, BANANAS!*.
For those of you who (like me) didn't have a chance to see the film on the festival circuit, you can now watch it on Distrify – and finally make up your own minds.
Congratulations to distrify for having Bananas on the platform (which is looking terrific, by the way – I always loved the triangles as their logo)!
It's more of a matter of Dogwoof partnering with Distrify for their entire online distribution. Fredrik didn't even know BANANAS!* was up there. :-)
I#m just wondering if the above rental works anywhere or whether it's been geo-blocked for UK availability only?
I clicked on the rent and it put a "sign up for email notification for when it's available in your area" notice. So, I think it is geo-blocking...
Yeah, I did too and that sign-up notice appeared and that made me not want to continue. I sort of tune off sites that ask for my emails for basic access.. was that just because of geo-blocking? or do users have to register to watch a film?
Eli – At the moment, it's even doing that here in the UK although Dogwoof is a UK distributor. I've emailed Peter to find out.
Pablo – What do you mean, "for basic access"? You need to register in order to make a purchase (VoD or DVD) or to access your previous VoD purchase. You don't need to register to watch the trailer.
Update: the bug is fixed, but the film may still not be available in all territories. (You might have to empty your cache before you try again.)
In reply to Ben Kempas's post on Wed 21 Sep 2011 :
Fair enough.. I guess I just sort of expected to be directed to a page with a slot for a credit card number and then to the film in two simple steps. Its a great service, don't get me wrong... Thing is i just unconsciously seem to close pages that ask for email addresses up front..
Glass is a 1958 Dutch short documentary film by director and producer Bert Haanstra. The film won the Academy Award for Documentary Short Subject in 1959. (thanks to my former student Anna in Barcelona for sending this)
It's great – where did I see this before?
Only I can't stand the sound of jazz vibraphone in film soundtracks. But the editing is pretty terrific.
Then check out Broadway by Light by William Klein, 1958 – prepare to be blown away)
Here's the final one of the three this evening: Portrait of Ga by Margaret Tait (1955) – also a gift from Anna
Whoever has not seen 5 broken cameras DO IT (if for no other reason than to question your humanity)
That always packs 'em in. People love to question their humanity.
That's an amazing film, though, all joking aside. See it if you can.
Forgive me if this has been posted elsewhere (I tried searching) but Jane Weiner is trying to raise funds for her film Ricky On Leacock over on Kickstarter and the deadline is January 1st. The film is only around 30% funded so far and it's an incredibly important project about a towering figure in documentary filmmaking. Please check it out and, if you can, support it with a pledge: http://kck.st/sSwdQs
I second your recommendation, James. Jane's an old friend of mine and we've worked together on 3 films as producers (including my own Home Page). But separating that out, it's a project well worth supporting. Leacock is, indeed, a towering figure in doc history.
In reply to Marj Safinia's post on Thu 17 Mar 2011 :
I'm honored to see La Mancha (which I edited) in such esteemed company. It was a tough edit. At times it seemed like our film, too, would suffer the fate of Gilliam's!
In reply to John Burgan's post on Sat 10 Dec 2011 :
Thanks so much for putting up this link to "Glass." I've looked for it online before and never found it.
A recent one that really impressed me was "Better This World", which was on POV last season. Wow. An amazing story, and inspired use of archival and reenactments.
Just saw SENNA....was very impressed w the storytelling, more so w the fact that no orig footage was shot for it....
One of my favorite docs is "Lake of Fire," directed by Tony Kaye. I'm reminded of it, because of his recent narrative feature, "Detachment," which will soon have a theatrical release.
i will never forget "The land of wandering souls" by Cambodian Rithy Panh
A historical curiosity rather than a great work, but fascinating nonetheless: painter Edvard Munch's home movies, shot in Spring 1927 on a PathÃ©-Baby with a 9,5 mm. film cassette
This is not as self promotion, but for "friendship" promotions.
My good friend and former co-producer, Waise Azimi, made this interesting documentary a few years back. It's called STANDING UP and its about an Afghan military unit as they go through recruitment. (I don't want to give too much away).
It's been around in the festival circuit and finally got picked up by a distribution company.
If you want to see another perspective on war, catch STANDING UP!
Here is the official website: http://www.standingupthemovie.com/index.htm
You can purchase the DVD on Amazon.com:
According to several Indonesian environmental NGOs (REDD-Monitor and
WatchIndonesia) â€œCari Hutan" might be the most informative, educative,
yet thrilling and amusing documentary ever made in Indonesia about the
subject of deforestation. â€œCari Hutanâ€ is, above all, a road movie
that takes the audience on an adventurous journey, by hitchhiking and boat, through
Kalimantan in search of the last remaining forests. The filmmaker looks into the issue of deforestation, its causes, its effects on the country and what we can do to improve the situation. Eventually it
follows the traces of destruction to Jakarta and Germany. Not only
locals, the inhabitants of the forests, farmers and loggers are being
interviewed, but also prominent journalists, scientist and most
importantly Prof. Bungaran Saragih, former Minister of Agriculture and
Forestry of Indonesia, who is responsible for a large part of the
I recently saw Gypsy Blood on TV in the UK and was incredibly happy to see this style of doc (no voice over and space between the scenes) on main stream TV with a prime-time slot of 10pm. The trailer makes it look like a doc on bare knuckle fighting. But this, i believe, was just a way to sell it to the masses as in fact it goes much deeper than that, in to a community and their values, as well as the relationship between father and sons. A first ever film, shot by photographer Leo Maguire on a Canon 5D it looks beautiful and i hope gets some festival showings as it deserves to be seen on a large screen.
The embed video would not take this URL for some reason –
Tribute to an almost entirely forgotten documentary filmmaker: Robert Vas came to London as a refugee from Hungary in 1956, to make over thirty films in the next twenty years, most of them for the BBC. This tribute made shortly after his death in 1978 is presented by fellow exile Karel Reisz (note that the film starts very quietly)
Full disclosure: a decade ago, I tried to make a film portrait of Vas with producer John Wyver, but we couldn't get anywhere with the BBC (a certain commissioning editor's explanation being "we're interested in the future not the past"); in the meantime, many of those who knew him have passed on themselves. Check out this entry on Vas, Robert who? on the excellent blog John maintains for his company Illuminations.
Just saw THE ACT OF KILLING at the Telluride Film Festival (its world premiere, I believe). I had to pick up my jaw off the floor after they turned on the lights at the end of the show. This has been one of the most talked about films of the festival and I can't wait to hear the broader doc community react to this one.....
Wow. That looks astonishing.
Fiona, what was your personal reaction, thoughts?
Already heard amazing things about The Act of Killing. What else did you see there that you liked, Fiona?
In reply to Fiona Otway's post on Mon 3 Sep 2012 :
That's amazing. The only other doc treatment of the 65' massacres is in a multi-part Australian doc "Riding the Tiger", which used some B/W footage from the time. (BBC I think). My doc on the Indonesian Student movement of 98 used some BBC footage and interviewed some of the survivors and witnesses. I have a good friend in Indonesia, Lexy Rambedeta, who has also worked on this issue.
Watch Sean McAllister's films for free at Doc Alliance between Sept 10-16
Sean McAllister is a British documentary filmmaker who has brought stories from Israel, Iraq, Japan, and most recently Syria and Yemen. Sean's films portray people with characteristic intimacy and frankness, specifically in the film Japan: A Story of Love and Hate.
Watch the retrospective of a filmmaker who Michael Moore marks as "one of the most brave and powerful filmmakers around" for FREE from September 10 to 16
In reply to Fiona Otway's post on Mon 3 Sep 2012 :
A friend of mine just saw it at TIFF and was one of his favourite films. The other very intriguing doc at TIFF is Leviathan by Lucien Castaing-Taylor (Sweetgrass) and VÃ©rÃ©na Paravel.. can't wait to watch those films.
In reply to Danielle Beverly's post on Tue 4 Sep 2012 :
I thought THE ACT OF KILLING was fascinating for its attentive form/content relationships, which raise lots of juicy questions about the representation of history (personal/social/political), propaganda, memory, truth, witnessing, power, violence, forgiveness, performance, transformation.... Some people in the audience were very suspicious of having been emotionally manipulated by the filmmaker, others had moral qualms with the premise of the film as well as the filmmaker giving voice to warlords (similar to critiques of REDEMPTION OF GENERAL BUTTNAKED, I think), and some were concerned about sensationalizing genocide. Personally, I think this is one of those films that leaves you with way more questions than answers – questions that you have to really ponder for a while and hopefully talk to others about too – and I loved it for that reason. There are so many layers for discussion in this film.... I really enjoyed hearing the director, Joshua Oppenheimer, speak about the film too – a very thoughtful guy.
In reply to Doug Block's post on Tue 4 Sep 2012 :
None of the other films I saw really affected me as strongly as THE ACT OF KILLING. But I also ended up seeing more fiction than documentary at this festival.
THE GATEKEEPERS was another very popular doc at the festival. It has some incredible historical significance, however in terms of form, it's a fairly conventional talking heads documentary. The motion graphics were very impressive immersive 3D recreations of archival photographs.
WADJDA was very charming. A simple story about a spunky Saudi Arabian girl who wants a bicycle. Well told and satisfying. First-ever film by a Saudi Arabian woman, they said.
GINGER AND ROSA was pretty and sweet. Made me want to see more of the director, Sally Potter's work. That said, I met a few people at the festival who walked out of this screening because they were bored and disappointed.
NO was a little too long, but interesting. Also deliberately plays with the relationship between form and content. I'm still thinking about it.
AMOUR won the Palme d'Or at Cannes this year. Most everyone I talked to loved this film, but I saw a short documentary on the same subject at Full Frame earlier this year, and I was way more moved by that.
Wish I could have seen STORIES WE TELL, WHAT IS THIS FILM CALLED LOVE, and PARADISE LOVE. I've been hearing great things.
Pablo, I'm also very eager to see LEVIATHAN!
I'm really eager to see STORIES WE TELL. More than anything.