In reply to Robert Goodman's post on Thu 19 Aug 2010 :
Somehow missed your reply. We're looking for three for the fall and four for January-April.
You can email me off list at email@example.com.
Washington DC and Baltimore-Area Filmmakers...
While Docs In Progress offers consultation services throughout the year at rates affordable to independent documentary filmmakers, on Saturday, September 25, we will be bringing all our affiliated consultants under one roof at one time for One Stop Consultation Day. All in downtown Silver Spring, MD convenient to parking and Metro.
You can schedule up to three consultations on this day and only have to move from room to room at the Docs In Progress Documentary House to get what you need. What kind of topics can Docs In Progress consultants cover?
Who Are the Docs In Progress Consultants?
Adele Schmidt (Story Structure, Budgeting, Production Planning, Personalized Feedback on Rough Cuts or Trailers)
Erica Ginsberg (Story Structure, Marketing and Outreach, Personalized Feedback on Rough Cuts or Trailers)
Sam Hampton, PH.d (Fundraising Strategies, Video Equipment Advice, and Personalized Feedback on Proposals)
Christine Intagliata (Approaches to the Documentary Treatment and Personalized Feedback on Treatments)
Laura Possessky, J.D. (Legal Issues including Contracts, Rights, Clearances, and Fair Use)
For more information and to sign-up, please visit our website at http://www.docsinprogress.org/index.php?option=com_events&task=view_detail&agid=77&jevtype=jevent&year=2010&month=09&day=25&Itemid=1
Greenlit: Developing Factual / Reality TV Ideas From Concept to Pitch by Nicola Lees
Do you have a documentary project that you are dying to pitch to a TV network, but donâ€™t know where to start? Have you tried pitching it and had the door slammed in your face (several times)? Are you frustrated with being fobbed off? Are you losing confidence in your idea, even though deep down you know itâ€™s a great concept? Is is something you did? Or said? Why are the buyers just not that into you? Donâ€™t despair, youâ€™re not alone in your frustration (although it can feel that way)!
Iâ€™m Nicola Lees, experienced development producer, and founder of TV Mole. Iâ€™ve spent more than 13 years in the international TV business, and have developed written and pitched hundreds of documentary, docu-drama, multi-platform and reality series for broadcasters such as the BBC, Discovery,Nat Geo, History, TLC and the The Travel Channel, and have won approximately 80 commissions in the UK and USA. I have written a comprehensive guide to the frustrating and often confusing world of TV commissioning, wherever you are in the world.
Iâ€™ve interviewed 50 top industry names â€“ producers and buyers â€“ to find out what works, and what doesnâ€™t. Youâ€™ll get advice from:
* 10 TV development producers – who have a combined experience of 50+ years of developing and pitching ideas at all levels, from trainee researcher to creative director, and
* 20 senior executives from internationally successful independent production companies who have sold some of the worldâ€™s most successful shows, to
* 16 channel executives â€“ the people to whom you will pitch your ideas, who between them have worked at
* 18 TV channels â€“ their experience and advice spans commercial and public service broadcasting; cable, terrestrial and satellite channels; documentary, reality, entertainment, specialist factual (science, history, arts, religion and natural history) and multi-platform programming, in
* 7 countries across 4 continents
I also incorporated advice from a Hollywood agent, several video editors, a storytelling consultant, two production managers and four commercial rights experts.
Collectively, the people who will share their insider knowledge with you have originated, pitched, bought or produced some of the most successful, award-winning TV shows and documentaries in the world, including The Age of Stupid, Touching the Void and Murderball. You are getting hundreds of years of experience condensed into a few hundred pages.
"As a Development Producer with a fair few years in the field, I wasn't sure how much I'd get out of this book...it was worth every penny." (Amazon reviewer)
"After 25 years in this crazy business, it's the first time I have seen TV commissioning so comprehensively and entertainingly dissected." (Mike Slee, Independent Film & TV Producer/Director)
I am looking for an experienced editor (preferably in the Bay Area, but not a deal-breaker) to help me finish a feature-length documentary called TEACHED. â€¨â€¨
The film provides a candid look at how and why, fifty years after Brown vs. Board of Education desegregated American schools, black and Hispanic students are still performing far behind white students. The film takes the audience into urban schools where the problems are most severe, to talk to the students, parents, principals and, most importantly, the teachers working there to understand: why the race-based "achievement gap" persists; how it is connected to cycles of poverty, underemployment and incarceration; and what could be done to eliminate it. â€¨â€¨
I have nearly 200 hours of footage shot mostly with a Sony EX-1 in 1080p24, an 80 min rough cut, and a website where you can watch the trailer and get more information: www.loudspeakerfilms.com.
I'd like to find an editor in the next 2-3 weeks, give you the footage to watch, and then work with you to wrap this puppy up before the end of 2010. I know what stories the footage is ready to tell, but I don't have enough experience to do it. I need an experienced editor who has sophisticated story-telling skills (some of the stories are quite sensitive), great technical ability (FCP), and a strong belief that all kids can learn and achieve at high levels if they are given the chance. I'd also like to find an editor who believes that a documentary film can be compelling and educational and inspiring...and ALSO a beautiful work of art.â€¨
Please send your resume and links to your work (or any questions) to me at firstname.lastname@example.org if you are interested in this position. I expect the work will take 8-12 weeks, and payment will be competitive.â€¨â€¨ thanks-â€¨Kelly
In reply to Kelly Amis's post on Wed 15 Sep 2010 :
Very interesting film! Good luck. I'm sure you will find a talented editor through D-Word.
What an interesting story!
Kelly, if you also have the stories of a couple of individuals (teachers, parents and students), you'll have all the elements you need to make this a fantastic documentary!
CALLING ALL DOCUMENTARY FILMMAKERS!
Deadline Approaching for 2011 Big Sky Documentary Film Festival – Films must be POSTMARKED by October 15, 2010!
Big Sky Documentary Film Festival, the premier venue for nonfiction film in the American West, is seeking submissions for its eighth annual event. From February 11-20, 2011 the festival will screen 100+ films, including world and U.S. premieres, classics, rare and experimental works on Montana's largest screen at the historic Wilma Theater in downtown Missoula, Montana. In addition to ten days of screenings, the event will feature many public and VIP events including panel discussions, galas, receptions and networking round-tables.
The competitive event is open to non-fiction films and videos of all genres, subject matter, lengths and production dates. Awards and cash prizes will be given for Best Documentary Feature (over 50 minutes), Best Documentary Short (15-50 minutes), Best Mini-Doc (under 15 minutes) and best documentary about the American West (the Big Sky Award).
DVD (NTSC/PAL), VHS (NTSC/PAL), DVCAM (NTSC/PAL), HDV (NTSC), and miniDV (NTSC/PAL) accepted for preview.
Enter via Withoutabox.com at – http://www.withoutabox.com/login/3969
or download entry form in pdf format at – http://www.bigskyfilmfest.org/entries.html
If you would like an entry form emailed to you in pdf format, send a request to email@example.com.
For more information visit http://www.bigskyfilmfest.org
I'm looking for freelance editor..
I'm shooting a series of short docs in Washington DC at the GW Medical Faculty Associates. If you are (or know anyone who is) an AMAZING freelance editor or animator looking to make some money, I would be very grateful. Thanks.
Please send your resume and links to your work (or any questions) to me at firstname.lastname@example.org
Docs In Progress returns this Friday, September 24 with Trailer Night. You will be able to provide feedback on documentary trailers and might even be able to get feedback on one of your own since we've got one open film slot. Read on for details.
This workshop-style screening program allows filmmakers who may be at an earlier stage of development with their films to benefit by the moderated feedback of audiences who have traditionally provided feedback on full rough cuts. The filmmakers are looking for audience feedback not only on the effectiveness of the trailer itself, but on the concepts of their films – tremendously helpful as they continue in production and post-production of their films. The evening is being moderated by Erica Ginsberg (Executive Director) and Adele Schmidt (Program Advisor) from Docs In Progress. This program is organized by Docs In Progress and sponsored by The Documentary Center at the George Washington University.
Friday, September 24, 2010
The Documentary Center at The George Washington University
School of Media and Public Affairs Building
805 21st Street, NW (21st and H Streets)
Auditorium B-07 (one floor down from street level)
Washington DC 20037
Closest Metro: Foggy Bottom. Limited street parking free after 6:30 pm. Garage parking nearby on H and I Streets.
$10 suggested donation ($5 suggested for Docs Insiders). Cash only at the door. No advance ticketing.
A Different Drummer
by Jonathan Gruber and Robert Jackson
In the mid-1960s, Father Stamand, a white priest working helped change the lives of African-American youths in Washington DC's Anacostia neighborhood by putting together the VIP Drum and Bugle Corps which was one of the first all black drum corps. Now more than 40 years later, five of the original members are seeking to carry on Father Stamand's legacy by encouraging a new generation of drummers and buglers.
Inside: Human Trafficking in the U.S.
by David Gedney
While sex trafficking is often viewed as a problem affecting other countries, it is a growing issue right here in the United States, including in Washington DC. This film is an investigation into the trafficking and exploitation of young girls.
by Sam Hampton
This portrait piece of Kumi Korf explores the lifeforce which inspires an artist. The Japanese-American creates architectural designs, prints, paintings, and artist books which are held by the Library of Congress, the New York Public Library, and the Tate Library, among others. We travel with Korf from her home in Ithaca, New York to her homeland of Japan as we explore what it means to be an artist today.
I Didn't Know
by Ron Minor
Kidney Disease is a health epidemic, especially in minority communities. African-Americans in particular are nearly 5 times as likely to develop kidney disease than Caucasians, often as a result of diet and prevalence of other diseases like hypertension and diabetes. We hear from experts and follow people living with various kidney ailments, some of whom are among the 126,000 on a waiting list to receive a kidney.
Married in Spandex
by Devin Gallagher and Allison Kole
As they begin a life's journey together, Amanda and Rachel are determined to make their wedding day a unique and memorable affair. They travel from Philadelphia to Iowa for their nuptials. But at a time when same-sex weddings are still seen as a political act, can the couple convince their friends and family to get on board and support the relationship...not to mention the gold lame wedding outfits?
Wild Card Slot
Yes, we have room for one more trailer. If you have a 2-7 minute documentary trailer you'd like feedback on from a Docs In Progress audience, bring it with you to tonight's screening. We will select one wild card submission at random. Note that we can only screen DVDs or VHS tapes. No Quicktime files, AVIs, or Windows Media files even if they are on a DVD.
More info: http://www.docsinprogress.org
Attention Documentary Filmmakers!
Holman and James LLC is an independent insurance agency that specializes in production and entertainment insurance. We've been helping filmmakers insure films all over the world since the 1950s. We have access to a number of different carriers to find the best rates.
Check out our website or call (412)323-2300
Hope to hear from you soon and good luck in all your future projects!
Spiro Films has an immediate need for a production assistant in Cleveland tomorrow, Thursday, Sept. 23rd. Ideas???!! Please call: 917-856-2027
Does anyone know an expensive place to rent a projector & speakers near Roswell GA this Saturday? Its a small event so I'm shooting for a low-tech solution. Any suggestions?
Thanks so much!
Looking for a shooter ideally someone with an HVX200 or similar, in Washington DC for a few hrs on the 15th and 16th of Oct. Verite experience would be good. Thanks! email@example.com
In reply to Karen Bernstein's post on Wed 22 Sep 2010 :
Whoa – wish I'd known. Contact me if you need anything Cleveland related. – Laura
New York City-based folks-
Indie Documentary Film seeks MBA-type with passion for the arts/film
MediaGroove LLC is seeking a Associate Producer with a strong business background to help project manage and coordinate resources for our documentary Get It All Out â€“ a feature-length story about the life of a late, charismatic, yet unknown Pittsburgh musician/ vocalist / poet/ humanitarian and the percussive post-punk/ jazz/ worldbeat/ avant-funk band he was in during the early 1980s. Our protagonist was truly a likable, inspired character, and it doesnâ€™t hurt that he was a compassionate human being who could actually sing and write decent lyrics. If you have experience in collaborating on dynamic teams, contributing your best ideas, are not afraid of hard work and take pride in getting things done â€“ we should talk!
In short, we are reanimating the lost musical DNA of an underground sound that never reached a wide audience, and having a blast doing it (by re-recording, remixing and releasing an amazing songbook of material as a companion soundtrack). Film-wise, weâ€™re 2.5 years in the making and weâ€™ve already completed 2/3 of our planned interviews. Breaking the rules of the typical talking head â€œrockumentaryâ€ â€“ weâ€™re incorporating the use of animation/motion graphics, CGI visualization, social media and other creative digital storytelling techniques to elevate the storyline in contemporary ways.
The right candidate will play a key role in setting the stage to refine and finish the film so this is a great opportunity to be part of an experienced team on the excavation of a dusty gem of a narrative. This position is non-paid (though we will cover working production meals, pre-approved necessary expenses) and will provide you with valuable experience and connections.
Qualifications & Responsibilities:
â€¢ This is the ideal project for an MBA with a passion for the arts. Someone who wants to use their professional business (and or marketing) skills outside of work to help bring a film through post-production, fundraising, and see it distributed to national/international festivals, Netflix, Amazon, cable/satellite, etc.
â€¢ Strong prior knowledge of Microsoft Project or other web-based project management tools (Basecamp or similar.)
â€¢ You will work with the filmâ€™s Producer to manage timelines, deliverables, set milestones and hold people to reaching them. Great organizational and detail skills a must!
â€¢ Commitment to a minimum of 1 to 2 days per week on a part-time basis (starting immediately)
â€¢ MUST be NYC-area based and able to attend meetings with producer, director, assistant editors and archivist.
â€¢ Interest in music as a force for social change, progressive politics, multiple genres of music (e.g. – jazz, rock, afrobeat/afro-pop, funk, dub/reggae, post-punk, etc.) â€“ helpful, wouldn't hurt –- but not necessary.
â€¢ Excellent verbal and written communication skills.
We hope youâ€™re the right fit to help us with our quirky, passionate, musical doc! So, please send a brief cover letter and CV/resume, reel/links to projects youâ€™ve managed and/or worked on, and please put "Associate Documentary Producer" in the subject line. Preference given to candidates with at least 3 solid employment/internship references and prior film or collaborative arts team project experience.
Hello friends and colleagues!
I'm reaching out to you from Etsy.com, a vibrant online marketplace for handmade and vintage that I'm currently doing some consulting work for. Etsy has been in existence since 2005, and celebrates craftsmanship from the retired birdhouse maker to the Persian rug weaver to the 3rd generation letterpress printer. It has had a small but creative video presence on the web and is aiming to produce more journalistic and video content for viewers.
Etsy.com stories range from about 3 – 5 minutes in length and bring the sellers on the site â€” and their objects â€” to life. Currently, the site features three main video series: Handmade Portraits, which profile Etsy sellers, who may be artists, craftspeople, or vintage mavens; There's No Place Like Here, which feature the interiors of wonderful, collection-filled homes; and Process, where the methods tell the story. In addition, we often produce fun and unexpected How-To projects.
We are looking for producers and directors who can shoot and edit their own videos and who might lend their own unique, artistic mark to our productions (we are shooting more and more frequently with the Canon 5D and 7D). We are primarily interested in producers outside the New York area, and are also eager to expand our stable of producers to those based outside the U.S. Etsy has sellers in more than 150 countries, and we know that there are stories spanning the globe.
Please spread the word about our search for talent, and if interested (even you New Yorkers), send reels and resumes to firstname.lastname@example.org. Also, please don't hesitate to check out etsy.tv to peruse our video archive. Thank you!
About the Outreach and Distribution Coordinator Position
MY PERESTROIKA, Sundance film and winner of the Filmmaker Award at Full Frame and Special Jury Prize at SilverDocs, a film hailed â€˜one of the yearâ€™s best documentariesâ€™ by the Huffington Post, SEEKS bright, highly-motivated, responsible, and extremely organized and detail-oriented Outreach and Distribution Coordinator with great communication skills and previous experience working in the field, and experience with FCP and WordPress.
Reporting directly to Director/Producer, the Outreach Coordinator is responsible for community outreach, social media initiatives, editing DVD extras, marketing and distribution for educational and theatrical markets, film festival liaison handling applications, travel arrangements, promotion, and print traffic, managing interns, fielding requests, and other related tasks as required.
Our Ideal Candidate
Our ideal candidate for the Outreach Coordinator position has excellent oral and written communication skills, is organized and reliable, and demonstrates a passion for the film. They work well as part of a team and enjoy meeting new people. Previous administrative experience working in a Mac environment with WordPress, Final Cut Pro, Google Docs, spreadsheets, task management and other basic software is an asset, as is social media savvy. Knowledge of Russian is a plus, though not a requirement.
This is a paid position, through August of 2011.
To apply for this position, please email your resume and cover letter to email@example.com with the subject â€œOutreach Coordinator.â€ Only those selected for interviews will be contacted. We look forward to hearing from you!
INTRO TO FINAL CUT PRO CLASS
Taught by Stefanie Dworkin
Whether you are an aspiring video editor or filmmaker, video artist, reporter, photographer or combination of the five, chances are you have crossed paths with Final Cut Pro and wished you knew your way around this powerful and creative editing tool. Here is your chance to establish such a foundation in a small class setting, allowing you the freedom and flexibility to tend to your own creative pursuit.
INTRO TO FINAL CUT PRO– $399 with WIP/NYWIFT/MPEG discount. Regularly $449.
WEEKLY: Tuesday Evenings October 5, 12, 19, and 26 from 6 to 9pm.
INTENSIVE: Thursday & Friday October 28th & 29th from 10am to 5pm.
A working knowledge of the Macintosh operating system Mac OS X.
LOCATION: All classes are held at Showbiz Software (ground floor) at 19 West 21 Street between 5th and 6th Avenues. To reserve your seat, please contact 646-829-0700. Private one-on-one sessions are also available by contacting me directly at firstname.lastname@example.org.
Payment for the classes may be made directly with Showbiz Software by calling 646.829.0700 or visiting their store, 19 West 21st. Street, Ground Floor, New York, NY between the hours of 8am and 8pm.
INTRODUCTORY COURSE OUTLINE
Class 1: Overview of Final Cut Pro
Launching Final Cut Pro, Final Cut Proâ€™s Interface, Nonlinear Editing & Workflow Process, Working with Projects, Organizing Media Elements, Playing Clips in Viewer, Navigating Clips and Sequences, Marking Clips, Saving, Quitting and Hiding Final Cut Pro.
Class 2: Capturing, Importing and Editing a Rough Cut
Creating a New Project for Capturing, Previewing and Marking Source Material, Logging Clips, Choosing Clip Settings, Choosing Capture Settings, Choosing Capturing Options, Setting Capture Preferences and Acquiring other Media such as Graphics and Audio. Logging Information in Browser, Creating Subclips, Editing a Rough Cut, 3 Point Edit, Making Overwrite and Insert edits, Managing Timeline Tracks, Adding Audio Clips, Moving Clips in the Timeline, Drag and Drop Editing, Importing Tracks from a CD.
Class 3: Editing a Fine Cut, Transitions and Filters
Trimming, Ripple Edit, Dragging Clips to a New Location and Keeping Linked Clips in Sync. Viewing Transition Options, Modifying, Applying and Copying Transitions. Using the Transition Editor, Changing the Transition Parameters, Previewing and Rendering Effects. Applying and Viewing Filters, Creating a Freeze Frame, Changing Clip Size and Position, Building a Split Screen and Animating Motion Parameters.
Class 4: Final Preparation, Outputting to Tape & Digital Media
Monitoring and Adjusting Audio Levels, Applying Transitions to Fade Volume, Setting Keyframe to Change Volume, Working with Video Generators, Adding a Lower Third, Creating a Title. Understanding File Formats, Exporting Quicktime Files for DVDs & the Web, Outputting to Tape and Backing Up Projects.
Stefanie Dworkin is an Apple Certified Final Cut Pro Instructor, Editor, and Photographer. Credits include: As The World Turns; The Naked Brothers Band; My Country, My Country; Let the Sunshine In; Save Her O Save Her*; and Can You Hear Me? Stefanie is a member of the Motion Pictures Editorâ€™s Guild and New York Women in Film and Television. She holds a masters degree in Interactive Telecommunications (ITP) from New York Universityâ€™s Tisch School of the Arts and a bachelorâ€™s from the University of California at Santa Barbara. She is available to teach group and individuals as well as specific Final Cut Pro training for Avid Editors. Stefanie can be reached at email@example.com
"Stefanie Dworkin is knowledgeable and adept at encouraging students at all levels. We worked through a basic introduction to Final Cut Pro 6. I came from a fairly tech-phobic background and found that Ms. Dworkin instilled confidence through her clarity and ease working with Final Cut Pro– showing me ways to problem solve based on my instincts while navigating the program. Stefanie keenly answered all questions and tailored the lesson plans and information to each student's individual needs. The class itself, had a very interactive tone with students learning from each other's questions while being guided in a very sure-footed manner by Ms. Dworkin. I highly recommend this class to anyone seeking to get acquainted with Final Cut Pro or sharpen their skills!" D. Cameron-Scorsese, Filmmaker/Actress
"Final Cut Pro 6 is definitely a much needed tool if you want to stay ahead of the game. With a creative innovator like Stefanie Dworkin teaching you the 'ins and outs, you'll be amazed at what you can do frame by frame. The huge sense of accomplishment you feel at the end of each class speaks for itself...For me..the goal was about building from that foundation and making the connection last... Overall, a truly SUPERB class!!"
J. Myers-Bartley, TV Reporter
POST-PRODUCTION INTERNSHIP for "AN INTERVIEW WITH SIMONE WEIL"
The internship for AN INTERVIEW WITH SIMONE WEIL, a feature-length documentary film by Julia Haslett, offers a unique opportunity to learn about post-production and preparation for a major European film festival premiere in November 2010. To view the trailer and learn more about the film, check out the film's website: www.linestreet.net.
ASAP through the end of November 2010.
We need someone who can commit to at least 30 hours a week.
This is a great opportunity for someone with a strong post-production background who's interested in taking their skills and experience to the next level.
Interested applicants should email a resume and cover letter to:
English to French translation needed for original screenplay (25 pages).
Negotiate for payment.
Script needed by October 10th, 2010
For more information, contact:
An Experiential Workshop for Creative People
Use powerful Gestalt-based techniques to overcome your creative blocks.
Learn to confront people and situations from your past and present to move beyond obstacles to your creative expression.
Come prepared to engage and play with your favorite internal demons!
"I really loved the whole thing. The bodily-based work in the context of being in the present, different parts of the self talking to each other, embracing 'demons', hearing commonalities in our experiences- all of it, truly, frees up energy. The exercises were well-executed, fun, original. One of the best workshops Iâ€™ve ever attended." – R.C.
Who Should Attend:
Anyone who is- or wants to be- involved in a creative pursuit (e.g. writing, acting, starting a business, etc.)
Date: Wednesday, October 6th, 2010, 7-10 PM
Location: Chelsea, NYC
SIGN UP NOW AND RECEIVE A LAST-MINUTE DISCOUNT FOR D-WORD READERS: 10% off- PAY ONLY $68.50
About the Workshop Leaders:
Pola Rapaport, a Guggenheim Fellow and award-winning filmmaker, has trained at Gestalt Associates for Psychotherapy.
Devra Fradin has been a leadership coach and group facilitator for twenty years. She uses experiential techniques to help get people to where they want to go.
Due to the interactive nature of this workshop, enrollment in each workshop is limited to 8 people.
To learn more, contact firstname.lastname@example.org
photo credit: Wolfgang Held
Anyone in NYC have a 5d Mark II (body+cards+batteries) available for rent Tue 10/5?
We are a Peabody Award-winning youth-driven converged media production company that delivers the best youth news and culture and undiscovered talent to a cross section of audiences.
In the coming months, we are looking for experienced documentary filmmakers with a strong sense of storytelling and style who can tell unique stories for a culturally diverse, sophisticated young adult audience.
Though our budget is limited, we have distribution from public media outlets across the country and we are looking to support innovative shortform storytelling and experimentation.
Please send a short cover letter to email@example.com describing your filmmaking experience and interests, resume and links to relevant clips, as well as a description of your role in each film.
DocuClub in October!
Our October DocuClub will take place on Wednesday, October 20, 7 p.m., at DCTV [http://www.dctvny.org/], located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal).
We will screen a rough cut of AN INTERVIEW WITH SIMONE WEIL by Julia Haslett. What response does seeing human suffering demand of us? Haslett seeks an answer in the controversial French philosopher and activist Simone Weil (1909-1943), whose life and work took on this question in a dramatic way. Adopting Weil as her guide through an engaging and profound moral landscape, Haslett goes on a journey to understand Weilâ€™s loss of faith in revolutionary politics and the spiritual awakening that followed. Driving her obsession with Weil is the interwoven story of suffering within Haslettâ€™s own family – her father's suicide when she was 17 and now her older brother's severe depression. When Weil dies from self-starvation at the height of World War II, Haslett is left wondering if death was the logical conclusion to Weilâ€™s philosophy and her attempt to share the pain of others? The result is a deeply moving and unique documentary about what it means to bear witness to suffering, both near and far.
Director/Editor/Producer Julia Haslett makes expressionistic documentaries about contemporary and historical subjects. She is producer/director of the highly acclaimed WORLDS APART (2003) series about cross-cultural medicine, and producer of the companion hour-long documentary HOLD YOUR BREATH (2005), which broadcast on PBS in 2007. Her documentary shorts HURT & SAVE (2001), FLOODED (2003), ECLIPSED (2007), and PURE & SIMPLE (2008) have screened at numerous venues, including the Full Frame Documentary Film Festival, Rooftop Films, and the Black Maria Film Festival. She has worked at WGBH-Boston, the Discovery Channel, and as a Filmmaker-in-Residence at the Stanford University Center for Biomedical Ethics. Haslett was awarded a MacDowell Colony Fellowship to advance her work on AN INTERVIEW WITH SIMONE WEIL, which is her first feature-length film.
Producer Fabrizia Galvagno has worked as a Project Development Manager and Producer with Arte, National Geographic, PBS, and TV Ontario. She developed LEONARDO DA VINCI: THE MAN BEHIND THE TURIN SHROUD? (2002) for National Geographic; RICE GIRLS (2003, Venice Film Festival) recently broadcast on Al Jazeera International; THE PRIME MINISTER AND THE PRESs (2003) for PBS; and GELATO: AN ENDLESS PASSION (2005), which aired on the Sundance Channel.
Producer Enrico Rossini Cullen is the Director of Development and External Affairs at Arts Engine. He has been a consulting producer on several of Arts Engineâ€™s Big Mouth films, including ELECTION DAY (2008), ARCTIC SON (2007), and PUSHING THE ELEPHANT (2010), which premiered in June at the Human Rights Watch Film Festival in New York City.
Cinematographer Thomas Torres Cordova is a filmmaker and installation artist. He shot the award-winning PBS-broadcast documentary STRANGE FRUIT (2002) directed by Joel Katz. His films/videos have aired on the Sundance Channel and screened at numerous festivals. His latest film, EVERYBODY LOVES THE SUNSHINE (2007), was featured last January in a solo show at the Amie and Tony James Gallery in New York City.
Consulting Editor Jonathan Oppenheimâ€™s editing credits include SISTER HELEN, which won the documentary directing award at Sundance and CHILDREN UNDERGROUND, which was nominated for an Oscar and won the Sundance Special Jury Prize, Gotham, and IDA awards. He edited the classic documentary feature PARIS IS BURNING, and edited and co-produced Laura Poitrasâ€™ THE OATH.
Our moderator will be Shaady Salehi, Deputy Director at Active Voice, a nonprofit media strategy organization. Working as the intermediary between film producers and NGOs, Shaady specializes in the use of film and media to support long-term social change. She has spoken at film festivals and conferences nationwide, including SILVERDOCS, Making Your Media Matter, NAMAC and the National Black Programming Consortium's New Media Summit. Prior to joining the Active Voice team, she did her graduate studies in Cultural Anthropology, focusing on the role of the Internet in provoking cultural resistance and social change among urban youth in Iran. She holds an M.A. in Anthropology from the University of California, Davis, and is currently enrolled in Columbia University's Strategic Communications program, with an emphasis in communications for social justice.
Admission is free for current DocuClub members and $6 for non-members.
Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:
In reply to Gregg Schwenk's post on Wed 18 Aug 2010 :
2011 NEWPORT BEACH FILM FESTIVAL EARLY BIRD DEADLINE OCT 22!
The NBFF Early Bird Deadline is approaching! Submit your film now to be part of the 2011 Newport Beach Film Festival and save!
*Receive a discount when you submit through Withoutabox!
EARLY BIRD DEADLINE:
The 2011 festival will run from April 28th to May 5th, 2011
Visit www.NewportBeachFilmFest.com to submit