Hi Everyone! I have 25 years experience as an archival film and photo researcher and network news researcher. If I can help you with your documentary please get in touch. My resume is located at www.archivalfilmresearch.com. 2129892025 and email@example.com
WANT TO USE MEDIA TO CREATE CHANGE?
MEET OTHERS WHO SHARE YOUR PASSION?
Meaningful Media is looking for a part-time Program Manager to oversee the day-to-day operations of our nonprofit, manage our team of volunteers and trainees, respond to inquiries and requests, and move key programs forward in the areas of fundraising, communications, marketing, and outreach.
About Our Organization
Meaningful Media is a vibrant non-profit network committed to changing our world through media. Our mission is to increase the quality, visibility, and impact of pro-social media. We do this by CONNECTING creators, distributors, viewers and advocates of meaningful media; EMPOWERING members with tools and resources to succeed; RESHAPING the media landscape through research, education and dialogue.
We are a dynamic, team-oriented non-profit looking for enthusiastic and committed people to join our effort. Find out more at www.meaningfulmedia.org
â€¢ Demonstrated passion for socially conscious media
â€¢ Deep knowledge and understanding of the non-profit and pro-social media landscapes
â€¢ Proven management abilities
â€¢ Superior computer knowledge including web research skills, website & database management, and the ability to trouble-shoot problems effectively.
â€¢ Excellent interpersonal, communication and writing skills.
â€¢ Extremely organized and detailed-oriented
â€¢ Experience working for a non-profit preferred
â€¢ Fundraising and development experience is a plus
We can only consider individuals with a background that strongly matches the needs of the position.
Hours: Part-time (we require a minimum of 20 hours a week)
Location: Our office is located near Sony Studios in Culver City, California.
Application Period: Friday, July 30th â€“ Monday, August 23rd
Start Date:September 6, 2010
To Apply: Send a resume and cover letter to firstname.lastname@example.org. Please specify â€œMM Program Managerâ€ in the subject line. We hope to hear from you!
Good to be here :) I am new to this site. Actually I am a Telecom Professional.. I am interested in documentaries and in fact I want to share and ask something -
I have a fresh new idea for a documentary and wanna share the script with an interested documentary maker or production house..
Can someone tell me who/which company can I contact..
Please help me guys :)
what role do you want to play with your film? are you wanting to direct it? produce? just see it get done?
One more week to go for DOCUWEEKS in New York and LA. There are some really great films playing that y'all should go and see. This week in NY you can catch MY PERESTROIKA by D-Word's own Robin Hessman, as well as WASTE LAND (Lucy Walker) and BUDRUS (Julia Bacha) in NY. Just some of my favorites. Have also heard amazing things about FREEDOM RIDERS.
In LA, you can see STEAM OF LIFE, in which naked Norwegian men discuss life in saunas (believe me, it's amazing), SUMMER PASTURE, in which you can witness up close remote rural life in the mountains of Tibet and learn about the value of yak milk as a moisturizer, and you can see THIS WAY OF LIFE, which I highly recommend for all phobic parents. This New Zealand family lives by a whole different set of rules, and it's an eye opening opportunity to examine how parenting is approached in this country.
These are just some of the highlights of a really great crop of films. And as we all know, unless we ourselves get our butts into theaters to support our fellow docmakers, how can we expect others to do the same?
I highly recommend a visit to the Arclight in LA or the IFC Center in NY. It's like taking a vacation without every leaving home.
Sort of an off topic request, but I am looking for a wedding photographer for October 10th, 2010. Its ideally suited for someone who is just starting out as the payment we have is $500. The location is the beautiful bucolic Catskill Mountains but we would pay for transportation from NYC or surrounding areas.
If you are interested (or know someone who is) please email me at email@example.com
We are currently in postproduction on a feature doc with the working title "Give Up Tomorrow." It is a murder-mystery social-justice story set in the Philippines. Our offices located in Park Slope.
Weâ€™re seeking an intern to assist with post-production. Responsibilities will vary depending on individualâ€™s skills but will include sub-titling and media management using Final Cut. There is a possibility to assist with graphics for anyone with Photoshop experience or an interest in learning it.
The position is unpaid, but weâ€™ll cover transportation and working meals. School credit, general mentorship/advice, and credit on the final film will certainly be provided to excellent interns. The ideal candidate will be: bright, enthusiastic, self-motivated, and patient, – very attentive to detail, interested in the editorial process and documentary filmmaking – able to give 10-20 hours per week to the project (schedule flexible, open to discussion). Photoshop experience a plus.
Please send your cover letter and resume to firstname.lastname@example.org
CALL FOR SUBMISSIONS: DISASTER SHORT FILM AWARD
Do you have a documentary that tells the story of a remarkable individual's
actions in response to a devastating environmental event? Submit your film
to the explore HATCH Disaster Film Award presented by the non-profit,
multi-media organization explore.org.
Winner of the explore/HATCH award will be flown to HATCHfest Bozeman
September 22-25 and be presented with a Canon HD SLR camera package
from explore.orgâ€™s founder, Charles Annenberg Weingarten, and HATCH.
SUBMISSIONS ARE DUE AUGUST 25TH. Submission is free of charge.
For submission info please click here:
Lost my shooter, and am scrambling to find someone with at least minimal documentary shooting experience and their own camera to shoot for a few hours this Friday evening 8/13 in LA. Shoot will be at a benefit concert @ the Greek Theatre (Carlos Santana, Zach de la Rocha and others are performing, more details @ http://www.doloreshuerta.org/weavingmovements/). This is a DEFERRED PAY job for a documentary that is partially funded and is in the process of raising remaining funds. Screen credit and eternal thanks guaranteed.
Please write back if interested--thanks!
Until September 3, 2010, the Institute of Documentary Film is accepting applications for the 10th East European Forum (Oct 21-28, 2010, Jihlava, Czech Republic). Get funding for your documentary project and meet international filmmakers & experts!
EAST EUROPEAN FORUM 2010
October 21 – 28, 2010
Jihlava, Czech Republic
- Pitching Sessions
- Individual Meetings
Application deadline: September 3, 2010. If you would like to submit your documentary project, please fill out our online application form
Hi all – I need contact info for experienced local DP's/shooters, as well as sound people, in Colombia. Preferably with experience shooting verite-style docs or news pieces. Any leads would be much appreciated.
FULL FRAME'S 2011 NEW DOCS CALL FOR ENTRIES OPENS AUGUST 15
Full Frame exhibits nearly 100 documentary films in various categories. By completing the online application, you will be submitting to NEW DOCS, the festivalâ€™s competitive program which includes films completed in the last two years. In 2010, 60 films were selected for NEW DOCS from 1200 entries. NEW DOCS are eligible for a number of awards in various categories. The 2010 festival offered 8 awards, with prizes totaling over $50,000 in cash and services. The 2011 festival will take place Thursday, April 14, through Sunday, April 17.
Regular Deadline: October 15, 2010 ($40)
Late Deadline: November 30, 2010 ($60)
Please visit the SUBMIT page of our website for submission guidelines and requirements. (www.fullframefest.org)
Hello, all. I've been booked for a one week gig. It's kind of an exploratory shoot, and the producer doesn't have a big budget. We need to rent a Panasonic HPX170 or HMC150 at a reasonable rate.
We can get a package from Abel for $1000, but hoping to spend half that.
We'll be leaving NY Sunday morning and returning the following Sunday.
If anybody has one available, let me know ASAP. We'd like to sort this out this afternoon.
never mind. got it sorted out.
I'm a documentary story consultant who teaches at the top U.S. documentary program at UC Berkeley.
I'm offering a new, 6-month coaching circle for 5 committed documentary filmmakers. You'll get detailed critiques on 3 cuts, advice for structuring your film, peer support and eight virtual teleseminars.
You can live anywhere in the world to participate.
Learn more at http://newdocediting.com/land/innercircle/
This program is perfect for filmmakers needing help structuring an engaging documentary. I use innovative techniques for crafting films that are as compelling as narrative films. The cost is half the price of my story consulting services for a similar amount of time.
The New Doc Inner Circle begins Tuesday, August 17th. I have two openings left.
If you think this might be right for you, I invite you to find out more about this great coaching program today: http://newdocediting.com/land/innercircle/
To Your Success,
Documentary Story Consultant
Anyone know a sound recordist in Nashville, TN? We're looking to hire someone for one-day shoot next week (observational shooting with interviews). Please send them my way: suree 44 @ gmail . com
Hashem, we worked with an excellent crew in Bogota for our PBS series, e2. You can reach out to Warren "Zulu" Keuning – Producer, Tribu International – email@example.com He can help you with logistics and knows very professional crew people. Good luck!
I am looking for a crew to interview a professor at U. of North Carolina, Chapel Hill, in the next few weeks. If you can provide a discounted rate and can shoot in HD, please let me know asap.You can reach me at:
You can see our trailer at the link below.
Donald Goldmacher, Producer
PBS Documentary (Fixing The Future) needs experienced Production Assistant in St Paul, MN and Fargo, ND for 26, 27, 28 29 of August and prep time before. Production Assistant must have camera experience and be able to supply two references for recent work. $200/day.
2011 NEWPORT BEACH FILM FESTIVAL OPEN FOR SUBMISSIONS!
Celebrating its 12th year, the Newport Beach Film Festival announces its call for entries!
The 2011 Newport Beach Film Festival will spotlight over 300 films from around the world, including feature length narrative, documentary, short, animated and student films that will compete for a series of Jury, Festival Honors and Audience Awards.
In addition to film screenings, the Festival hosts premiere galas, an industry seminar series, and question and answer sessions with filmmakers.
The Newport Beach Film Festival was named one of the â€œ25 Film Festivals Worth the Entry Feeâ€ by Movie Maker Magazine.
The Festival runs from April 28th to May 5th, 2011.
NOW OPEN FOR SUBMISSIONS.
ENTER YOUR FILM NOW AND SAVE!
*Receive a discount when you submit through Withoutabox!
ACCLAIMED DOCUMENTARY SERIES POV SEEKING INTERNS:
All departments at the PBS series POV, Interactive and Community Engagement and Programming/Production are looking to staff up with bright motivated, students who are passionate about all aspects of the documentary film world.
Interns will have real responsibilities and year after year make important contributions to the success of the series; from cutting web content to working with our community engagement partners to assisting with our Editorial Committee- the penultimate step in selecting films for POV 2011/2012 interns are an integral part of POV life. Weâ€™re looking for students who have experience with Final Cut, Compressor, DVD Studio Pro and Photoshop BUT we are happy and willing to train the right candidate. Prospective interns must be quick learners, unafraid to ask questions and open to performing a variety of tasks. A sense of humor, sharp wit and sarcasm are a plus.
Interns receive on air credit and transportation assistance based on the number of days they spend on site.
We are an enthusiastic equal opportunity employer and welcome applications from students of all backgrounds and educational experiences.
Interested candidates should email a cover letter and resume to POVâ€™s Coordinating Producer Andrew Catauro at firstname.lastname@example.org .
And, best of all, you'd get to work with Yance Ford!
In all of my curmudgeonly splendor...
Yance I have a lot of terrific students who fit the bill. How many do you need?
Hi, I'm working for an acclaimed documentary filmmaker in Santa Monica.
We are looking for interns to log footage.
More details to be discussed once the dialogue starts.
VERY HIGH PROFILE PEOPLE INVOLVED and can't publicize info.
Email me: Tenley1980@aol.com
The Paley Center is offering a $5,000 finishing grant to an emerging filmmaker working as part of our annual Pitch Workshop.
The Pitch Workshop is offering the grant for an unfinished, work-in-progress documentary film.
Late deadline is Sept. 7. You can find out more and apply here:
We're now also featuring video of our past pitch workshops – very useful for learning how to pitch your documentary film.
Seeking Toronto based AP's, PA's and interns for a doc project. Shoot begins around Sept 7 and goes until 20th Sept. All positions are PAID. Please send a resume and cover letter to me at email@example.com
Looking for a local shooter with HD/HDV and basic sound set-up for a one-person, one-day doc-style commercial shoot on Kona, Hawaii. The date is flexible, October 6, 7 or 8. Please send me an email at firstname.lastname@example.org.
2010 ROGUE & AMC BIG BREAK MOVIE CONTEST OPEN FOR SUBMISSIONS!
The Rogue and AMC Big Break Movie Contest announces its call for entries! Submit your film and launch your career.
The winning film will be released in 50 AMC theaters nationwide.
The submission period runs from Aug 16th to Oct 15th, 2010.
NOW OPEN FOR SUBMISSIONS.
ENTER YOUR FILM NOW!
New York: AFFORDABLE OFFICE SPACE AVAILABLE in PRIME LOCATION
Private offices within film and media arts center
Excellent central location, near all public transportation:
104 West 14th Street, 4th floor (corner of 6th Avenue)
walking distance to Union Square: 4/5/6/Q/R/N
6th Avenue: L/F/M at corner
7th Avenue: 1/2/3 1 block away
1. Large space: 23 x 17 feet
- Available with or without furniture (Includes 7 desks in an open environment)
- Ample shelves and storage
- Air conditioned
- 3 large windows
- Access to internet, printer, copy machine/scanner, water cooler
2. Small Space: 13 x 9 feet
- Available with or without furniture (Includes 2 desks, chairs, can fit a 3rd desk)
- Shelves and storage
- Access to internet, printer, copy machine/scanner, water cooler
If interested, please contact Steve Mendelsohn at 646-230-6368. ext. 231, or by email: email@example.com
Arts Engine is a trusted source of media that matters. We drive change by connecting media, technology and community.
CALL FOR ENTRIES
Scottish Documentary Institute is pleased to announce that Bridging the Gap 8 is now open for applications!
We are looking for Scottish-based filmmakers to make 10 minute documentaries on the theme of SHIFT. We want films to be told in the first person â€“ either by the filmmaker or the main character.
12 ideas will be short-listed on the basis of the proposal and supporting materials. In the following weeks they will be developed through weekend workshops so that they can be pitched to a panel of experts who will commission the final 5 projects in December 2010. The films, to be delivered by April 2011, are intended for distribution in cinemas and festivals.
Who can apply?
This scheme is open to all filmmakers based in Scotland, and particularly aims to bridge the gap between training/graduation and a first commission, and those filmmakers who have not made films for the big screen. We are especially interested in filmmakers from diverse and under-represented backgrounds. We cannot accept applications from students in full time education.
DEADLINE: 6 October 2010
Supported by The National Lottery through Creative Scotland, Highlands and Islands Enterprise & ERDF via Screen HI, Edinburgh College of Art, home of Scottish Documentary Institute.
DocuClub in September!
We are happy to announce a partnership with Women Make Movies for our September DocuClub. The screening will take place on Wednesday, September 29, 7 p.m., at 92YTribeca (Take 1, A/C/E to Canal Street).
We will screen a rough cut of FLAT DADDY [www.flatdaddydocumentary.com] by Nara Garber and Betsy Nagler. As military families across the country continue to endure the deployment of loved ones to Afghanistan and Iraq, many attempt to fill the void with â€œFlat Daddiesâ€ and â€œHeroes on a Stick,â€ life-sized cardboard cutouts of their husbands, wives, sons and daughters serving overseas. Using these two-dimensional surrogates as a connecting thread, the documentary tells the stories of four such families, from suburban Minnesota, the Bronx, Las Vegas and rural Maine, as they unfold over the course of a year. Each family represents a unique perspective on the war effort and the difficulties of deployment; together, they weave a nuanced narrative of how military families are coping in post-9/11 America as combat operations enter their tenth year.
Co-Director/Producer/Director of Photography Nara Garber divides her time between directing, producing, shooting, and editing. Often wearing many hats on the same project, Garber produces educational documentaries for Carnegie Hall and has helmed productions for major corporations while also collaborating on provocative PSAs for The Point Foundation and the political satirists, Billionaires for Bush. As a DP, she has dragged camera equipment across five continents in pursuit of the perfect shot. In 2009, a documentary assignment took her on a tour of American military bases in Iraq where many of the men and women serving volunteered the opinion that deployment is harder on the families back home. Garber hopes that FLAT DADDY will help bring that statement to life for a larger audience.
Co-Director/Producer/Editor Betsy Nagler is a Brooklyn-based writer and filmmaker. Her producing and directing credits include work for the website of the Working Families Party, for the television show BLUEâ€™S CLUES, and short narrative films shown at the Seattle and Chicago Film Festivals. In 2005, she completed â€˜DO, a documentary on how people feel about their hair that received funding from the New York State Council on the Arts through the Brooklyn Arts Council Community Arts Regrant Program. She and Nara Garber then received a NYSCA Individual Artists' Grant for FLAT DADDY in 2008. Nagler earned her B.A. at Stanford and her M.F.A. at New York University.
For her first film, Producer Peggy Sutton directed and produced SQUONKUMENTARY. Selected for the 2005 New York IFP Market, the documentary also screened at the Three Rivers Film Festival, Rehoboth Beach International Film Festival and the 2006 Bend Film Festival. Over the past 18 years, her work as a script supervisor has ranged from big budget movies like MEN IN BLACK II to indies such as POLLOCK.
FLAT DADDY is a fiscally sponsored project of Women Make Movies.
Our moderator will be Rose Vincelli, the Program Manager for the Independent Filmmaker Project [www.ifp.org], specifically focusing on curating and producing the Independent Filmmaker Labs, an immersive workshop assisting first-time Documentary and Narrative feature directors with distribution and exhibition strategies, as well as the Project Forum of Independent Film Week. From 2005-07, she was a programmer for the SILVERDOCS Documentary Festival, helping to grow the festival in its inaugural years and working primarily to curate the Shorts Competition. Vincelli recently produced the short documentaries TRANSPOSITION and NO ONE WANTS TO EAT THE PARSLEY. She lives and cooks in Brooklyn.
Admission is free for current DocuClub members and $8 for non-members.
For this screening, only DocuClub members need to RSVP at firstname.lastname@example.org. Our previous screenings have sold out and although admission for non-members is on a first-come, first-serve basis.
Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:
Washington DC and Baltimore-Area Filmmakers...
While Docs In Progress offers consultation services throughout the year at rates affordable to independent documentary filmmakers, on Saturday, September 25, we will be bringing all our affiliated consultants under one roof at one time for One Stop Consultation Day. All in downtown Silver Spring, MD convenient to parking and Metro.
You can schedule up to three consultations on this day and only have to move from room to room at the Docs In Progress Documentary House to get what you need. What kind of topics can Docs In Progress consultants cover?
- Story structure at any stage of development of a documentary
- Production planning for documentaries, including budgeting, working with crews, and scheduling production shoots.
- Fundraising strategies
- Marketing and Outreach, including film festival strategies; press kit essentials; presenting the most effective synopsis, logline, and stills; and using social media tool
- Legal Questions (from an entertainment attorney!) including Contracts, Rights, Clearances, and Fair Use
- Personalized Feedback on Rough Cuts, Trailer, Proposals, and Treatments
Who Are the Docs In Progress Consultants?
Adele Schmidt (Story Structure, Budgeting, Production Planning, Personalized Feedback on Rough Cuts or Trailers)
Erica Ginsberg (Story Structure, Marketing and Outreach, Personalized Feedback on Rough Cuts or Trailers)
Sam Hampton, PH.d (Fundraising Strategies, Video Equipment Advice, and Personalized Feedback on Proposals)
Christine Intagliata (Approaches to the Documentary Treatment and Personalized Feedback on Treatments)
Laura Possessky, J.D. (Legal Issues including Contracts, Rights, Clearances, and Fair Use)
For more information and to sign-up, please visit our website at http://www.docsinprogress.org/index.php?option=com_events&task=view_detail&agid=77&jevtype=jevent&year=2010&month=09&day=25&Itemid=1
Greenlit: Developing Factual / Reality TV Ideas From Concept to Pitch by Nicola Lees
Do you have a documentary project that you are dying to pitch to a TV network, but donâ€™t know where to start? Have you tried pitching it and had the door slammed in your face (several times)? Are you frustrated with being fobbed off? Are you losing confidence in your idea, even though deep down you know itâ€™s a great concept? Is is something you did? Or said? Why are the buyers just not that into you? Donâ€™t despair, youâ€™re not alone in your frustration (although it can feel that way)!
Iâ€™m Nicola Lees, experienced development producer, and founder of TV Mole. Iâ€™ve spent more than 13 years in the international TV business, and have developed written and pitched hundreds of documentary, docu-drama, multi-platform and reality series for broadcasters such as the BBC, Discovery,Nat Geo, History, TLC and the The Travel Channel, and have won approximately 80 commissions in the UK and USA. I have written a comprehensive guide to the frustrating and often confusing world of TV commissioning, wherever you are in the world.
Iâ€™ve interviewed 50 top industry names â€“ producers and buyers â€“ to find out what works, and what doesnâ€™t. Youâ€™ll get advice from:
* 10 TV development producers – who have a combined experience of 50+ years of developing and pitching ideas at all levels, from trainee researcher to creative director, and
* 20 senior executives from internationally successful independent production companies who have sold some of the worldâ€™s most successful shows, to
* 16 channel executives â€“ the people to whom you will pitch your ideas, who between them have worked at
* 18 TV channels â€“ their experience and advice spans commercial and public service broadcasting; cable, terrestrial and satellite channels; documentary, reality, entertainment, specialist factual (science, history, arts, religion and natural history) and multi-platform programming, in
* 7 countries across 4 continents
I also incorporated advice from a Hollywood agent, several video editors, a storytelling consultant, two production managers and four commercial rights experts.
Collectively, the people who will share their insider knowledge with you have originated, pitched, bought or produced some of the most successful, award-winning TV shows and documentaries in the world, including The Age of Stupid, Touching the Void and Murderball. You are getting hundreds of years of experience condensed into a few hundred pages.
"As a Development Producer with a fair few years in the field, I wasn't sure how much I'd get out of this book...it was worth every penny." (Amazon reviewer)
"After 25 years in this crazy business, it's the first time I have seen TV commissioning so comprehensively and entertainingly dissected." (Mike Slee, Independent Film & TV Producer/Director)
I am looking for an experienced editor (preferably in the Bay Area, but not a deal-breaker) to help me finish a feature-length documentary called TEACHED. â€¨â€¨
The film provides a candid look at how and why, fifty years after Brown vs. Board of Education desegregated American schools, black and Hispanic students are still performing far behind white students. The film takes the audience into urban schools where the problems are most severe, to talk to the students, parents, principals and, most importantly, the teachers working there to understand: why the race-based "achievement gap" persists; how it is connected to cycles of poverty, underemployment and incarceration; and what could be done to eliminate it. â€¨â€¨
I have nearly 200 hours of footage shot mostly with a Sony EX-1 in 1080p24, an 80 min rough cut, and a website where you can watch the trailer and get more information: www.loudspeakerfilms.com.
I'd like to find an editor in the next 2-3 weeks, give you the footage to watch, and then work with you to wrap this puppy up before the end of 2010. I know what stories the footage is ready to tell, but I don't have enough experience to do it. I need an experienced editor who has sophisticated story-telling skills (some of the stories are quite sensitive), great technical ability (FCP), and a strong belief that all kids can learn and achieve at high levels if they are given the chance. I'd also like to find an editor who believes that a documentary film can be compelling and educational and inspiring...and ALSO a beautiful work of art.â€¨
Please send your resume and links to your work (or any questions) to me at email@example.com if you are interested in this position. I expect the work will take 8-12 weeks, and payment will be competitive.â€¨â€¨ thanks-â€¨Kelly
In reply to Kelly Amis's post on Wed 15 Sep 2010 :
Very interesting film! Good luck. I'm sure you will find a talented editor through D-Word.
What an interesting story!
Kelly, if you also have the stories of a couple of individuals (teachers, parents and students), you'll have all the elements you need to make this a fantastic documentary!
CALLING ALL DOCUMENTARY FILMMAKERS!
Deadline Approaching for 2011 Big Sky Documentary Film Festival – Films must be POSTMARKED by October 15, 2010!
Big Sky Documentary Film Festival, the premier venue for nonfiction film in the American West, is seeking submissions for its eighth annual event. From February 11-20, 2011 the festival will screen 100+ films, including world and U.S. premieres, classics, rare and experimental works on Montana's largest screen at the historic Wilma Theater in downtown Missoula, Montana. In addition to ten days of screenings, the event will feature many public and VIP events including panel discussions, galas, receptions and networking round-tables.
The competitive event is open to non-fiction films and videos of all genres, subject matter, lengths and production dates. Awards and cash prizes will be given for Best Documentary Feature (over 50 minutes), Best Documentary Short (15-50 minutes), Best Mini-Doc (under 15 minutes) and best documentary about the American West (the Big Sky Award).
DVD (NTSC/PAL), VHS (NTSC/PAL), DVCAM (NTSC/PAL), HDV (NTSC), and miniDV (NTSC/PAL) accepted for preview.
Enter via Withoutabox.com at – http://www.withoutabox.com/login/3969
or download entry form in pdf format at – http://www.bigskyfilmfest.org/entries.html
If you would like an entry form emailed to you in pdf format, send a request to firstname.lastname@example.org.
For more information visit http://www.bigskyfilmfest.org
I'm looking for freelance editor..
I'm shooting a series of short docs in Washington DC at the GW Medical Faculty Associates. If you are (or know anyone who is) an AMAZING freelance editor or animator looking to make some money, I would be very grateful. Thanks.
Please send your resume and links to your work (or any questions) to me at email@example.com
Docs In Progress returns this Friday, September 24 with Trailer Night. You will be able to provide feedback on documentary trailers and might even be able to get feedback on one of your own since we've got one open film slot. Read on for details.
This workshop-style screening program allows filmmakers who may be at an earlier stage of development with their films to benefit by the moderated feedback of audiences who have traditionally provided feedback on full rough cuts. The filmmakers are looking for audience feedback not only on the effectiveness of the trailer itself, but on the concepts of their films – tremendously helpful as they continue in production and post-production of their films. The evening is being moderated by Erica Ginsberg (Executive Director) and Adele Schmidt (Program Advisor) from Docs In Progress. This program is organized by Docs In Progress and sponsored by The Documentary Center at the George Washington University.
Friday, September 24, 2010
The Documentary Center at The George Washington University
School of Media and Public Affairs Building
805 21st Street, NW (21st and H Streets)
Auditorium B-07 (one floor down from street level)
Washington DC 20037
Closest Metro: Foggy Bottom. Limited street parking free after 6:30 pm. Garage parking nearby on H and I Streets.
$10 suggested donation ($5 suggested for Docs Insiders). Cash only at the door. No advance ticketing.
A Different Drummer
by Jonathan Gruber and Robert Jackson
In the mid-1960s, Father Stamand, a white priest working helped change the lives of African-American youths in Washington DC's Anacostia neighborhood by putting together the VIP Drum and Bugle Corps which was one of the first all black drum corps. Now more than 40 years later, five of the original members are seeking to carry on Father Stamand's legacy by encouraging a new generation of drummers and buglers.
Inside: Human Trafficking in the U.S.
by David Gedney
While sex trafficking is often viewed as a problem affecting other countries, it is a growing issue right here in the United States, including in Washington DC. This film is an investigation into the trafficking and exploitation of young girls.
by Sam Hampton
This portrait piece of Kumi Korf explores the lifeforce which inspires an artist. The Japanese-American creates architectural designs, prints, paintings, and artist books which are held by the Library of Congress, the New York Public Library, and the Tate Library, among others. We travel with Korf from her home in Ithaca, New York to her homeland of Japan as we explore what it means to be an artist today.
I Didn't Know
by Ron Minor
Kidney Disease is a health epidemic, especially in minority communities. African-Americans in particular are nearly 5 times as likely to develop kidney disease than Caucasians, often as a result of diet and prevalence of other diseases like hypertension and diabetes. We hear from experts and follow people living with various kidney ailments, some of whom are among the 126,000 on a waiting list to receive a kidney.
Married in Spandex
by Devin Gallagher and Allison Kole
As they begin a life's journey together, Amanda and Rachel are determined to make their wedding day a unique and memorable affair. They travel from Philadelphia to Iowa for their nuptials. But at a time when same-sex weddings are still seen as a political act, can the couple convince their friends and family to get on board and support the relationship...not to mention the gold lame wedding outfits?
Wild Card Slot
Yes, we have room for one more trailer. If you have a 2-7 minute documentary trailer you'd like feedback on from a Docs In Progress audience, bring it with you to tonight's screening. We will select one wild card submission at random. Note that we can only screen DVDs or VHS tapes. No Quicktime files, AVIs, or Windows Media files even if they are on a DVD.
More info: http://www.docsinprogress.org
Attention Documentary Filmmakers!
Holman and James LLC is an independent insurance agency that specializes in production and entertainment insurance. We've been helping filmmakers insure films all over the world since the 1950s. We have access to a number of different carriers to find the best rates.
Check out our website or call (412)323-2300
Hope to hear from you soon and good luck in all your future projects!
Spiro Films has an immediate need for a production assistant in Cleveland tomorrow, Thursday, Sept. 23rd. Ideas???!! Please call: 917-856-2027
Does anyone know an expensive place to rent a projector & speakers near Roswell GA this Saturday? Its a small event so I'm shooting for a low-tech solution. Any suggestions?
Thanks so much!
Looking for a shooter ideally someone with an HVX200 or similar, in Washington DC for a few hrs on the 15th and 16th of Oct. Verite experience would be good. Thanks! firstname.lastname@example.org
In reply to Karen Bernstein's post on Wed 22 Sep 2010 :
Whoa – wish I'd known. Contact me if you need anything Cleveland related. – Laura
New York City-based folks-
Indie Documentary Film seeks MBA-type with passion for the arts/film
MediaGroove LLC is seeking a Associate Producer with a strong business background to help project manage and coordinate resources for our documentary Get It All Out â€“ a feature-length story about the life of a late, charismatic, yet unknown Pittsburgh musician/ vocalist / poet/ humanitarian and the percussive post-punk/ jazz/ worldbeat/ avant-funk band he was in during the early 1980s. Our protagonist was truly a likable, inspired character, and it doesnâ€™t hurt that he was a compassionate human being who could actually sing and write decent lyrics. If you have experience in collaborating on dynamic teams, contributing your best ideas, are not afraid of hard work and take pride in getting things done â€“ we should talk!
In short, we are reanimating the lost musical DNA of an underground sound that never reached a wide audience, and having a blast doing it (by re-recording, remixing and releasing an amazing songbook of material as a companion soundtrack). Film-wise, weâ€™re 2.5 years in the making and weâ€™ve already completed 2/3 of our planned interviews. Breaking the rules of the typical talking head â€œrockumentaryâ€ â€“ weâ€™re incorporating the use of animation/motion graphics, CGI visualization, social media and other creative digital storytelling techniques to elevate the storyline in contemporary ways.
The right candidate will play a key role in setting the stage to refine and finish the film so this is a great opportunity to be part of an experienced team on the excavation of a dusty gem of a narrative. This position is non-paid (though we will cover working production meals, pre-approved necessary expenses) and will provide you with valuable experience and connections.
Qualifications & Responsibilities:
â€¢ This is the ideal project for an MBA with a passion for the arts. Someone who wants to use their professional business (and or marketing) skills outside of work to help bring a film through post-production, fundraising, and see it distributed to national/international festivals, Netflix, Amazon, cable/satellite, etc.
â€¢ Strong prior knowledge of Microsoft Project or other web-based project management tools (Basecamp or similar.)
â€¢ You will work with the filmâ€™s Producer to manage timelines, deliverables, set milestones and hold people to reaching them. Great organizational and detail skills a must!
â€¢ Commitment to a minimum of 1 to 2 days per week on a part-time basis (starting immediately)
â€¢ MUST be NYC-area based and able to attend meetings with producer, director, assistant editors and archivist.
â€¢ Interest in music as a force for social change, progressive politics, multiple genres of music (e.g. – jazz, rock, afrobeat/afro-pop, funk, dub/reggae, post-punk, etc.) â€“ helpful, wouldn't hurt –- but not necessary.
â€¢ Excellent verbal and written communication skills.
We hope youâ€™re the right fit to help us with our quirky, passionate, musical doc! So, please send a brief cover letter and CV/resume, reel/links to projects youâ€™ve managed and/or worked on, and please put "Associate Documentary Producer" in the subject line. Preference given to candidates with at least 3 solid employment/internship references and prior film or collaborative arts team project experience.
Hello friends and colleagues!
I'm reaching out to you from Etsy.com, a vibrant online marketplace for handmade and vintage that I'm currently doing some consulting work for. Etsy has been in existence since 2005, and celebrates craftsmanship from the retired birdhouse maker to the Persian rug weaver to the 3rd generation letterpress printer. It has had a small but creative video presence on the web and is aiming to produce more journalistic and video content for viewers.
Etsy.com stories range from about 3 – 5 minutes in length and bring the sellers on the site â€” and their objects â€” to life. Currently, the site features three main video series: Handmade Portraits, which profile Etsy sellers, who may be artists, craftspeople, or vintage mavens; There's No Place Like Here, which feature the interiors of wonderful, collection-filled homes; and Process, where the methods tell the story. In addition, we often produce fun and unexpected How-To projects.
We are looking for producers and directors who can shoot and edit their own videos and who might lend their own unique, artistic mark to our productions (we are shooting more and more frequently with the Canon 5D and 7D). We are primarily interested in producers outside the New York area, and are also eager to expand our stable of producers to those based outside the U.S. Etsy has sellers in more than 150 countries, and we know that there are stories spanning the globe.
Please spread the word about our search for talent, and if interested (even you New Yorkers), send reels and resumes to email@example.com. Also, please don't hesitate to check out etsy.tv to peruse our video archive. Thank you!
About the Outreach and Distribution Coordinator Position
MY PERESTROIKA, Sundance film and winner of the Filmmaker Award at Full Frame and Special Jury Prize at SilverDocs, a film hailed â€˜one of the yearâ€™s best documentariesâ€™ by the Huffington Post, SEEKS bright, highly-motivated, responsible, and extremely organized and detail-oriented Outreach and Distribution Coordinator with great communication skills and previous experience working in the field, and experience with FCP and WordPress.
Reporting directly to Director/Producer, the Outreach Coordinator is responsible for community outreach, social media initiatives, editing DVD extras, marketing and distribution for educational and theatrical markets, film festival liaison handling applications, travel arrangements, promotion, and print traffic, managing interns, fielding requests, and other related tasks as required.
Our Ideal Candidate
Our ideal candidate for the Outreach Coordinator position has excellent oral and written communication skills, is organized and reliable, and demonstrates a passion for the film. They work well as part of a team and enjoy meeting new people. Previous administrative experience working in a Mac environment with WordPress, Final Cut Pro, Google Docs, spreadsheets, task management and other basic software is an asset, as is social media savvy. Knowledge of Russian is a plus, though not a requirement.
This is a paid position, through August of 2011.
To apply for this position, please email your resume and cover letter to firstname.lastname@example.org with the subject â€œOutreach Coordinator.â€ Only those selected for interviews will be contacted. We look forward to hearing from you!
INTRO TO FINAL CUT PRO CLASS
Taught by Stefanie Dworkin
Whether you are an aspiring video editor or filmmaker, video artist, reporter, photographer or combination of the five, chances are you have crossed paths with Final Cut Pro and wished you knew your way around this powerful and creative editing tool. Here is your chance to establish such a foundation in a small class setting, allowing you the freedom and flexibility to tend to your own creative pursuit.
INTRO TO FINAL CUT PRO– $399 with WIP/NYWIFT/MPEG discount. Regularly $449.
WEEKLY: Tuesday Evenings October 5, 12, 19, and 26 from 6 to 9pm.
INTENSIVE: Thursday & Friday October 28th & 29th from 10am to 5pm.
A working knowledge of the Macintosh operating system Mac OS X.
LOCATION: All classes are held at Showbiz Software (ground floor) at 19 West 21 Street between 5th and 6th Avenues. To reserve your seat, please contact 646-829-0700. Private one-on-one sessions are also available by contacting me directly at email@example.com.
Payment for the classes may be made directly with Showbiz Software by calling 646.829.0700 or visiting their store, 19 West 21st. Street, Ground Floor, New York, NY between the hours of 8am and 8pm.
INTRODUCTORY COURSE OUTLINE
Class 1: Overview of Final Cut Pro
Launching Final Cut Pro, Final Cut Proâ€™s Interface, Nonlinear Editing & Workflow Process, Working with Projects, Organizing Media Elements, Playing Clips in Viewer, Navigating Clips and Sequences, Marking Clips, Saving, Quitting and Hiding Final Cut Pro.
Class 2: Capturing, Importing and Editing a Rough Cut
Creating a New Project for Capturing, Previewing and Marking Source Material, Logging Clips, Choosing Clip Settings, Choosing Capture Settings, Choosing Capturing Options, Setting Capture Preferences and Acquiring other Media such as Graphics and Audio. Logging Information in Browser, Creating Subclips, Editing a Rough Cut, 3 Point Edit, Making Overwrite and Insert edits, Managing Timeline Tracks, Adding Audio Clips, Moving Clips in the Timeline, Drag and Drop Editing, Importing Tracks from a CD.
Class 3: Editing a Fine Cut, Transitions and Filters
Trimming, Ripple Edit, Dragging Clips to a New Location and Keeping Linked Clips in Sync. Viewing Transition Options, Modifying, Applying and Copying Transitions. Using the Transition Editor, Changing the Transition Parameters, Previewing and Rendering Effects. Applying and Viewing Filters, Creating a Freeze Frame, Changing Clip Size and Position, Building a Split Screen and Animating Motion Parameters.
Class 4: Final Preparation, Outputting to Tape & Digital Media
Monitoring and Adjusting Audio Levels, Applying Transitions to Fade Volume, Setting Keyframe to Change Volume, Working with Video Generators, Adding a Lower Third, Creating a Title. Understanding File Formats, Exporting Quicktime Files for DVDs & the Web, Outputting to Tape and Backing Up Projects.
Stefanie Dworkin is an Apple Certified Final Cut Pro Instructor, Editor, and Photographer. Credits include: As The World Turns; The Naked Brothers Band; My Country, My Country; Let the Sunshine In; Save Her O Save Her*; and Can You Hear Me? Stefanie is a member of the Motion Pictures Editorâ€™s Guild and New York Women in Film and Television. She holds a masters degree in Interactive Telecommunications (ITP) from New York Universityâ€™s Tisch School of the Arts and a bachelorâ€™s from the University of California at Santa Barbara. She is available to teach group and individuals as well as specific Final Cut Pro training for Avid Editors. Stefanie can be reached at firstname.lastname@example.org
"Stefanie Dworkin is knowledgeable and adept at encouraging students at all levels. We worked through a basic introduction to Final Cut Pro 6. I came from a fairly tech-phobic background and found that Ms. Dworkin instilled confidence through her clarity and ease working with Final Cut Pro– showing me ways to problem solve based on my instincts while navigating the program. Stefanie keenly answered all questions and tailored the lesson plans and information to each student's individual needs. The class itself, had a very interactive tone with students learning from each other's questions while being guided in a very sure-footed manner by Ms. Dworkin. I highly recommend this class to anyone seeking to get acquainted with Final Cut Pro or sharpen their skills!" D. Cameron-Scorsese, Filmmaker/Actress
"Final Cut Pro 6 is definitely a much needed tool if you want to stay ahead of the game. With a creative innovator like Stefanie Dworkin teaching you the 'ins and outs, you'll be amazed at what you can do frame by frame. The huge sense of accomplishment you feel at the end of each class speaks for itself...For me..the goal was about building from that foundation and making the connection last... Overall, a truly SUPERB class!!"
J. Myers-Bartley, TV Reporter