Six Foot Chipmunk produces robust outreach and engagement campaigns for social-issue documetary films. We work with filmmakers to develop, implement and find funding for multi-facted campaigns that empower audiences to take action in creative and compelling ways. Services include: Grantwriting, crowdfunding, website development, social media management, non-profit partner development, engagement campaign strategizing and production, collateral production, curriculum development and community screening coordination. Past clients include Oscar Nominees Gasland and Sun Come Up, Participant's Standard Operating Procedure, No Impact Man, Truck Farm, Bag It and One Lucky Elephant. Contact Stephanie at bleyer[AT]gmail[DOT]com.
I'm looking for a sound person in or near Munich, Germany who can do pick-up sound on an interview that is partially unusable due to technical issues! A director/producer who has sound gear, a radio producer, or a soundperson would be great. Please contact me at blevison[AT]etsy[DOT]com and I'm happy to tell you more. Any recommendations/references are MUCH appreciated! Thank you!
does anyone need Tapes at half price? :
panasonic DVCPRO AJ-P66MP (190 tapes-retail at $13each)
panasonic DVCPRO AJ-P126LP (7 tapes-retail at $22each)
Sony HDCAM BCT-32HD (7 tapes-retail at $24each)
forgot to put my email. tad[AT]krfilms[DOT]com - thanks
For DC-area folks...
Docs In Progress is excited to announce our next work-in-progress screening, taking place in one week on Wednesday, April 6 at 7 pm at the Silver Spring Civic Building. This program is being produced in partnership with the Gilchrist Center for Cultural Diversity, a program of the Montgomery County Government and is sponsored by the Arts & Humanities Council of Montgomery County.
After the screening, we'll be moderating a workshop-style audience critique session. This honest but constructive feedback is aimed at helping the filmmaker get to the next stage of completing and distributing her film.
THE CREATORS (80 minute fine cut)
by Laura Gamse
Step into the lives of six artists sculpting South Africa's future from the fragments of a tumultuous past. Born in different areas of the formerly-segregated country, the artists separately recraft history – and the impacts of Apartheid – in their own artistic languages. How does creative expression traverse the divide?
Wednesday April 6, 2011
The Silver Spring Civic Building
One Veterans Place (corner of Fenton and Ellsworth)
Silver Spring, MD 20910
Visit our website for further directions by Metro and Driving
Free. No advanced RSVP or tickets required.
More info at http://www.docsinprogress.org
UPDATED CALL FOR ENTRIES:
Africa Volunteer Corps is searching for short films to participate in our Visualize Change series of fundraisers. AVC is an organization dedicated to harnessing the potential of Africans, strengthening grassroots social change in Africa, and putting the development process in the hands of locals. We ask for films that portray empowerment, positive images of Africa, or the importance of local initiatives to the development process. We seek especially to showcase African filmmakers, but we welcome filmmakers of all nationalities.
The selected films will be shown to audiences of 50-100 activists and philanthropists in cities across the Unites States: ; Athens, GA, April 25th; New York, April 26th; Chicago, May 9th. The screenings will be followed by a question and answer session with AVC founder Caitlin Kelley. A biography of each filmmaker (as well as contact information) will be included in our event program. Selected films may also be screened at a sister event in New York city on April 19th. AVC issued a call for entries in Feburary, 2011 for the inaugural Visualize Change event held in Chicago on March 3rd, 2011. The success of the event led us to add more cities and seek out additional films.
Films must be 10 to 60 minutes in length and submitted by April 8th. Please submit digital files to caitlin[DOT]kelley[AT]africavolunteercorps[DOT]org via Dropbox. DVDâ€™s should be sent to Africa Volunteer Corps, c/o Caitlin Kelley, 963 Kent Ave, #3, Brooklyn, NY 11205. Films must be received by April 8th to be considered for inclusion in our 2011 forum. Films sent after this deadline will be kept for consideration in future events.
Need intern this Saturday (April 2) in Cambridge, MA with their own EX 1 to be a second camera on a shoot of interviews with children about what they know about gays and lesbians. The day should be good experience working with talented cinematographer on an 8- 10 hour shoot. Small stipend available. Shoot is for a short teacher training film for non-profit. Please contact me off the list if interested at Ellen Brodsky (one word) at comcast dot net.
Folks, remember that this is PUBLIC classifieds and so is searchable by Google and other search engines. To avoid spam, you should write your email address as: name (at) company (dot) com.
However our Members-Only Classifieds are closed and not searchable, so no problem to use email addresses there.
Thanks. Can I delete the post and/or email?
looking for Mandarin/cantonese speaking assistant editors for several weeks of work in San Francisco. Anyone that's interested in interning that speaks mandarin/cantonese for college credit also encouraged to apply. Please contact me directly: jhenion[AT]current[DOT]com
Desperately seeking animator(s)for low budget documentary about how the US has been taken down by our multi-national corporations. Please check out our trailer at:Heist-themovie.com
Can't think of a more important subject, Donald. Hope somebody comes forward ASAP!
In reply to Donald Goldmacher's post on Fri 1 Apr 2011 :
Sounds like a great project.
I've really loved working with the animator Hongsun Yoon. You can see some of her work in the trailer embedded here, but she can really do a much wider range of styles. She's done everything from network tv graphics to very experimental films.
You can contact her at hongssun(at)hotmail(dot)com
In reply to Doug Block's post on Sat 2 Apr 2011 :
Thanks for your support, Doug. Much appreciated, as we are getting to the homestretch, and just lost our animators due to their being victims of our current economic crisis. How ironic.
I am following up on your lead, Augusta. Many thanks.
In reply to Donald Goldmacher's post on Fri 1 Apr 2011 :
Donald, Cannot wait to see this doc...
I have an animator friend that may be able to help. If you still need someone, email me at kristen[at]artifactdocumentaries[dot]com and I can put you in touch with her.
Hi D-Worders – I'm currently supervising production at Etsy.com and we are looking for an eager and able video operations coordinator. It's a job very heavy on post, requiring web publishing experience. It's a staff job, based in Brooklyn. If you or anyone you know might be interested, please see the job description here: http://www.etsy.com/jobs/job_description.php?job_id=oy5GVfwY. Thank you so much!
Fresh off a career retrospective and judge's seat at the 49th Ann Arbor Film Festival, prolific and iconoclastic Oregon filmmaker VANESSA RENWICK comes to Anthology Film Archives to present an adrenaline-pumping, awe-inspiring and sometimes brutal program of new works on video, including several NYC premieres. MIX ME A WALK is a both meditation and a holler, using stunning cinematography and rare archival fragments to offer up both the grandeur and the violence of nature. Wolves, coyotes, ravens, eagles, elk, bears, horses and bison may be the stars of this show, but these five films amply demonstrate why Renwick has been a star in the underground film scene for the past few decades. Discussion moderated by filmmaker Esther Robinson.
MONDAY, APRIL 11, 7:30 PM, ANTHOLOGY FILM ARCHIVES
32 SECOND AVE, NEW YORK, NY, 10003
$9/GENERAL $7/STUDENTS & SENIORS $6/AFA MEMBERS
Join us for discounted drinks after at The Scratcher!
The program begins with Red Stallionâ€™s Revenge (16mm to video, 7 min., 2007), a remixed, re-scored 1943 western shot at the base of Mt. Shasta featuring the grudge match of the century between a horse and a bear.
We then leave the animals behind and enter the realm of humans and trees. Food is a Weapon (16mm & Super8 to video, 4 min., 1998) uses haunting logging footage from the 1940's, revealing old growth treasures looted for the war effort. A eulogy for trees.
Next up is the poignant Woodswoman (video, 10 min., 2010). One hypnotically watches the book Woodswoman by Anne LaBastille burning in a fireplace, and learns the place of the book in Renwickâ€™s life, as well as the fate of Anne LaBastille.
Vanessa: "I hated the Trojan nuclear cooling tower 20 miles downstream from my Portland home, sitting on an earthquake fault line. I and many others tried to shut it down twice. It finally did get shut down, and then I read of its upcoming demise. PORTRAIT #2: TROJAN (16mm to video, 5min., 2006) was made because I knew I would miss it in the landscape. How could this be? It is true."
FULL ON LOG JAM (video, 16 min., 2010), a meditation on the forests of the Cascade Mountain Range in Northern Oregon, captures the grandeur of nature in a way that makes us all too aware of our human transience and vulnerabilities.
Hope and Prey (3-channel video, 23 min., 2010) features stunning wildlife cinematography of animals hunting and being hunted in a winter landscape. Wolves, coyotes, ravens, eagles, elk and bison are the stars. The dramatic, sometimes brutal nature cinematography is transformed through black and white, high-contrast recomposition and a hyper-dynamic score by Portland's infamous underground composer, Daniel Menche.
And Sunday, April 10 UnionDocs and The Flaherty Co-Present
VANESSA RENWICK: THE OREGON DEPARTMENT OF KICKASS
A retrospective of Renwickâ€™s work 1983-2009.
Discussion moderated by Penny Lane.
At UnionDocs | 322 Union Ave, Brooklyn, NY 11211 | 7:30 pm | $9
Vanessa Renwickâ€™s iconoclastic artwork reflects an interest in place, relationships between bodies and landscapes, and all sorts of borders. She is a naturalist, born, not made: a true barefoot and cinematic rabblerouser. Working in experimental and poetic documentary forms since 1983, she has made over 45 films, videos and installations, shown widely and internationally at places like MoMA, The Andy Warhol Museum, The Kitchen, New York Underground Film Festival, Migrating Forms, PDX Festival, Kill Your Timid Notion, International Film Festival Rotterdam and The Viennale. Sheâ€™s won many awards over the years, including the Gus Van Sant Award for Best Experimental Film at the Ann Arbor Festival and First Place in the Peripheral Produce 2001 World Championship Invitationals. As the director of The Oregon Dept. of Kick Ass, Renwick booked, programmed and toured The Lucky Bum Film Tour to over 70 venues across the U.S. and Canada, with Bill Daniel. Renwick is represented by PDX Contemporary Art. (www.odoka.org)
"One of the cornerstones of Portland's remarkably fecund scene for moving-image art."
Ed Halter, Rhizome
"Filmmaker and curator Vanessa Renwick invites us to contemplate death, and to do so with a proper mix of wrenching horror and ecstatic wonder."
Holly Willis, L.A. Times
"Renwick is one of the cityâ€™s most venerated filmmakers, having portrayed in more than 20 films everything from nude bicyclists (The Yodeling Lesson) and gray wolves (Critter) to poetic portraits of now-gone local landmarks (Portrait #2: Trojan) and biographies of cantankerous fellow outsider artists (Richart)."
Brian Libby, The Oregonian
Esther Robinson is an award winning filmmaker/producer. Her critically acclaimed directorial debut A Walk into the Sea: Danny Williams and The Warhol Factory took top prizes at The Berlin, Tribeca and Chicago film festivals and is available on The Sundance Channel, Netflix and iTunes. Other producing projects include The Canal Street Madam (Cameron Yates), Home Page (Doug Block) and the 1999 digital release of The Last Broadcast (Lance Weiler/Stefan Avalos). Esther is also a former program officer (The Creative Capital Foundation) and a non-profit entrepreneur (www.arthome.org)
Public historian available for all types of film projects. I have the ability to research, conduct oral history interviews, and find those difficult-to-locate documents. Get those important facts right! Reasonable rates. Please contact me at: laura[dot]marshallsay[at]gmail[dot]com
Anyone looking for a work space?
We're sad to leave our great edit space in Park Slope (near F and G Train) but our production is ending and funding is gone. We've been very happy here for the past year. It's a big room in a building full of artist spaces, but most are doc filmmakers. It's $620 per month – a great price for the space. I don't know exact sq ft, (about 350 I think) but we have 3 workstations set up, a dining table in corner, a couch and coffee table – plus some filing cabinets.
Available May 1, give or take... contact me for pics or to come by and see it. It's 1713 8th ave. michael[at]thoughtfulrobot[dot]com
Looking for a good cameraman in Dubai who can do sound for a french documentary company. Documentary will air on Arte . Has to be based in Dubai – with their own HD equipment . The shoot is scheduled for Monday the 18th of April and will consist of interviews and b-roll . Any suggestions?
A friend of mine, filmmaker, is looking for a space in NYC – walking distance from SoHo – for May & June. If you know of something plz email niametany AT gmail DOT com
Looking for a Hindi Voice Over artist either male or female at Kolkata. contact me at: susa1927[AT]gmail[DOT]com